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Who Stole the Funny?: A Novel of Hollywood
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Who Stole the Funny?: A Novel of Hollywood
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Who Stole the Funny?: A Novel of Hollywood

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    ISBN
    9780061245008

    Über dieses Produkt

    Product Identifiers

    Publisher
    HarperCollins
    ISBN-10
    0061245003
    ISBN-13
    9780061245008
    eBay Product ID (ePID)
    59085677

    Product Key Features

    Book Title
    Who Stole the Funny? : a Novel of Hollywood
    Number of Pages
    368 Pages
    Language
    English
    Publication Year
    2007
    Topic
    General, Satire, Historical, Media Tie-In
    Genre
    Fiction
    Author
    Robby Benson
    Format
    Perfect

    Dimensions

    Item Height
    0.9 in
    Item Weight
    11.7 Oz
    Item Length
    8 in
    Item Width
    5.2 in

    Additional Product Features

    Intended Audience
    Trade
    Reviews
    "An irreverent and hilarious stroll down the dark alleys of Hollywood's TV landscape." -- Peter Bart, Editor in Chief, Variety "'Who Stole The Funny?' benefits from Mr. Benson's deep knowledge of his subject matter..." -- Wall Street Journal, "?Who Stole The Funny? benefits from Mr. Benson's deep knowledge of his subject matter..." (Wall Street Journal)
    Synopsis
    A Hollywood insider draws from his four decades of experience to create a scathingly brilliant and caustically comedic bird's-eye view behind the scenes of comedy television. A wickedly delicious roman-a-clef about the making of a sitcom called My Urban Buddies , this satirical romp of a novel portrays life on the other side of the television lens, hilariously sending up self-serious Hollywood stereotypes across the board. Programmed-for-success director J. T. Baker has to bring an up-and-coming sitcom to fruition after its initial director shoots himself in the head with a nail gun. Comically annotated with helpful and enlightening Hollywood glossary terms ("Creative-type director: One who has no hope of working in this town again"; "Eccentric: Affecting a style of dress, coiffure, speech, mannerisms, etc., carefully calculated to give the impression of creative credibility"), Benson creates an exaggerated world of crazy writers; backstabbing executives, agents, and producers; foul-mouthed everyone-elses; and hardcore cynics--and the ridiculous inner monologues behind them., A Hollywood insider draws from his four decades of experience to create a scathingly brilliant and caustically comedic bird's-eye view behind the scenes of comedy television. A wickedly delicious roman-a-clef about the making of a sitcom called My Urban Buddies, this satirical romp of a novel portrays life on the other side of the television lens, hilariously sending up self-serious Hollywood stereotypes across the board. Programmed-for-success director J. T. Baker has to bring an up-and-coming sitcom to fruition after its initial director shoots himself in the head with a nail gun. Comically annotated with helpful and enlightening Hollywood glossary terms ("Creative-type director: One who has no hope of working in this town again"; "Eccentric: Affecting a style of dress, coiffure, speech, mannerisms, etc., carefully calculated to give the impression of creative credibility"), Benson creates an exaggerated world of crazy writers; backstabbing executives, agents, and producers; foul-mouthed everyone-elses; and hardcore cynics-and the ridiculous inner monologues behind them., A Hollywood insider draws from his four decades of experience to create a scathingly brilliant and satirical birds-eye view of life behind the scenes in comedy television., A Hollywood insider draws from his four decades of experience to create a scathingly brilliant and caustically comedic bird's-eye view behind the scenes of comedy television. A wickedly delicious roman-a-clef about the making of a sitcom called My Urban Buddies, this satirical romp of a novel portrays life on the other side of the television lens, hilariously sending up self-serious Hollywood stereotypes across the board. Programmed-for-success director J. T. Baker has to bring an up-and-coming sitcom to fruition after its initial director shoots himself in the head with a nail gun. Comically annotated with helpful and enlightening Hollywood glossary terms ("Creative-type director: One who has no hope of working in this town again"; "Eccentric: Affecting a style of dress, coiffure, speech, mannerisms, etc., carefully calculated to give the impression of creative credibility"), Benson creates an exaggerated world of crazy writers; backstabbing executives, agents, and producers; foul-mouthed everyone-elses; and hardcore cynics--and the ridiculous inner monologues behind them.

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