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Giambattista Basiles Die Geschichte der Geschichten oder Unterhaltung für die Kleinen (Die D
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Giambattista Basiles Die Geschichte der Geschichten oder Unterhaltung für die Kleinen (Die D

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    eBay-Artikelnr.:336053128651
    Zuletzt aktualisiert am 12. Sep. 2025 15:28:42 MESZAlle Änderungen ansehenAlle Änderungen ansehen

    Artikelmerkmale

    Artikelzustand
    Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
    ISBN
    9780814342572
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Wayne State University Press
    ISBN-10
    0814342574
    ISBN-13
    9780814342572
    eBay Product ID (ePID)
    222106190

    Product Key Features

    Book Title
    Giambattista Basile's the Tale of Tales, or Entertainment for Little Ones
    Number of Pages
    496 Pages
    Language
    English
    Topic
    Fairy Tales, Folk Tales, Legends & Mythology, Folklore & Mythology, Literary
    Publication Year
    2016
    Illustrator
    Yes, Lettere, Carmelo
    Genre
    Fiction, Social Science
    Author
    Giambattista Basile
    Book Series
    Series in Fairy-Tale Studies
    Format
    Hardcover

    Dimensions

    Item Height
    1.3 in
    Item Weight
    39.2 Oz
    Item Length
    10.3 in
    Item Width
    7.3 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    Dewey Edition
    22
    Reviews
    Nancy Canepa's translation of Basile's Lo cunto de li cunti will make a truly significant contribution to fairy-tale studies in the English-reading world. Her expertise makes her the one who could and should have undertaken the challenge of translating the whole collection. She has the translation skills and practice, the scholarly knowledge, disciplinary vision, and passionate interest that will ensure the success of this volume.", Reading The Tale of Tales , Giambattisa Basile's 17th-century book of fairy stories, is both exhilarating and exhausting. If that sounds like a warning, it is. If that sounds like a promise, well, good news., Canepa's edition, with its newly-commissioned pen-and-ink illustrations, seems to be aimed at general readers. Basile's Tale of Tales constitutes a crossroads in this landscape, and Canepa has provided a valuable service by making it available again in English.", With stories marked by vertiginous fantasy, spirited wit, and baroque excess, Basile redefined the fairy tale for European audiences. Nancy Canepa's splendid new translation captures all the narrative energy and stylistic élan of The Tale of Tales and ensures that this collection will finally receive the attention it deserves."
    Dewey Decimal
    398.20945
    Synopsis
    The Tale of Tales, made up of forty-nine fairy tales within a fiftieth frame story, contains the earliest versions of celebrated stories like Rapunzel, Hansel and Gretel, The Goose That Laid the Golden Egg, Sleeping Beauty, and Cinderella. Giambattista Basile's The Tale of Tales, or Entertainment for Little Ones is a modern translation that preserves the distinctive character of Basile's original., The first unabridged English translation taken directly from Basile's monumental Lo cunto de li cunti (1634-1636), this edition is fully annotated and illustrated, with an extensive bibliography. The Tale of Tales, made up of forty-nine fairy tales within a fiftieth frame story, contains the earliest versions of celebrated stories like Rapunzel, All-Fur, Hansel and Gretel, The Goose That Laid the Golden Egg, Sleeping Beauty, and Cinderella. The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian--and was last translated fully into English in 1932--this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars. Giambattista Basile's "The Tale of Tales, or Entertainment for Little Ones" is a modern translation that preserves the distinctive character of Basile's original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work's unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile's words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile's "The Tale of Tales, or Entertainment for Little Ones" is also lushly illustrated and includes a foreword, an introduction, an illustrator's note, and a complete bibliography. The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated "authored" fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile's "The Tale of Tales, or Entertainment for Little Ones" offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history., The Tale of Tales, made up of forty-nine fairy tales within a fiftieth frame story, contains the earliest versions of celebrated stories like Rapunzel, All-Fur, Hansel and Gretel, The Goose That Laid the Golden Egg, Sleeping Beauty, and Cinderella. The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian?and was last translated fully into English in 1932?this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars. Giambattista Basile's "The Tale of Tales, or Entertainment for Little Ones" is a modern translation that preserves the distinctive character of Basile's original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work's unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile's words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile's "The Tale of Tales, or Entertainment for Little Ones" is also lushly illustrated and includes a foreword, an introduction, an illustrator's note, and a complete bibliography. The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated "authored" fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile's "The Tale of Tales, or Entertainment for Little Ones" offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history., The Tale of Tales, made up of forty-nine fairy tales within a fiftieth frame story, contains the earliest versions of celebrated stories like Rapunzel, All-Fur, Hansel and Gretel, The Goose That Laid the Golden Egg, Sleeping Beauty, and Cinderella. The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian-and was last translated fully into English in 1932-this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars. Giambattista Basile's "The Tale of Tales, or Entertainment for Little Ones" is a modern translation that preserves the distinctive character of Basile's original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work's unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile's words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile's "The Tale of Tales, or Entertainment for Little Ones" is also lushly illustrated and includes a foreword, an introduction, an illustrator's note, and a complete bibliography. The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated "authored" fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile's "The Tale of Tales, or Entertainment for Little Ones" offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.

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