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The Guerrilla Girls' Bedside Companion to the History of Western Art Guerril...
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Standort: Laurel, Maryland, USA
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eBay-Artikelnr.:336269742047
Artikelmerkmale
- Artikelzustand
- Release Year
- 1998
- ISBN
- 9780140259971
Über dieses Produkt
Product Identifiers
Publisher
Penguin Publishing Group
ISBN-10
014025997X
ISBN-13
9780140259971
eBay Product ID (ePID)
2309304424
Product Key Features
Book Title
Guerrilla Girls' Bedside Companion to the History of Western Art
Number of Pages
96 Pages
Language
English
Topic
Women, Feminism & Feminist Theory, Popular Culture, Women's Studies, History / General
Publication Year
1998
Illustrator
Yes
Genre
Art, Social Science, History
Format
Uk-B Format Paperback
Dimensions
Item Height
0.2 in
Item Weight
10.2 Oz
Item Length
9.9 in
Item Width
8 in
Additional Product Features
Intended Audience
Trade
LCCN
97-031145
Dewey Edition
21
TitleLeading
The
Grade From
Twelfth Grade
Dewey Decimal
704/.042
Grade To
UP
Table Of Content
Introduction 1 Classi Babes 2 Hot Flashes from the Middle Ages 3 The Renaissance: Lives of the Girl Artists 4 The 17th and 18th Centuries: Engendered Species 5 The 19th Century: Girls Going Places 6 The 20th Century: Women of the "Isms" Further Reading
Synopsis
" A] tart, funny, lurid little bomb of a book. It's all p.c., of course, but not at all predictable, and a lot of righteous information gets dispersed in record time." -- BUST Magazine We were Guerillas before we were Gorillas. From the beginning, the press wanted publicity photos. We needed a disguise. No one remembers, for sure, how we got our fur, but one story is that at an early meeting, an original Girl, a bad speller, wrote 'Gorilla' instead of 'Guerilla.' It was an enlightening mistake. It gave us our mask-ulinity. Ever wonder about the abundance of naked male statues in the Classical section of your favorite museum? Did you know medieval convents were hotbeds of female artistic expression? And how did those "bad boy" artists of the twentieth century make it even harder for a girl to get a break? Thanks to the Guerrilla Girls, those masked feminists whose mission it is to break the white male stronghold over the art world, art history--as we know it--is history. Taking you back through the ages, the Guerrilla Girls demonstrate how males (particularly white males) have dominated the art scene, and discouraged, belittled, or obscured women's involvement. Their skeptical and hilarious interpretations of "popular" theory are augmented by the newest research and the expertise of prominent feminist art historians. "Believe-it-or-not" quotations from some of the "experts" are sprinkled throughout, as are the Guerrilla Girls' signature masterpieces: reproductions of famous art works, slightly "altered" for historic accuracy and vindication. This colorful reinterpretation of classic and modern art, as outrageous as it is visually arresting, is a much-needed corrective to traditional art history, and an unabashed celebration of female artists., "[A] tart, funny, lurid little bomb of a book. It's all p.c., of course, but not at all predictable, and a lot of righteous information gets dispersed in record time." -- BUST Magazine We were Guerillas before we were Gorillas. From the beginning, the press wanted publicity photos. We needed a disguise. No one remembers, for sure, how we got our fur, but one story is that at an early meeting, an original Girl, a bad speller, wrote 'Gorilla' instead of 'Guerilla.' It was an enlightening mistake. It gave us our mask-ulinity. Ever wonder about the abundance of naked male statues in the Classical section of your favorite museum? Did you know medieval convents were hotbeds of female artistic expression? And how did those "bad boy" artists of the twentieth century make it even harder for a girl to get a break? Thanks to the Guerrilla Girls, those masked feminists whose mission it is to break the white male stronghold over the art world, art history--as we know it--is history. Taking you back through the ages, the Guerrilla Girls demonstrate how males (particularly white males) have dominated the art scene, and discouraged, belittled, or obscured women's involvement. Their skeptical and hilarious interpretations of "popular" theory are augmented by the newest research and the expertise of prominent feminist art historians. "Believe-it-or-not" quotations from some of the "experts" are sprinkled throughout, as are the Guerrilla Girls' signature masterpieces: reproductions of famous art works, slightly "altered" for historic accuracy and vindication. This colorful reinterpretation of classic and modern art, as outrageous as it is visually arresting, is a much-needed corrective to traditional art history, and an unabashed celebration of female artists.
LC Classification Number
N8354.G84 1998
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