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Sleeping with the Enemy: Coco Chanel's Secret War

2nd Life Books NJ
(12730)
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Ca.CHF 3,58
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Standort: Burlington, New Jersey, USA
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Zuletzt aktualisiert am 16. Jul. 2025 17:54:02 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
Release Year
2012
ISBN
9780307475916

Über dieses Produkt

Product Identifiers

Publisher
Knopf Doubleday Publishing Group
ISBN-10
0307475913
ISBN-13
9780307475916
eBay Product ID (ePID)
112788900

Product Key Features

Book Title
Sleeping with the Enemy : Coco Chanel's Secret War
Number of Pages
336 Pages
Language
English
Publication Year
2012
Topic
Women, Military / World War II, Intelligence & Espionage, Fashion & Accessories
Illustrator
Yes
Genre
Design, Political Science, Biography & Autobiography, History
Author
Hal Vaughan
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
9.8 Oz
Item Length
8 in
Item Width
5.2 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Reviews
"[Hal Vaughan] ably demonstrates that Chanel was far from an innocent victim of circumstance during the second world war but a fully fledged Abwehr (German secret service) agent with her own number and codename: Westminster (no doubt a nod to her one-time lover, the Duke of Westminster). . . Vaughan, who writes with welcome economy and flair, deserves a lot of credit for finally unraveling the strands of Chanel's deeply deceptive personality." --Tobias Grey, Financial Times "[Sleeping with the Enemy] distinguishes itself from the many other Chanel biographies by tackling the dicey subject of Gabrielle Chanel's activities during World War II . . . This is a frank and unsentimental portrait of a figure that fashion writers are nearly incapable of criticizing. . . While Vaughan's discussions of Chanel's contributions to fashion add nothing new to the extensive literature on her, he more than makes up for it with his impressive research and the never-before-seen information that he has unearthed about her wartime activities. . . . What Sleeping with the Enemy offers is a more rounded look at a figure who has been over-studied and under-examined." -- Isabel Schwab, The New Republic online "[A] compelling chronicle of Coco Chanel . . . a different Chanel from any you'll find at the company store . . . by no means the account of an emerging style but a tale of how a single-minded woman faced history, made hard choices, connived, lied, collaborated and used every imaginable wile to survive and see that the people she cared about survived with her . . . Vaughan has gleaned many of the details of Chanel's collaboration from documents that were scattered for years throughout European archives . . . It's an astonishing story . . gripping . . . provocative . . . riveting history." --Marie Arana, The Washington Post "Chanel's war years, as explored by Hal Vaughan, are as camera-ready and as neck-deep in melodrama as Quentin Tarantino's "Inglourious Basterds," and just as hard to forget now that they're exposed." --David D'Arcy, San Francisco Chronicle "Hal Vaughan has done a stupendous job of research . . . Vaughan draws a brilliant portrait . . a terrific and fascinating story. . . wonderfully told, and full of great characters. . . Vaughan brings her to life so vividly that we understand why no less a judge than André Malraux said that "from this century in France only three names will remain: de Gaulle, Picasso, and Chanel.". . . It is that rarest of good reads, a biography about a famous person with a surprise on every page. Nancy Mitford, I think, would have loved it, and written a wonderful letter to Evelyn Waugh about it!" --Michael Korda, The Daily Beast, "[Hal Vaughan] ably demonstrates that Chanel was far from an innocent victim of circumstance during the second world war but a fully fledged Abwehr (German secret service) agent with her own number and codename: Westminster (no doubt a nod to her one-time lover, the Duke of Westminster).  . . Vaughan, who writes with welcome economy and flair, deserves a lot of credit for finally unraveling the strands of Chanel's deeply deceptive personality." -Tobias Grey, Financial Times "[Sleeping with the Enemy] distinguishes itself from the many other Chanel biographies by tackling the dicey subject of Gabrielle Chanel's activities during World War II . . . This is a frank and unsentimental portrait of a figure that fashion writers are nearly incapable of criticizing. .  . While Vaughan's discussions of Chanel's contributions to fashion add nothing new to the extensive literature on her, he more than makes up for it with his impressive research and the never-before-seen information that he has unearthed about her wartime activities. . . . What Sleeping with the Enemy offers is a more rounded look at a figure who has been over-studied and under-examined." - Isabel Schwab, The New Republic online  "[A] compelling chronicle of Coco Chanel . . . a different Chanel from any you'll find at the company store . . . by no means the account of an emerging style but a tale of how a single-minded woman faced history, made hard choices, connived, lied, collaborated and used every imaginable wile to survive and see that the people she cared about survived with her . . . Vaughan has gleaned many of the details of Chanel's collaboration from documents that were scattered for years throughout European archives . . . It's an astonishing story . . gripping . . . provocative . . . riveting history."  -Marie Arana,  The Washington Post    "Chanel's war years, as explored by Hal Vaughan, are as camera-ready and as neck-deep in melodrama as Quentin Tarantino's "Inglourious Basterds," and just as hard to forget now that they're exposed." -David D'Arcy, San Francisco Chronicle "Hal Vaughan has done a stupendous job of research . . . Vaughan draws a brilliant portrait . . a terrific and fascinating story. . . wonderfully told, and full of great characters. . . Vaughan brings her to life so vividly that we understand why no less a judge than André Malraux said that "from this century in France only three names will remain: de Gaulle, Picasso, and Chanel.". . . It is that rarest of good reads, a biography about a famous person with a surprise on every page. Nancy Mitford, I think, would have loved it, and written a wonderful letter to Evelyn Waugh about it!"   -Michael Korda, The Daily Beast
Dewey Decimal
746.9/2092 B
Synopsis
This explosive narrative reveals for the first time the shocking hidden years of Coco Chanel's life: her collaboration with the Nazis in Paris, her affair with a master spy, and her work for the German military intelligence service and Himmler's SS. Gabrielle "Coco" Chanel was the high priestess of couture who created the look of the modern woman. By the 1920s she had amassed a fortune and went on to create an empire. But her life from 1941 to 1954 has long been shrouded in rumor and mystery, never clarified by Chanel or her many biographers. Hal Vaughan exposes the truth of her wartime collaboration and her long affair with the playboy Baron Hans G nther von Dincklage--who ran a spy ring and reported directly to Goebbels. Vaughan pieces together how Chanel became a Nazi agent, how she escaped arrest after the war and joined her lover in exile in Switzerland, and how--despite suspicions about her past--she was able to return to Paris at age seventy and rebuild the iconic House of Chanel., This explosive narrative reveals for the first time the shocking hidden years of Coco Chanel's life: her collaboration with the Nazis in Paris, her affair with a master spy, and her work for the German military intelligence service and Himmler's SS. Gabrielle "Coco" Chanel was the high priestess of couture who created the look of the modern woman. By the 1920s she had amassed a fortune and went on to create an empire. But her life from 1941 to 1954 has long been shrouded in rumor and mystery, never clarified by Chanel or her many biographers. Hal Vaughan exposes the truth of her wartime collaboration and her long affair with the playboy Baron Hans Günther von Dincklage--who ran a spy ring and reported directly to Goebbels. Vaughan pieces together how Chanel became a Nazi agent, how she escaped arrest after the war and joined her lover in exile in Switzerland, and how--despite suspicions about her past--she was able to return to Paris at age seventy and rebuild the iconic House of Chanel.

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