CENSORING RACIAL RIDICULE: IRISH, JEWISH, AND AFRICAN By M. Alison Kibler *Mint*

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“Book is in Like New / near Mint Condition. Will include dust jacket if it originally came with ...
ISBN-10
1469618362
Book Title
Censoring Racial Ridicule: Irish, Jewish, and African American
Genre
HISTORY
ISBN
9781469618364
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
University of North Carolina Press
ISBN-10
1469618362
ISBN-13
9781469618364
eBay Product ID (ePID)
201593454

Product Key Features

Number of Pages
352 Pages
Publication Name
Censoring Racial Ridicule : Irish, Jewish, and African American Struggles over Race and Representation, 1890-1930
Language
English
Subject
United States / 19th Century, Modern / 20th Century, Popular Culture, General, Social Psychology
Publication Year
2015
Type
Textbook
Subject Area
Performing Arts, Social Science, Psychology, History
Author
M. Alison Kibler
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
16.6 Oz
Item Length
9.3 in
Item Width
6.2 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2014-035498
Reviews
An excellent comparative study of the antidefamation activism undertaken by Irish American, Jewish American, and African American organizations in the opening decades of the twentieth century. -- Journal of Southern History, An excellent comparative study of the antidefamation activism undertaken by Irish American, Jewish American, and African American organizations in the opening decades of the twentieth century.-- Journal of Southern History, Meticulously researched. . . . Serves as a timely reminder that the freedom of speech, habitually referred to as the essence of democratic self-government, has a checkered and contested history. -- American Jewish History, Kibler's analysis is especially strong in its critique of gendered racial and ethnic representations of the Irish. -- CHOICE, Meticulously researched. . . . Serves as a timely reminder that the freedom of speech, habitually referred to as the essence of democratic self-government, has a checkered and contested history.-- American Jewish History, Richly researched. . . . An excellent and necessary book [that] deepens our understanding of crucial debates in American democracy.-- Journal of American History, Richly researched. . . . An excellent and necessary book [that] deepens our understanding of crucial debates in American democracy. -- Journal of American History, Demonstrates the rich interpretive results of not only utilizing a broad archive of both cultural and legal texts but also of combining the analogous struggles of several ethnic groups in America to overcome prejudice. . . . An estimable new chapter indeed in the history of the great American social experiment.-- Journal of Interdisciplinary History, Kibler's analysis is especially strong in its critique of gendered racial and ethnic representations of the Irish.-- CHOICE|9781469618364|, Demonstrates the rich interpretive results of not only utilizing a broad archive of both cultural and legal texts but also of combining the analogous struggles of several ethnic groups in America to overcome prejudice. . . . An estimable new chapter indeed in the history of the great American social experiment. -- Journal of Interdisciplinary History, Kibler's analysis is especially strong in its critique of gendered racial and ethnic representations of the Irish.-- CHOICE
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
305.800973
Synopsis
A drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by lobbying behind the scenes, boycotting particular acts, and staging theater riots. Kibler demonstrates that these groups' tactics evolved and diverged over time, with some continuing to pursue street protest while others sought redress through new censorship laws.Exploring the relationship between free expression, democracy, and equality in America, Kibler shows that the Irish, Jewish, and African American campaigns against racial ridicule are at the roots of contemporary debates over hate speech., A drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by lobbying behind the scenes, boycotting particular acts, and staging theater riots. Kibler demonstrates that these groups' tactics evolved and diverged over time, with some continuing to pursue street protest while others sought redress through new censorship laws. Exploring the relationship between free expression, democracy, and equality in America, Kibler shows that the Irish, Jewish, and African American campaigns against racial ridicule are at the roots of contemporary debates over hate speech., In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by lobbying behind the scenes, boycotting particular acts, and staging theater riots.
LC Classification Number
E184.A1

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