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DIE MOGULE UND DIE DIKTATOREN: HOLLYWOOD UND DAS KOMMEN VON von David Welky *Sehr guter Zustand+*

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“Book is in Very Good Condition.  Text will be unmarked.  May show some signs of use or wear. Will ...
ISBN-10
0801890446
Book Title
The Moguls and the Dictators: Hollywood and the Coming of World
ISBN
9780801890444

Über dieses Produkt

Product Identifiers

Publisher
Johns Hopkins University Press
ISBN-10
0801890446
ISBN-13
9780801890444
eBay Product ID (ePID)
65666608

Product Key Features

Number of Pages
448 Pages
Language
English
Publication Name
Moguls and the Dictators : Hollywood and the Coming of World War II
Publication Year
2009
Subject
Film / General, Theater / General, United States / 20th Century, Film / History & Criticism
Type
Textbook
Author
David Welky
Subject Area
Performing Arts, History
Format
Hardcover

Dimensions

Item Height
1.3 in
Item Weight
26.5 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2008-007847
Dewey Edition
22
TitleLeading
The
Reviews
A fascinating and convincing portrait... Thoroughly researched and engagingly written, The Moguls and the Dictators not only adds to our understanding of Hollywood in the 1930s and 1940s but also provides a valuable model for thinking about the interaction of business and cultural history., The Moguls and the Dictators is an abundantly detailed, highly informative book that serves both as a useful reference text and as an engaging story, and it is an original and valuable addition to interwar film scholarship., The research is impeccable and the footnotes are copious, and, despite the number of players involved, the story that Welky tells is nothing less than riveting. His rich anecdotal material transcends any potentially scholastic tone, and as a reference source it is worthy of being 'Kindled.', Lively study... What makes The Moguls and the Dictators engrossing is its ability to bring the period, its events and its main protagonists vividly to life., To his credit, Welky's 'Essay on Sources' alone makes the book worthwhile. But there is another approach -- that of a historian, not a cinema studies scholar or humanist from a related discipline -- that enables him to mine the studio archives and discover material that might elude another's eye., To his credit, Welky's 'Essay on Sources' alone makes the book worthwhile. But there is another approach-that of a historian, not a cinema studies scholar or humanist from a related discipline-that enables him to mine the studio archives and discover material that might elude another's eye., "To his credit, Welky's "Essay on Sources" alone makes the book worthwhile. But there is another approach -- that of a historian, not a cinema studies scholar or humanist from a related discipline -- that enables him to mine the studio archives and discover material that might elude another's eye." -- Bernard F. Dick, Journal of American History, "To his credit, Welky's "Essay on Sources" alone makes the book worthwhile. But there is another approach -- that of a historian, not a cinema studies scholor or humanist from a related discipline -- that enables him to mine the studio archives and discover material that might elude another's eye." -- Bernard F. Dick, Journal of American History, "Lively study... What makes The Moguls and the Dictators engrossing is its ability to bring the period, its events and its main protagonists vividly to life." -- André Kaenel, Cercles, To his credit, Welky's 'Essay on Sources' alone makes the book worthwhile. But there is another approach--that of a historian, not a cinema studies scholar or humanist from a related discipline--that enables him to mine the studio archives and discover material that might elude another's eye., The Moguls and the Dictators is an abundantly detailed, highly informative book that serves both as a useful reference text and as an engaging story, and it is an original and valuable addition to interwar film scholarship., A fascinating and convincing portrait...Thoroughly researched and engagingly written, The Moguls and the Dictators not only adds to our understanding of Hollywood in the 1930s and 1940s but also provides a valuable model for thinking about the interaction of business and cultural history., "The research is impeccable and the footnotes are copious, and, despite the number of players involved, the story that Welky tells is nothing less than riveting. His rich anecdotal material transcends any potentially scholastic tone, and as a reference source it is worthy of being 'Kindled.'" -- Charles L. Hoyt, Internet Review of Books
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
940.53/114
Table Of Content
Acknowledgments Introduction 1. A Wonderful Place 2. Fires at Home, Fires Abroad 3. Fingers in the Dike 4. Misfires 5. New Directions 6. Good Neighbors 7. Serving America 8. The Widening Campaign 9. A Fine Pickle 10. A Winter of Discontent 11. Leading the Way 12. The Pivotal Month 13. Zanuck Makes His Stand 14. Searching for a Voice 15. Closing the Ring 16. Weapons of Inspiration 17. Three Continents--Spring 1941 18. Marching to War 19. Hollywood Triumphant 20. The End of Peace Conclusion Notes Essay on Sources Index
Synopsis
Welky's depth of research and focused, analytical approach will be appreciated by historians as well as film buffs., In this fresh look at moviemaking during the Great Depression, David Welky examines Hollywood's response to the rise of fascism and the beginning of the Second World War. Through innovative analysis of hundreds of movies--including The Dawn Patrol , Goodbye, Mr. Chips , and Sergeant York --Welky traces the shifting motivations and arguments of the film industry, politicians, and the public as they negotiated how--or whether--the silver screen should portray Nazism, depict conflict overseas, promote Americanism, and support President Roosevelt's rearmament efforts. Hollywood, Welky argues, was a primary player in the debate between interventionists and isolationists. These competing groups vied for influence and control over the message Hollywood offered the public--either scorning it for being too timid or attacking it for being too aggressive. The national debate reached a fever pitch in September 1941, when isolationists in the U.S. Senate staged widely publicized hearings, accusing the movie industry of warmongering. While prewar Hollywood often reflected the principles of the Roosevelt administration, it also sometimes outpaced the cautious and politically astute president. Providing Americans with the psychological preparation they needed to enter World War II, popular movies familiarized audiences with the wartime experience, offered definitions of patriotism and Americanism, and established the fundamental distinctions between democracy and dictatorship. Welky's depth of research and focused, analytical approach will be appreciated by historians as well as film buffs.
LC Classification Number
D743.23.W45 2008

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