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Voguing and the House Ballroom Szene von New York, 1989-92

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Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Title
Voguing and the House Ballroom Scene of New York, 1989-92
ISBN
9780955481765
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Soul Jazz Records
ISBN-10
0955481767
ISBN-13
9780955481765
eBay Product ID (ePID)
102973419

Product Key Features

Book Title
Voguing and the House Ballroom Scene of New York 1989-92
Number of Pages
208 Pages
Language
English
Publication Year
2011
Topic
Collections, Catalogs, Exhibitions / General, General, Dance / General
Illustrator
Yes
Genre
Performing Arts, Photography
Author
Stuart Baker
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
40.9 Oz
Item Length
11.5 in
Item Width
9.2 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Reviews
A visual riot of fashion, polysexuality and subversive style, 'Voguing and the Ballroom Scene of New York 1989 1992' is also an extraordinary document on sexuality and race., A visual riot of fashion, polysexuality and subversive style, 'Voguing and the Ballroom Scene of New York 1989-1992' is also an extraordinary document on sexuality and race., Chantal Regnault's photographs in Voguing take on one of Ms. Ciccone's phrases right back to its roots, documenting in incredible and emotive detail how fashion could transport you way beyond the hood.
Synopsis
Harlem's gay ball subculture of the late 1980s is superbly documented in this trove of previously unseen photographs. In 1989, Malcolm McLaren had his only number one hit with a single called "Deep in Vogue." Early the next year, Madonna had one of the biggest hits of her career, with the single "Vogue," and when Jennie Livingston's film Paris Is Burning arrived in cinemas the same year, winning the Grand Jury Prize at the Sundance Film Festival, the mainstream got hip to New York City's extraordinary ball culture, from which the film and McLaren and Madonna's songs had arisen. Paris Is Burning documented a gay ballroom scene that emerged in Harlem in the mid-1980s, which drew African American and Latino gay and transgender communities to compete against one another for their dancing skills, the verisimilitude of their drag and their ability to walk on the runway. Photographer Chantal Regnault spent many years recording this scene, from which the dance style known as voguing arose. A visual riot of fashion, polysexuality and subversive style, Voguing and the Gay Balls of New York City is also an extraordinary document on sexuality and race. The wild years of voguing are vividly captured in Regnault's hundreds of amazing, previously unpublished photographs. The book also features interviews with key figures from the movement, essays, flyers and ephemera. Photographer and documentarist Chantal Regnault was born in France. She left Paris after the 1968 uprisings to live in New York, where she lived for the next 15 years. At the end of the 1980s she became immersed in Harlem's voguing scene. Also around this time, Regnault developed an interest in Haitian voodoo culture and began to divide her time between Haiti and New York. Her widely published photographs have appeared in major magazines and newspapers, including Vanity Fair and The New York Times ., Harlem's gay ball subculture of the late 1980s is superbly documented in this trove of previously unseen photographs. In 1989, Malcolm McLaren had his only number one hit with a single called "Deep in Vogue." Early the next year, Madonna had one of the biggest hits of her career, with the single "Vogue," and when Jennie Livingston's film Paris Is Burning arrived in cinemas the same year, winning the Grand Jury Prize at the Sundance Film Festival, the mainstream got hip to New York City's extraordinary ball culture, from which the film and McLaren and Madonna's songs had arisen. Paris Is Burning documented a gay ballroom scene that emerged in Harlem in the mid-1980s, which drew African American and Latino gay and transgender communities to compete against one another for their dancing skills, the verisimilitude of their drag and their ability to walk on the runway. Photographer Chantal Regnault spent many years recording this scene, from which the dance style known as voguing arose. A visual riot of fashion, polysexuality and subversive style, Voguing and the Ballroom Scene of New York 1989-1992 is also an extraordinary document on sexuality and race. The wild years of voguing are vividly captured in hundreds of Regnault's amazing, previously unpublished photographs. The book also features interviews with key figures from the movement, essays, flyers and ephemera. Photographer and documentarist Chantal Regnault was born in France. She left Paris after the 1968 uprisings and lived in New York for the next 15 years. At the end of the 1980s she became immersed in Harlem's voguing scene. Also around this time, Regnault developed an interest in Haitian voodoo culture and began to divide her time between Haiti and New York. Her widely published photographs have appeared in major magazines and newspapers, including Vanity Fair and the New York Times ., Harlem s gay ball subculture of the late 1980s is superbly documented in this trove of previously unseen photographs. In 1989, Malcolm McLaren had his only number one hit with a single called "Deep in Vogue." Early the next year, Madonna had one of the biggest hits of her career, with the single "Vogue," and when Jennie Livingston's film Paris Is Burning arrived in cinemas the same year, winning the Grand Jury Prize at the Sundance Film Festival, the mainstream got hip to New York City's extraordinary ball culture, from which the film and McLaren and Madonna's songs had arisen. Paris Is Burning documented a gay ballroom scene that emerged in Harlem in the mid-1980s, which drew African American and Latino gay and transgender communities to compete against one another for their dancing skills, the verisimilitude of their drag and their ability to walk on the runway. Photographer Chantal Regnault spent many years recording this scene, from which the dance style known as voguing arose. A visual riot of fashion, polysexuality and subversive style, Voguing and the Ballroom Scene of New York 1989 1992 is also an extraordinary document on sexuality and race. The wild years of voguing are vividly captured in hundreds of Regnault's amazing, previously unpublished photographs. The book also features interviews with key figures from the movement, essays, flyers and ephemera. Photographer and documentarist Chantal Regnault was born in France. She left Paris after the 1968 uprisings and lived in New York for the next 15 years. At the end of the 1980s she became immersed in Harlem's voguing scene. Also around this time, Regnault developed an interest in Haitian voodoo culture and began to divide her time between Haiti and New York. Her widely published photographs have appeared in major magazines and newspapers, including Vanity Fair and the New York Times ., At the end of the 1980s, 'Voguing' suddenly entered the mainstream when featured in Madonna's 'Vogue' video, Malcolm McClaren's 'Deep in Vogue' single and the 1990 documentary 'Paris is Burning' won the Grand Jury Prize at the Sundance Film Festival. Photographer Chantal Regnault spent many years capturing the emergent underground gay ballroom scene in Harlem at the end of the 1980s, from where Voguing emerged. A riot of fashion, image, poly-sexuality and a radical subversion of style, sexuality and race is vividly captured in the hundreds of amazing, never before seen, photographs in this deluxe book. The book also features interviews with key figures from the movement, essays, flyers and documents from this momentous era.
LC Classification Number
GV1624.5

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