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Robinson Crusoe (Norton Critical Ed..., Michael Shinage

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Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
ISBN
0393964523
EAN
9780393964523
Date of Publication
19940223
Publication Name
N/A
Type
Paperback / softback
Release Title
Robinson Crusoe (Norton Critical Editions): A Norton Critical ...
Artist
Michael Shinagel
Brand
N/A
Colour
N/A

Über dieses Produkt

Product Identifiers

Publisher
Norton & Company, Incorporated, w. w.
ISBN-10
0393964523
ISBN-13
9780393964523
eBay Product ID (ePID)
49386

Product Key Features

Edition
2
Book Title
Robinson Crusoe
Number of Pages
448 Pages
Language
English
Publication Year
1993
Topic
Literary, Action & Adventure, European / English, Irish, Scottish, Welsh
Genre
Literary Criticism, Fiction
Author
Daniel Defoe, Michael Shinagel
Book Series
Norton Critical Editions Ser.
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
15.5 Oz
Item Length
8.4 in
Item Width
5.1 in

Additional Product Features

Intended Audience
College Audience
LCCN
93-012217
Dewey Edition
23
Series Volume Number
0
Dewey Decimal
823.5
Edition Description
Critical
Synopsis
"Contexts" helps the reader understand the novel's historical and religious significance. Included are four contemporary accounts of marooned men, Defoe's autobiographical passages on the novel's allegorical foundation, and aspects of the Puritan emblematic tradition essential for understanding the novel's religious aspects. "Eighteenth-and Nineteenth-Century Opinions" is a comprehensive study of early estimations by prominent literary and political figures, including Alexander Pope, Jean-Jacques Rousseau, Samuel Johnson, Samuel Taylor Coleridge, William Wordsworth, Edgar Allen Poe, Thomas Babington Macaulay, Charles Dickens, Karl Marx, and John Stuart Mill. "Twentieth-Century Criticism" is a collection of fourteen essays (five of them new to the Second Edition) that presents a variety of perspectives on Robinson Crusoe by Virginia Woolf, Ian Watt, Eric Berne, Maximillian E. Novak, Frank Budgen, James Joyce, George A. Starr, J. Paul Hunter, James Sutherland, John J. Richetti, Leopold Damrosch, Jr., John Bender, Michael McKeon, and Carol Houlihan Flynn. A Chronology of Defoe's life and work and an updated Selected Bibliography are also included., The Culture and Philosophy of Ridley Scott, edited by Adam Barkman, Ashley Barkman, and Nancy Kang, brings together eighteen critical essays that illuminate a nearly comprehensive selection of the director's feature films from cutting-edge multidisciplinary and comparative perspectives. Chapters examine such signature works as Alien (1979), Blade Runner (1982), Thelma and Louise (1991), Gladiator (2000), Hannibal (2001), Black Hawk Down (2001), and American Gangster (2007). This volume divides the chapters into three major thematic groups: responsibility, remembering, and revision; real, alienated, and ideal lives; and gender, identity, and selfhood. Each section features six discrete essays, each of which forwards an original thesis about the film or films chosen for analysis. Each chapter features close readings of scenes as well as broader discussions that will interest academics, non-specialists, as well as educated readers with an interest in films as visual texts. While recognizing Scott's undeniable contributions to contemporary popular cinema, the volume does not shy away from honest and well-evidenced critique.Each chapter's approach correlates with philosophical, literary, or cultural studies perspectives. Using both combined and single-film discussions, the contributors examine such topics as gender roles and feminist theory; philosophical abstractions like ethics, honor, and personal responsibility; historical memory and the challenges of accurately rendering historical events on screen; literary archetypes and generic conventions; race relations and the effect of class difference on character construction; how religion shapes personal and collective values; the role of a constantly changing technological universe; and the schism between individual and group-based power structures. The Culture and Philosophy of Ridley Scott assembles the critical essays of scholars working in the fields of philosophy, literary studies, and cultural studies. An international group, they are based in the United States, Canada, Argentina, Italy, Greece, Korea, the United Kingdom, and New Zealand. The guiding assumption on the part of all the writers is that the filmmaker is the leading determiner of a motion picture's ethos, artistic vision, and potential for audience engagement. While not discounting the production team (including screenwriters, actors, and cinematographers, among others), auteur theory recognizes the seminal role of the director as the nucleus of the meaning-making process. With Scott an active and prolific presence in the entertainment industry today, the timeliness of this volume is optimal., Michael Shinagel has collated the reprint with all six authorized editions published by Taylor in 1719 to achieve a text that is faithful to Defoe's original edition. Annotations assist the reader with obscure words and idioms, biblical references, and nautical terms. "Contexts" helps the reader understand the novel's historical and religious significance. Included are four contemporary accounts of marooned men, Defoe's autobiographical passages on the novel's allegorical foundation, and aspects of the Puritan emblematic tradition essential for understanding the novel's religious aspects. "Eighteenth-and Nineteenth-Century Opinions" is a comprehensive study of early estimations by prominent literary and political figures, including Alexander Pope, Jean-Jacques Rousseau, Samuel Johnson, Samuel Taylor Coleridge, William Wordsworth, Edgar Allen Poe, Thomas Babington Macaulay, Charles Dickens, Karl Marx, and John Stuart Mill. "Twentieth-Century Criticism" is a collection of fourteen essays (five of them new to the Second Edition) that presents a variety of perspectives on Robinson Crusoe by Virginia Woolf, Ian Watt, Eric Berne, Maximillian E. Novak, Frank Budgen, James Joyce, George A. Starr, J. Paul Hunter, James Sutherland, John J. Richetti, Leopold Damrosch, Jr., John Bender, Michael McKeon, and Carol Houlihan Flynn. A Chronology of Defoe's life and work and an updated Selected Bibliography are also included., Michael Shinagel has collated the reprint with all six authorized editions published by Taylor in 1719 to achieve a text that is faithful to Defoe's original edition. Annotations assist the reader with obscure words and idioms, biblical references, and nautical terms. Contexts helps the reader understand the novel's historical and religious significance. Included are four contemporary accounts of marooned men, Defoe's autobiographical passages on the novel's allegorical foundation, and aspects of the Puritan emblematic tradition essential for understanding the novel's religious aspects. Eighteenth-and Nineteenth-Century Opinions is a comprehensive study of early estimations by prominent literary and political figures, including Alexander Pope, Jean-Jacques Rousseau, Samuel Johnson, Samuel Taylor Coleridge, William Wordsworth, Edgar Allen Poe, Thomas Babington Macaulay, Charles Dickens, Karl Marx, and John Stuart Mill. Twentieth-Century Criticism is a collection of fourteen essays (five of them new to the Second Edition) that presents a variety of perspectives on Robinson Crusoe by Virginia Woolf, Ian Watt, Eric Berne, Maximillian E. Novak, Frank Budgen, James Joyce, George A. Starr, J. Paul Hunter, James Sutherland, John J. Richetti, Leopold Damrosch, Jr., John Bender, Michael McKeon, and Carol Houlihan Flynn. A Chronology of Defoe's life and work and an updated Selected Bibliography are also included., The Second Edition of the Norton Critical Edition of Robinson Crusoe is based on the Shakespeare Head Press reprint of the first edition copy in the British Museum, with the "errata" listed by Defoe's publisher, William Taylor, incorporated into the text.
LC Classification Number
PR3724.G8

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