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Hiroshi Sugimoto: Portraits (Damiani) [SIGNED] [IMPERFECT]
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Hiroshi Sugimoto: Portraits (Damiani) [SIGNED] [IMPERFECT]
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Do, 31. Jul, 17:58Do, 31. Jul, 17:58

Hiroshi Sugimoto: Portraits (Damiani) [SIGNED] [IMPERFECT]

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Near fine in publisher's shrink-wrap (bump to dust-jacket and cover at the crown of the spine, not ... Mehr erfahrenÜber den Artikelzustand
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    Zuletzt aktualisiert am 19. Jun. 2021 17:09:59 MESZAlle Änderungen ansehenAlle Änderungen ansehen

    Artikelmerkmale

    Artikelzustand
    Sehr gut
    Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand befindet. Der Einband weist keine offensichtlichen Beschädigungen auf. Bei gebundenen Büchern ist der Schutzumschlag vorhanden (sofern zutreffend). Alle Seiten sind vollständig vorhanden, es gibt keine zerknitterten oder eingerissenen Seiten und im Text oder im Randbereich wurden keine Unterstreichungen, Markierungen oder Notizen vorgenommen. Der Inneneinband kann minimale Gebrauchsspuren aufweisen. Minimale Gebrauchsspuren. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers. Alle Zustandsdefinitionen ansehenwird in neuem Fenster oder Tab geöffnet
    Hinweise des Verkäufers
    “Near fine in publisher's shrink-wrap (bump to dust-jacket and cover at the crown of the spine, not ...
    Modified Item
    Yes
    Modification Description
    Signed in silver marker on the front free end paper by Sugimoto.
    Signed
    Yes
    Publisher
    Damiani and Matsumoto Editions
    ISBN
    9788862085823
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Damiani
    ISBN-10
    8862085826
    ISBN-13
    9788862085823
    eBay Product ID (ePID)
    240121991

    Product Key Features

    Book Title
    Hiroshi Sugimoto: Portraits
    Number of Pages
    120 Pages
    Language
    English
    Topic
    Individual Photographers / Monographs, Subjects & Themes / Portraits & Selfies
    Publication Year
    2018
    Illustrator
    Yes
    Genre
    Photography
    Author
    Maria Hambourg
    Format
    Hardcover

    Dimensions

    Item Height
    0.9 in
    Item Weight
    40.1 Oz
    Item Length
    11.2 in
    Item Width
    10.3 in

    Additional Product Features

    Intended Audience
    Trade
    Dewey Edition
    23
    Reviews
    Sugimoto manages to transform these kitschy objects into conceptual art that inspires us to consider the nature of representation.
    Dewey Decimal
    779.2092
    Synopsis
    The eeriness of the copy: Sugimoto's portraits of wax figures At first glance, Hiroshi Sugimoto's photographic portrait of King Henry VIII of England is arresting: Sugimoto's camera has captured the tactility of Henry's furs and silks, the elaborate embroidery of his doublet, the light reflecting off of each shimmering jewel. The contours of the king's face are so lifelike that he appears to be almost three-dimensional. It seems as though the 21st-century artist has traveled back in time nearly 500 years to photograph his royal subject. But Sugimoto's portraits of historical figures are fictions, at least twice removed from their subjects, made by photographing a wax figure that has been created by a sculptor from either a photographic portrait or a painted one. Sugimoto shoots his subjects in black and white, posing the "sitter" against a black background, amplifying the illusion that we are viewing a contemporary portrait in which the subject has stepped out of history. This volume presents the photographer's images of the wax figures alongside a selection of portraits of living subjects and photographs of memento mori. As with his other major bodies of work-- Dioramas , Seascapes and Theaters --Sugimoto's Portraits address the passage of time and history, and question the nature of the "reality" captured by the camera. Hiroshi Sugimoto: Portraits is the fourth in a series of books on Sugimoto's major bodies of work and presents 70 photographs, 7 of which have never before been published. Hiroshi Sugimoto (born 1948) has helped define what it means to be a multidisciplinary contemporary artist, his photographs blurring the lines between photography, painting, installation and architecture. Sugimoto divides his time between Tokyo and New York City., At first glance, Hiroshi Sugimoto's photographic portrait of King Henry VIII of England is arresting: his camera has captured the tactility of Henry's luxurious furs and silks, the elaborate embroidery of his doublet, and the light reflecting off of each shimmering jewel. The contours of the king's face are so lifelike that he appears to be almost three- dimensional. It seems as though the twenty-first century artist has traveled back in time nearly five hundred years to photograph his royal subject. While Sugimoto's portraits of historical figures appear to capture a lived moment in time, they are fictions. These portraits are in fact at least twice removed from the subject: his photograph captures a wax figure that has been created by a sculptor from either a photographic portrait or a painted one. Sugimoto has photographed his portraits of historical subjects in black and white, with each "sitter" posed against a black background, giving the images an austere formality. The black backdrop, free of any props or additional visual information, amplifies the illusion that we are viewing a contemporary portrait in which the subject has stepped out of history. Other portraits appear to be photojournalistic. Sugimoto's image of the Duke of Wellington at Napoleon's deathbed is actually a photograph of the mise en scene created by the wax museum, but it registers as real in our minds. The portraits of wax figures, which in this volume are presented alongside a handful of portraits of living subjects and photographs of memento mori, call into question what it is the portrait captures. As with his other major bodies of work-Dioramas, Seascapes, Theaters-Sugimoto's Portraits address the passage of time and history. We recognize these historical figures because of the many contemporaneous drawings, paintings, sculptures, and photographs that have recorded them. We take it for granted that a photograph of a living subject is true, but what does that mean? Are Sugimoto's portraits of living subjects more "true" than the historical portraits of wax figures? Is Hans Holbein's painted portrait of Henry VIII truer than Sugimoto's photograph of the wax figure made from Holbein's painting?
    LC Classification Number
    TR680
    Text by
    Hambourg, Maria

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    We specialize in art books, with an emphasis on photography monographs by contemporary artists, including signed and limited edition books (some with original prints), and exhibition catalogues. Many ...
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