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Schande und ihre Schwestern: Ein Silvan Tomkins Leser, Sedgwick, Frank 9780822316947..

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Title
Shame and Its Sisters: A Silvan Tomkins Reader
Artist
Not Specified
Type
Not Specified
Publication Name
Not Specified
ISBN
9780822316947

Über dieses Produkt

Product Identifiers

Publisher
Duke University Press
ISBN-10
0822316943
ISBN-13
9780822316947
eBay Product ID (ePID)
260201

Product Key Features

Book Title
Shame and Its Sisters : a Silvan Tomkins Reader
Number of Pages
280 Pages
Language
English
Publication Year
1995
Topic
General, Emotions, Movements / Behaviorism
Illustrator
Yes
Genre
Psychology
Author
Adam Frank
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
14.4 Oz
Item Length
9.2 in
Item Width
6 in

Additional Product Features

LCCN
95-016776
Reviews
"A fascinating, timely, and richly 'awry' contribution to recent work on problems of agency, affect, and the nature/culture debate generally. The introduction is superb, exact, and incisive. Shame and Its Sisters will be of real interest to a wide range of readers in the humanities, including history, literature, psychoanalytic theory, work on the problem of the body and the 'subject,' systems theory, and more."--Mark Seltzer, Cornell University, " Shame and Its Sisters will have a major impact on the study of culture in the coming years, and on several fronts. It is a significant contribution to the current rethinking of emotion and affect that promises to explore the limits of Freudian and dialectical models of the self, its pleasures, desires, and projects."--W. J. T. Mitchell, Editor, Critical Inquiry, "A fascinating, timely, and richly 'awry' contribution to recent work on problems of agency, affect, and the nature/culture debate generally. The introduction is superb, exact, and incisive. Shame and Its Sisters will be of real interest to a wide range of readers in the humanities, including history, literature, psychoanalytic theory, work on the problem of the body and the 'subject,' systems theory, and more."-Mark Seltzer, Cornell University, " Shame and Its Sisters will have a major impact on the study of culture in the coming years, and on several fronts. It is a significant contribution to the current rethinking of emotion and affect that promises to explore the limits of Freudian and dialectical models of the self, its pleasures, desires, and projects."-W. J. T. Mitchell, Editor, Critical Inquiry, "A fascinating, timely, and richly ‘awry’ contribution to recent work on problems of agency, affect, and the nature/culture debate generally. The introduction is superb, exact, and incisive. Shame and Its Sisters will be of real interest to a wide range of readers in the humanities, including history, literature, psychoanalytic theory, work on the problem of the body and the ‘subject,’ systems theory, and more."-Mark Seltzer, Cornell University
Dewey Edition
20
Dewey Decimal
152.4
Table Of Content
Shame in the Cybernetic Fold: Reading Silvan Tomkins / Eve Kosofsky Sedgwick and Adam Frank 1 A Note on the Text 29 1 What Are Affects? 33 2 Interest-Excitement 75 3 Enjoyment-Joy 81 4 Surprise-Startle 107 5 Distress-Anguish 109 6 Shame-Humiliation and Contempt-Disgust 133 7 Script Theory and Nuclear Scripts 179 8 Anger 197 9 Fear-Terror 235 10 Perception: The Body Image and Phantom Limbs 241 Silvan S. Tomkins: A Biographical Sketch / Irving E. Alexander 251 Index 265
Synopsis
The question of affect is central to critical theory, psychology, politics, and the entire range of the humanities; but no discipline, including psychoanalysis, has offered a theory of affect that would be rich enough to account for the delicacy and power, the evanescence and durability, the bodily rootedness and the cultural variability of human emotion. Silvan Tomkins (1911-1991) was one of the most radical and imaginative psychologists of the twentieth century. In Affect, Imagery, Consciousness , a four-volume work published over the last thirty years of his life, Tomkins developed an ambitious theory of affect steeped in cybernetics and systems theory as well as in psychoanalysis, ethology, and neuroscience. The implications of his conceptually daring and phenomenologically suggestive theory are only now--in the context of postmodernism--beginning to be understood. With Shame and Its Sisters , editors Eve Kosofsky Sedgwick and Adam Frank make available for the first time an engaging and accessible selection of Tomkins's work. Featuring intensive examination of several key affects, particularly shame and anger, this volume contains many of Tomkins's most haunting, diagnostically incisive, and theoretically challenging discussions. An introductory essay by the editors places Tomkins's work in the context of postwar information technologies and will prompt a reexamination of some of the underlying assumptions of recent critical work in cultural studies and other areas of the humanities. The text is also accompanied by a biographical sketch of Tomkins by noted psychologist Irving E. Alexander, Tomkins's longtime friend and collaborator., The question of affect is central to critical theory, psychology, politics, and the entire range of the humanities; but no discipline, including psychoanalysis, has offered a theory of affect that would be rich enough to account for the delicacy and power, the evanescence and durability, the bodily rootedness and the cultural variability of human emotion. Silvan Tomkins (1911-1991) was one of the most radical and imaginative psychologists of the twentieth century. In Affect, Imagery, Consciousness , a four-volume work published over the last thirty years of his life, Tomkins developed an ambitious theory of affect steeped in cybernetics and systems theory as well as in psychoanalysis, ethology, and neuroscience. The implications of his conceptually daring and phenomenologically suggestive theory are only now-in the context of postmodernism-beginning to be understood. With Shame and Its Sisters , editors Eve Kosofsky Sedgwick and Adam Frank make available for the first time an engaging and accessible selection of Tomkins's work. Featuring intensive examination of several key affects, particularly shame and anger, this volume contains many of Tomkins's most haunting, diagnostically incisive, and theoretically challenging discussions. An introductory essay by the editors places Tomkins's work in the context of postwar information technologies and will prompt a reexamination of some of the underlying assumptions of recent critical work in cultural studies and other areas of the humanities. The text is also accompanied by a biographical sketch of Tomkins by noted psychologist Irving E. Alexander, Tomkins's longtime friend and collaborator.
LC Classification Number
BF531.T583S4 1995

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