THE EARLY STUART MASQUE: DANCE, COSTUME, AND MUSIC By Barbara Ravelhofer *VG+*
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THE EARLY STUART MASQUE: DANCE, COSTUME, AND MUSIC By Barbara Ravelhofer *VG+*
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eBay-Artikelnr.:335799181899
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- ISBN-10
- 0199559252
- Book Title
- The Early Stuart Masque: Dance, Costume, and Music
- Genre
- Literary Criticism
- ISBN
- 9780199559251
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199559252
ISBN-13
9780199559251
eBay Product ID (ePID)
71666791
Product Key Features
Number of Pages
336 Pages
Publication Name
Early Stuart Masque : Dance, Costume, and Music
Language
English
Publication Year
2009
Subject
Europe / Great Britain / Stuart Era (1603-1714), Drama, Theater / History & Criticism, Dance / Regional & Ethnic, Popular Culture, Europe / Great Britain / General
Type
Textbook
Subject Area
Literary Criticism, Performing Arts, Social Science, History
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
20.5 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
'...an impressive and handsome book that makes a fine contribution to masque scholarship...[Ravelhofer] has done a fantastic job.'Review of English Studies, ...a work of exceptional range and substance, which takes the study of the masque to an altogether new level...a book rich with fascinating material...the most important study of the masque to appear for a long time., 'Review from previous edition Ravelhofer is particularly interesting on costume.'Plays International'...an impressive and handsome book that makes a fine contribution to masque scholarship...[Ravelhofer] has done a fantastic job.'Review of English Studies'Ravelhofer's book enormously extends our knowledge of these fields, bringing new sources to bear, and valuably reading English sources within an international perspective.'NTQ, 'Review from previous edition Ravelhofer is particularly interesting on costume.'Plays International, "One of the most thorough treatments of the actual staging of [court masques] to date." --Sixteenth Century Journal, Ravelhofer breaks new ground in exploring how masques actuall worked...This is a valuable study, full of new information culled from a wide range of sources., "One of the most thorough treatments of the actual staging of [court masques] to date." -- Sixteenth Century Journal, 'Ravelhofer's book enormously extends our knowledge of these fields, bringing new sources to bear, and valuably reading English sources within an international perspective.'NTQ
TitleLeading
The
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
782.1509
Table Of Content
Part One: Dance1. Methodology2. English and Continental Sources3. Theatre Dances4. Discipline or Pleasure?Part Two: Costume5. Masque Costumes6. Colours and Lights: The Costume in Motion7. Costume Conventions for Male and Female MasquersPart Three: Case Studies8. Two Jonsonian Court Masques9. Historical Costume, Historical Dancing: iCoelum Britannicum/i10. Global Spectacle: An English Masque in Constantinople
Synopsis
The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman Empire, the book elucidates professional ballet, theatre management, and dramatic performance at the early Stuart court. Individual studies take a fresh look at works by Ben Jonson, Samuel Daniel, Thomas Carew, John Milton, William Davenant, and others, showing how court poets collaborated with tailors, designers, technicians, choreographers, and aristocratic as well as professional performers to create a dazzling event. Based on extensive archival research on the households of Queen Anne and Queen Henrietta Maria, special chapters highlight the artistic and financial control of Stuart queens over their masques and pastorals. Many plates and figures from German, Austrian, French, and English archives illustrate accessibly-written introductions to costume conventions, early dance styles, male and female performers, the dramatic symbolism of colours, and stage design in performance. With splendid costumes and choreographies, masques once appealed to the five senses. A tribute to their colourful brilliance, this book seeks to recover a lost dimension of performance culture in early modern England., The Early Stuart Masque studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance., The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman Empire, the book elucidates professional ballet, theatre management, and dramatic performance at the early Stuart court. Individual studies take a fresh look at works by Ben Jonson, Samuel Daniel, Thomas Carew, John Milton, William Davenant, and others, showing how court poets collaborated with tailors, designers, technicians, choreographers, and aristocratic as well as professional performers to create a dazzling event. Based on extensive archival research on the households of Queen Anne and Queen Henrietta Maria, special chapters highlight the artistic and financial control of Stuart queens over their masques and pastorals. Many plates and figures from German, Austrian, French, and English archives illustrate accessibly-written introductions to costume conventions, early dance styles, male and female performers, the dramatic symbolism of colors, and stage design in performance. With splendid costumes and choreographies, masques once appealed to the five senses. A tribute to their colorful brilliance, this book seeks to recover a lost dimension of performance culture in early modern England.
LC Classification Number
GV1646.E6R38 2009
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- s***a (264)- Bewertung vom Käufer.Letzter MonatBestätigter KaufFine transaction, shipped quickly.
- u***e (338)- Bewertung vom Käufer.Letzter MonatBestätigter KaufI am happy with my purchase. The book was as described.
- 2***3 (1)- Bewertung vom Käufer.Letzter MonatBestätigter Kaufin very good condition! no signs of damage or mishandling, good quality
- i***i (16)- Bewertung vom Käufer.Letzter MonatBestätigter Kaufgreat seller and as described. would by again