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MALLARME: DER DICHTER UND SEIN KREIS von Rosemary Lloyd *Top Zustand*
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Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- ISBN-10
- 0801489938
- Publication Name
- Cornell University Press
- Type
- Paperback
- ISBN
- 9780801489938
Über dieses Produkt
Product Identifiers
Publisher
Cornell University Press
ISBN-10
0801489938
ISBN-13
9780801489938
eBay Product ID (ePID)
44182886
Product Key Features
Book Title
Mallarmé : the Poet and His Circle
Number of Pages
288 Pages
Language
English
Topic
Cultural Heritage, European / French, Poetry, Literary
Publication Year
2005
Illustrator
Yes
Genre
Literary Criticism, Biography & Autobiography
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
16 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
99-035644
Dewey Edition
22
Reviews
"Rosemary Lloyd's book stands out among recent publications on Mallarm for its readability and its intimate portrait of the poet in the context of his times."-Dorothy Betz, The European Legacy, "Lloyd's richly insightful study focuses on the way Mallarme's correspondence with his friends and acquaintances (his circle) sheds light on the process of poetic composition. . . . Lloyd's style is elegant rather than artful, and the erudition of the author, while understated, is apparent on every page."-Melanie Hawthorne, French Review, "To encounter this remarkable study of Mallarmé's life, character, and surroundings with a focus on a broad exchange of letters is to read, for once, from the inside out. At every turn, Rosemary Lloyd's lively and authoritative translations, her deep knowledge, and subtle grasp of what really matters--in a life and in a reading--make this book a triumph."--Mary Ann Caws, Distinguished Professor of English, French, and Comparative Literature, Graduate School, City University of New York, editor of Stéphane Mallarmé, Selected Poetry and Prose, "This articulate literary biography . . . sheds new and important light on Mallarmé's own poems and essays . . . An important addition to large public as well as scholarly collections . . . this volume will be a sine qua non for any library supporting serious study in poetry, art, and music of late 19th-century France. Endnotes, a substantial bibliography, a useful index, and excellent print, paper, and binding add to the book's value."-Choice, June 2000, "Unique among Mallarm's biographers (in French or in English), Rosemary Lloyd has articulated the intricate structure of his procedures as the true poet of reading-his and ours. Not only a formidable achievement, but a mandatory one, putting us richly in her debt, and happy to be there."-Richard Howard, "Throughout her book Lloyd segues gracefully from the poet's life and milieu to his poems, always matched with her first-rate translations and subtle explications. While insisting on the everyday simplicity of Mallarme's symbols (mirrors, sunsets, vases) she never tries to explain away the poems' irreducible complexity. This is biographical criticism of the highest order; it is also an absorbing portrait of a dazzling subculture."-Chase Madar, Times Literary Supplement, 22 December 2000, "Rosemary Lloyd's Mallarm occupies a peopled landscape rather than the desert of abstraction to which many recent critics have sought to confine him. But the remarkable thing about this book is that Lloyd's discussion of Mallarme's people-the crowd of artists and litterateurs with whom he had dealings-offers us new ways of reading his poems, essays, and letters at their most difficult and provocative. This is a landmark in the historical understanding of an incomparable writer."-Malcolm Bowie, Oxford University, "An extremely thoughtful and well-documented new study, a book that sheds as much light on the cultural dynamics of the fin-de-siecle as it does on the aesthetics, ethics, and personality of Mallarmé himself. . . . In the end, Lloyd skillfully demonstrates that Mallarmé's correspondence holds much hidden significance."--Pamela A. Genova, French Forum, Winter 2001, "Throughout her book Lloyd segues gracefully from the poet's life and milieu to his poems, always matched with her first-rate translations and subtle explications. While insisting on the everyday simplicity of Mallarme's symbols (mirrors, sunsets, vases) she never tries to explain away the poems' irreducible complexity. This is biographical criticism of the highest order; it is also an absorbing portrait of a dazzling subculture."--Chase Madar, Times Literary Supplement, 22 December 2000, "Highly original in form and conception, Mallarm: The Poet and His Circle stands out from other biographies. Rosemary Lloyd demonstrates the central importance of the letters for Mallarm's aesthetic theory and practice, and their critical interest as a testing ground for the great experiments of Symbolism."--Jill Anderson, University of Melbourne, Throughout her book Lloyd segues gracefully from the poet's life and milieu to his poems, always matched with her first-rate translations and subtle explications. While insisting on the everyday simplicity of Mallarmé's symbols (mirrors, sunsets, vases) she never tries to explain away the poems' irreducible complexity. This is biographical criticism of the highest order; it is also an absorbing portrait of a dazzling subculture., The book places Mallarmé within the blazing late-19th-century Parisian artistic ferment and offers credible looks at the origins of his endlessly complicated and beautiful work., "The book places Mallarm within the blazing late-19th-century Parisian artistic ferment and offers credible looks at the origins of his endlessly complicated and beautiful work."-Publishers Weekly, 6 December 1999, "An extremely thoughtful and well-documented new study, a book that sheds as much light on the cultural dynamics of the fin-de-siecle as it does on the aesthetics, ethics, and personality of Mallarmé himself. . . . In the end, Lloyd skillfully demonstrates that Mallarmé's correspondence holds much hidden significance."-Pamela A. Genova, French Forum, Winter 2001, "To encounter this remarkable study of Mallarm's life, character, and surroundings with a focus on a broad exchange of letters is to read, for once, from the inside out. At every turn, Rosemary Lloyd's lively and authoritative translations, her deep knowledge, and subtle grasp of what really matters--in a life and in a reading--make this book a triumph."--Mary Ann Caws, Distinguished Professor of English, French, and Comparative Literature, Graduate School, City University of New York, editor of Stphane Mallarm, Selected Poetry and Prose, "Rosemary Lloyd's Mallarmé occupies a peopled landscape rather than the desert of abstraction to which many recent critics have sought to confine him. But the remarkable thing about this book is that Lloyd's discussion of Mallarme's people-the crowd of artists and litterateurs with whom he had dealings-offers us new ways of reading his poems, essays, and letters at their most difficult and provocative. This is a landmark in the historical understanding of an incomparable writer."-Malcolm Bowie, Oxford University, "Rosemary Lloyd's Mallarmé occupies a peopled landscape rather than the desert of abstraction to which many recent critics have sought to confine him. But the remarkable thing about this book is that Lloyd's discussion of Mallarme's people--the crowd of artists and litterateurs with whom he had dealings--offers us new ways of reading his poems, essays, and letters at their most difficult and provocative. This is a landmark in the historical understanding of an incomparable writer."--Malcolm Bowie, Oxford University, This articulate literary biography... sheds new and important light on Mallarmé's own poems and essays.... An important addition to large public as well as scholarly collections,... this volume will be a sine qua non for any library supporting serious study in poetry, art, and music of late 19th-century France. Endnotes, a substantial bibliography, a useful index, and excellent print, paper, and binding add to the book's value., "Rosemary Lloyd's book stands out among recent publications on Mallarmé for its readability and its intimate portrait of the poet in the context of his times."-Dorothy Betz, The European Legacy, "This articulate literary biography . . . sheds new and important light on Mallarm's own poems and essays . . . An important addition to large public as well as scholarly collections . . . this volume will be a sine qua non for any library supporting serious study in poetry, art, and music of late 19th-century France. Endnotes, a substantial bibliography, a useful index, and excellent print, paper, and binding add to the book's value."--Choice, June 2000, "The book places Mallarm within the blazing late-19th-century Parisian artistic ferment and offers credible looks at the origins of his endlessly complicated and beautiful work."--Publishers Weekly, 6 December 1999, "Highly original in form and conception, Mallarmé: The Poet and His Circle stands out from other biographies. Rosemary Lloyd demonstrates the central importance of the letters for Mallarmé's aesthetic theory and practice, and their critical interest as a testing ground for the great experiments of Symbolism."--Jill Anderson, University of Melbourne, "Unique among Mallarm's biographers (in French or in English), Rosemary Lloyd has articulated the intricate structure of his procedures as the true poet of reading--his and ours. Not only a formidable achievement, but a mandatory one, putting us richly in her debt, and happy to be there."--Richard Howard, "Taking the poet's correspondence as the focus of her study, Rosemary Lloyd brilliantly captures the savor of Mallarm. Her delightful, finely drawn portrait illuminates Mallarm's relationships with his many artist friends, from Zola to Redon."-James Lawler, University of Chicago, "Unique among Mallarmé's biographers (in French or in English), Rosemary Lloyd has articulated the intricate structure of his procedures as the true poet of reading-his and ours. Not only a formidable achievement, but a mandatory one, putting us richly in her debt, and happy to be there."-Richard Howard, "Taking the poet's correspondence as the focus of her study, Rosemary Lloyd brilliantly captures the savor of Mallarm. Her delightful, finely drawn portrait illuminates Mallarm's relationships with his many artist friends, from Zola to Redon."--James Lawler, University of Chicago, "Highly original in form and conception, Mallarm: The Poet and His Circle stands out from other biographies. Rosemary Lloyd demonstrates the central importance of the letters for Mallarm's aesthetic theory and practice, and their critical interest as a testing ground for the great experiments of Symbolism."-Jill Anderson, University of Melbourne, "Highly original in form and conception, Mallarmé: The Poet and His Circle stands out from other biographies. Rosemary Lloyd demonstrates the central importance of the letters for Mallarmé's aesthetic theory and practice, and their critical interest as a testing ground for the great experiments of Symbolism."-Jill Anderson, University of Melbourne, An extremely thoughtful and well-documented new study, a book that sheds as much light on the cultural dynamics of the fin-de-siecle as it does on the aesthetics, ethics, and personality of Mallarmé himself.... In the end, Lloyd skillfully demonstrates that Mallarmé's correspondence holds much hidden significance., "Lloyd's richly insightful study focuses on the way Mallarme's correspondence with his friends and acquaintances (his circle) sheds light on the process of poetic composition. . . . Lloyd's style is elegant rather than artful, and the erudition of the author, while understated, is apparent on every page."--Melanie Hawthorne, French Review, "This articulate literary biography . . . sheds new and important light on Mallarm's own poems and essays . . . An important addition to large public as well as scholarly collections . . . this volume will be a sine qua non for any library supporting serious study in poetry, art, and music of late 19th-century France. Endnotes, a substantial bibliography, a useful index, and excellent print, paper, and binding add to the book's value."-Choice, June 2000, "The book places Mallarmé within the blazing late-19th-century Parisian artistic ferment and offers credible looks at the origins of his endlessly complicated and beautiful work."-Publishers Weekly, 6 December 1999, "This articulate literary biography . . . sheds new and important light on Mallarmé's own poems and essays . . . An important addition to large public as well as scholarly collections . . . this volume will be a sine qua non for any library supporting serious study in poetry, art, and music of late 19th-century France. Endnotes, a substantial bibliography, a useful index, and excellent print, paper, and binding add to the book's value."--Choice, June 2000, "To encounter this remarkable study of Mallarm's life, character, and surroundings with a focus on a broad exchange of letters is to read, for once, from the inside out. At every turn, Rosemary Lloyd's lively and authoritative translations, her deep knowledge, and subtle grasp of what really matters-in a life and in a reading-make this book a triumph."-Mary Ann Caws, Distinguished Professor of English, French, and Comparative Literature, Graduate School, City University of New York, editor of Stphane Mallarm, Selected Poetry and Prose, Rosemary Lloyd's book stands out among recent publications on Mallarmé for its readability and its intimate portrait of the poet in the context of his times., "Taking the poet's correspondence as the focus of her study, Rosemary Lloyd brilliantly captures the savor of Mallarmé. Her delightful, finely drawn portrait illuminates Mallarmé's relationships with his many artist friends, from Zola to Redon."-James Lawler, University of Chicago, "Rosemary Lloyd's book stands out among recent publications on Mallarm for its readability and its intimate portrait of the poet in the context of his times."--Dorothy Betz, The European Legacy, "Unique among Mallarmé's biographers (in French or in English), Rosemary Lloyd has articulated the intricate structure of his procedures as the true poet of reading--his and ours. Not only a formidable achievement, but a mandatory one, putting us richly in her debt, and happy to be there."--Richard Howard, "To encounter this remarkable study of Mallarmé's life, character, and surroundings with a focus on a broad exchange of letters is to read, for once, from the inside out. At every turn, Rosemary Lloyd's lively and authoritative translations, her deep knowledge, and subtle grasp of what really matters-in a life and in a reading-make this book a triumph."-Mary Ann Caws, Distinguished Professor of English, French, and Comparative Literature, Graduate School, City University of New York, editor of Stéphane Mallarmé, Selected Poetry and Prose, "Rosemary Lloyd's Mallarm occupies a peopled landscape rather than the desert of abstraction to which many recent critics have sought to confine him. But the remarkable thing about this book is that Lloyd's discussion of Mallarme's people--the crowd of artists and litterateurs with whom he had dealings--offers us new ways of reading his poems, essays, and letters at their most difficult and provocative. This is a landmark in the historical understanding of an incomparable writer."--Malcolm Bowie, Oxford University, "An extremely thoughtful and well-documented new study, a book that sheds as much light on the cultural dynamics of the fin-de-siecle as it does on the aesthetics, ethics, and personality of Mallarm himself. . . . In the end, Lloyd skillfully demonstrates that Mallarm's correspondence holds much hidden significance."-Pamela A. Genova, French Forum, Winter 2001, "Rosemary Lloyd's book stands out among recent publications on Mallarmé for its readability and its intimate portrait of the poet in the context of his times."--Dorothy Betz, The European Legacy, Lloyd's richly insightful study focuses on the way Mallarmé's correspondence with his friends and acquaintances (his circle) sheds light on the process of poetic composition.... Lloyd's style is elegant rather than artful, and the erudition of the author, while understated, is apparent on every page., "An extremely thoughtful and well-documented new study, a book that sheds as much light on the cultural dynamics of the fin-de-siecle as it does on the aesthetics, ethics, and personality of Mallarm himself. . . . In the end, Lloyd skillfully demonstrates that Mallarm's correspondence holds much hidden significance."--Pamela A. Genova, French Forum, Winter 2001, "The book places Mallarmé within the blazing late-19th-century Parisian artistic ferment and offers credible looks at the origins of his endlessly complicated and beautiful work."--Publishers Weekly, 6 December 1999, "Taking the poet's correspondence as the focus of her study, Rosemary Lloyd brilliantly captures the savor of Mallarmé. Her delightful, finely drawn portrait illuminates Mallarmé's relationships with his many artist friends, from Zola to Redon."--James Lawler, University of Chicago
Grade From
College Graduate Student
Dewey Decimal
841.8
Synopsis
Upon his death in 1898, the French Symbolist poet Stephane Mallarm (b. 1842) left behind a body of published work which though modest in quantity was to have a seminal influence on subsequent poetry and aesthetic theory. He also enjoyed an unparalleled reputation for extending help and encouragement to those who sought him out. Rosemary Lloyd has produced a fascinating literary biography of the poet and his period, offering a subtle exploration of the mind and letters of one of the giants of modern European poetry.Every Tuesday, from the late 1870s on, Mallarm hosted gatherings that became famous as the "Mardis" and that were attended by a cross section of significant writers, artists, thinkers, and musicians in fin-de-siecle France, England, and Belgium. Through these gatherings and especially through a voluminous correspondence--eventually collected in eleven volumes--Mallarm developed and recorded his friendships with Paul Valery, Andre Gide, Berthe Morisot, and many others. Attractively written and scrupulously documented, Mallarme: The Poet and His Circle is unique in offering a biographical account of the poet's literary practice and aesthetics which centers on that correspondence., Offers a subtle exploration of the mind and letters of the French Symbolist poet Stephane Mallarme, one of the giants of modern European poetry., Upon his death in 1898, the French Symbolist poet Stephane Mallarmé (b. 1842) left behind a body of published work which though modest in quantity was to have a seminal influence on subsequent poetry and aesthetic theory. He also enjoyed an unparalleled reputation for extending help and encouragement to those who sought him out. Rosemary Lloyd has produced a fascinating literary biography of the poet and his period, offering a subtle exploration of the mind and letters of one of the giants of modern European poetry.Every Tuesday, from the late 1870s on, Mallarmé hosted gatherings that became famous as the "Mardis" and that were attended by a cross section of significant writers, artists, thinkers, and musicians in fin-de-siecle France, England, and Belgium. Through these gatherings and especially through a voluminous correspondence--eventually collected in eleven volumes--Mallarmé developed and recorded his friendships with Paul Valery, Andre Gide, Berthe Morisot, and many others. Attractively written and scrupulously documented, Mallarme: The Poet and His Circle is unique in offering a biographical account of the poet's literary practice and aesthetics which centers on that correspondence., Upon his death in 1898, the French Symbolist poet Stephane Mallarmé (b. 1842) left behind a body of published work which though modest in quantity was to have a seminal influence on subsequent poetry and aesthetic theory. He also enjoyed an unparalleled reputation for extending help and encouragement to those who sought him out. Rosemary Lloyd has produced a fascinating literary biography of the poet and his period, offering a subtle exploration of the mind and letters of one of the giants of modern European poetry. Every Tuesday, from the late 1870s on, Mallarmé hosted gatherings that became famous as the "Mardis" and that were attended by a cross section of significant writers, artists, thinkers, and musicians in fin-de-siecle France, England, and Belgium. Through these gatherings and especially through a voluminous correspondence?eventually collected in eleven volumes?Mallarmé developed and recorded his friendships with Paul Valery, Andre Gide, Berthe Morisot, and many others. Attractively written and scrupulously documented, Mallarmé: The Poet and His Circle is unique in offering a biographical account of the poet's literary practice and aesthetics which centers on that correspondence., Upon his death in 1898, the French Symbolist poet Stephane Mallarmé (b. 1842) left behind a body of published work which though modest in quantity was to have a seminal influence on subsequent poetry and aesthetic theory. He also enjoyed an..., Upon his death in 1898, the French Symbolist poet Stephane Mallarmé (b. 1842) left behind a body of published work which though modest in quantity was to have a seminal influence on subsequent poetry and aesthetic theory. He also enjoyed an unparalleled reputation for extending help and encouragement to those who sought him out. Rosemary Lloyd has produced a fascinating literary biography of the poet and his period, offering a subtle exploration of the mind and letters of one of the giants of modern European poetry. Every Tuesday, from the late 1870s on, Mallarmé hosted gatherings that became famous as the "Mardis" and that were attended by a cross section of significant writers, artists, thinkers, and musicians in fin-de-siecle France, England, and Belgium. Through these gatherings and especially through a voluminous correspondence--eventually collected in eleven volumes--Mallarmé developed and recorded his friendships with Paul Valery, Andre Gide, Berthe Morisot, and many others. Attractively written and scrupulously documented, Mallarmé: The Poet and His Circle is unique in offering a biographical account of the poet's literary practice and aesthetics which centers on that correspondence.
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