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DIE FIGURENLANDSCH AFTEN DER ROCKKUNST: BILDER ANSEHEN IN Von Christopher Sehr guter Zustand
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eBay-Artikelnr.:336091395931
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- ISBN-10
- 0521818796
- Book Title
- The Figured Landscapes of Rock-Art: Looking at Pictures in Place
- ISBN
- 9780521818797
Über dieses Produkt
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
0521818796
ISBN-13
9780521818797
eBay Product ID (ePID)
2290964
Product Key Features
Number of Pages
422 Pages
Publication Name
Figured Landscapes of Rock-Art : Looking at Pictures in Place
Language
English
Publication Year
2004
Subject
Archaeology
Type
Textbook
Subject Area
Social Science
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
30.8 Oz
Item Length
9.6 in
Item Width
6.7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2004-556729
Dewey Edition
21
Reviews
'... A most successful enterprise, largely because the range and quality of contributors is so consistently high. ...it has much of use and interest to say about rock art and settings in which it occurs, and gives both useful correctives to nave assumptions of uniformity, and interesting new applications of methods of landscape analysis to rock art studies.' Landscape History, '... A most successful enterprise, largely because the range and quality of contributors is so consistently high. ...it has much of use and interest to say about rock art and settings in which it occurs, and gives both useful correctives to naïve assumptions of uniformity, and interesting new applications of methods of landscape analysis to rock art studies.' Landscape History, "These superb articles cover contemporary approaches to the study of rock art. [A]ll serious students of rock art will benefit from reading this volume. Essential." T.A. Foor, University of Montana, CHOICE
TitleLeading
The
Illustrated
Yes
Dewey Decimal
709.0113
Table Of Content
1. Pictures in place: approaches to the figured landscapes of rock-art Christopher Chippindale and George Nash; Part I. Principles of Landscape and Rock-Art in Practice: 2. Worlds within stone: the inner and outer rock-art landscapes of northern Australia and southern Africa Paul S. C. Taçon and Sven Ouzman; 3. Rock-art, landscape, sacred places: attitudes in contemporary archaeological theory Daniel Arsenault; 4. Locational analysis in rock-art studies William D. Hyder; 5. From millimetre up to kilometre: a framework of space and of scale for reporting and studying rock-art in its landscape Christopher Chippindale; 6. The canvas as the art: landscape-analysis of the rock-art panel James D. Keyser and George Poetschat; 7. The landscape setting of rock-painting sites in the Brandberg (Namibia): infrastructure, Gestaltung, use and meaning Tilman Lenssen-Erz; Part II. Informed Methods: Opportunities and Applications: 8. Rock-art and the experienced landscape: the emergence of late-Holocene symbolism in north-east Australia Bruno David; 9. Linkage between rock-art and landscape in Aboriginal Australia Josephine Flood; 10. Places of power: the placement of Dinwoody petroglyphs across the Wyoming landscape Lawrence Loendorf; 11. Friends in low places: rock-art and landscape on the Modoc Plateau David S. Whitley, Johannes H. N. Loubser and Don Hann; 12. Dangerous ground: a critique of landscape in rock-art studies Benjamin W. Smith and Geoffrey Blundell; Part III. Formal Methods: Opportunities and Applications: 13. Landscapes in rock-art: rock-carving and ritual in the old European North Knut Helskog; 14. From natural settings to spiritual places in the Algonkian sacred landscape: an archaeological, ethnohistorical, and ethnographic analysis of Canadian Shield rock-art sites Daniel Arsenault; 15. The topographic engravings of Alpine rock-art: fields, settlements and agricultural landscapes Andrea Arcà; Part IV. Pictures of Pictures: 16. Walking through landscape: a photographic essay of the Campo Lameiro Valley, Galicia, north-western Spain George Nash, Lindsey Nash and Christopher Chippindale.
Synopsis
A companion to The Archaeology of Rock-Art (Cambridge, 1998), this book attempts to understand rock-art images and how ancient peoples experienced them, by viewing them within their surrounding landscapes. Packed with illustrations, it draws together well-known scholars from key regions of the world for rock-art and for rock-art research., A companion to The Archaeology of Rock-Art (Cambridge, 1998), this new collection edited by Christopher Chippindale and George Nash addresses the most important component around the rock-art panel - its landscape. The Figured Landscapes of Rock-Art draws together the work of many well-known scholars from key regions of the world for rock-art and for rock-art research. It provides a unique, broad and varied insight into the arrangement, location, and structure of rock-art and its place within the landscapes of ancient worlds as ancient people experienced them. Packed with illustrations, as befits a book about images, The Figured Landscapes of Rock-Art offers a visual as well as a literary key to the understanding of this most lovely and alluring of archaeological traces., A companion to The Archaeology of Rock-Art (Cambridge, 1998), this new collection addresses the most important component of the rock-art panel: its landscape. The book draws together the work of many well-known scholars from key regions of the world known for rock-art and rock-art research. It provides insight into the location and structure of rock-art and its role within the landscapes of ancient worlds.
LC Classification Number
GN799.P4 P53 2004
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- e***j (1580)- Bewertung vom Käufer.Letzter MonatBestätigter KaufWow, what a book! Ordered on Thurs. the 13th...received on Sat. the 16th. Can't get much faster unless they lived in my house! And the book arrived in perfect condition, even though it was shipped in only a bubble-wrap envelope, without any interior padding. It looks exactly like the picture advertised, with contents reproduced from the highest quality original comics available. I love it! Easily worth twice the price. I will be back for more. Thank you very much.
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