Muchas Figuren Deko: 40 Teller, Taschenbuch von Mucha, Alphonse, Lik...

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“corners have creases”
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Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr geringfügige Beschädigungen auf, wie z.B. kleinere Schrammen, er hat aber weder Löcher, noch ist er eingerissen. Bei gebundenen Büchern ist der Schutzumschlag möglicherweise nicht mehr vorhanden. Die Bindung weist geringfügige Gebrauchsspuren auf. Die Mehrzahl der Seiten ist unbeschädigt, das heißt, es gibt kaum Knitter oder Einrisse, es wurden nur in geringem Maße Bleistiftunterstreichungen im Text vorgenommen, es gibt keine Textmarkierungen und die Randbereiche sind nicht beschrieben. Alle Seiten sind vollständig vorhanden. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers. Alle Zustandsdefinitionen ansehenwird in neuem Fenster oder Tab geöffnet
Hinweise des Verkäufers
“corners have creases”
ISBN
9780486242347
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Dover Publications, Incorporated
ISBN-10
048624234X
ISBN-13
9780486242347
eBay Product ID (ePID)
17038302211

Product Key Features

Book Title
Mucha's Figures Decoratives
Number of Pages
48 Pages
Language
English
Publication Year
1981
Topic
Individual Artists / Artists' Books, Clip Art, Decorative Arts, Subjects & Themes / Human Figure
Features
Reprint
Illustrator
Yes
Genre
Design, Art
Author
Alphonse M. Mucha
Book Series
Dover Fine Art, History of Art Ser.
Format
Trade Paperback

Dimensions

Item Weight
6.7 Oz
Item Length
11 in
Item Width
8.2 in

Additional Product Features

Intended Audience
Trade
LCCN
81-068352
Dewey Edition
19
Dewey Decimal
741.9437
Edition Description
Reprint
Synopsis
To many, Alphonse Maria Mucha (1860-1939) is best known for his beautiful bell époque posters and magnificent decorative panels. His distinctive graphic approach to the 1895 poster advertising Sarah Bernhardt's performance in Gismonda captured the Parisian public's imagination and catapulted the artist into overnight success. During the next ten years he became the high priest of Art Nouveau, publishing several stylebooks which were to have a lasting influence on 20th-century art and design. Figures decoratives , originally published in 1905, is a landmark book of the Art Nouveau movement and perhaps best exemplifies Mucha's artistic product in the years 1895-1905, the decade that made him famous. Mucha's purity of line and beauty of proportion take their inspiration from nature. But more than nature's imitator, he was its interpreter, translating its rhythms and designs into works that exude an indefinable charm. His unique approach combined originality of invention with spontaneous energy supported by flawless draftsmanship. This new edition of Figures decoratives carefully reproduces all forty of the original two-color plates from a rare first edition now valued at several thousand dollars. Comprised of finished pen, pencil, charcoal, and chalk, this volume represents the essence of Mucha's genius and documents the subtle shadings and linear excellence that characterized his masterful illustrations. Placed in rectangles, triangles, stars, circles, and a number of irregular geometric forms are figures of women, young girls, and children of both sexes. The harmony between the movement of head, limbs, and drapery and the sense of balance in each pose are the result of Mucha's instinct for composition, gift for ornamentation, and profound knowledge of his craft. Mucha's hand and eye are clearly evident in all his work though one can see other artistic influences which shaped the artist's development, including Gauguin's cloissonnism, Horta's and Van de Velde's kinetic treatment of curvilinear design, as well as the linear conventions of Moorish architecture and Islamic ornamentation. Yet Mucha himself believed that he owed his greatest artistic debt to the folk art traditions of his native Moravia., Comprised of 40 full-page, two-color plates of finished drawings in several media, this new volume reproduces Mucha's extraordinary 1905 style book, Figures Décoratives, a summation of Art Nouveau art and design. New introduction., To many, Alphonse Maria Mucha (1860-1939) is best known for his beautiful bell poque posters and magnificent decorative panels. His distinctive graphic approach to the 1895 poster advertising Sarah Bernhardt's performance in Gismonda captured the Parisian public's imagination and catapulted the artist into overnight success. During the next ten years he became the high priest of Art Nouveau, publishing several stylebooks which were to have a lasting influence on 20th-century art and design. Figures decoratives , originally published in 1905, is a landmark book of the Art Nouveau movement and perhaps best exemplifies Mucha's artistic product in the years 1895-1905, the decade that made him famous. Mucha's purity of line and beauty of proportion take their inspiration from nature. But more than nature's imitator, he was its interpreter, translating its rhythms and designs into works that exude an indefinable charm. His unique approach combined originality of invention with spontaneous energy supported by flawless draftsmanship. This new edition of Figures decoratives carefully reproduces all forty of the original two-color plates from a rare first edition now valued at several thousand dollars. Comprised of finished pen, pencil, charcoal, and chalk, this volume represents the essence of Mucha's genius and documents the subtle shadings and linear excellence that characterized his masterful illustrations. Placed in rectangles, triangles, stars, circles, and a number of irregular geometric forms are figures of women, young girls, and children of both sexes. The harmony between the movement of head, limbs, and drapery and the sense of balance in each pose are the result of Mucha's instinct for composition, gift for ornamentation, and profound knowledge of his craft. Mucha's hand and eye are clearly evident in all his work though one can see other artistic influences which shaped the artist's development, including Gauguin's cloissonnism, Horta's and Van de Velde's kinetic treatment of curvilinear design, as well as the linear conventions of Moorish architecture and Islamic ornamentation. Yet Mucha himself believed that he owed his greatest artistic debt to the folk art traditions of his native Moravia., Comprised of 40 full-page, two-color plates of finished drawings in several media, this new volume reproduces Mucha's extraordinary 1905 style book, Figures Décoratives , a summation of Art Nouveau art and design. New introduction.
LC Classification Number
NC312.C93M7

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