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Piano Concertos 1 & 2 by Chopin / Zimmerman / Polish Festival Orchestra (CD,...
US $9,99
Ca.CHF 8,07
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Versand:
US $4,99 (ca. CHF 4,03) USPS Media MailTM.
Standort: Fairborn, Ohio, USA
Lieferung:
Lieferung zwischen Sa, 29. Nov und Fr, 5. Dez nach 94104 bei heutigem Zahlungseingang
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eBay-Artikelnr.:336309738824
Artikelmerkmale
- Artikelzustand
- Language
- Polish
- UPC
- 0028945968421
Über dieses Produkt
Product Identifiers
Record Label
Degr, Deutsche Grammophon
UPC
0028945968421
eBay Product ID (ePID)
22046068782
Product Key Features
Format
CD
Release Year
1999
Genre
Classical
Artist
Chopin / Zimmerman / Polish Festival Orchestra
Release Title
Piano Concertos 1 & 2
Dimensions
Item Height
0.37 in
Item Weight
0.25 lb
Item Length
5.59 in
Item Width
5.08 in
Additional Product Features
Number of Discs
2
Number of Tracks
6
Country/Region of Manufacture
United States
Tracks
1.1 Concerto for Piano and Orchestra No. 1 in E minor, Op.11: Allegro Maestoso 1.2 Concerto for Piano and Orchestra No. 1 in E minor, Op.11: Romance - Larghetto 1.3 Concerto for Piano and Orchestra No. 1 in E minor, Op.11: Rondo - Vivace 2.1 Concerto for Piano and Orchestra No. 2 in F minor, Op.21: Maestoso 2.2 Concerto for Piano and Orchestra No. 2 in F minor, Op.21: Larghetto 2.3 Concerto for Piano and Orchestra No. 2 in F minor, Op.21: Allegro Vivace
Notes
Chopin's two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral Tuttis have so much more light, shade, orchestral color, and detail, you wonder if they've been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words. One may wonder if Chopin intended that. In fact, he knew Bel Canto opera in his native Poland, but the more positive proof is that the music has so much more to say when treated this way. Some will find the performances disturbing: The interpretations are so much more about content than form, and there's so much tempo and rhythmic flexibility, that the music sometimes seems unmoored and adrift. But upon repeated listening, the sense of fantasy is so beguiling that you wonder if you could ever go back to more conventional performances.
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