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Das eigene Werk des Teufels: Der Bürgerkrieg Entwurf Unruhen 1863 HB DJ amerikanische Geschichte
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Standort: Gettysburg, Pennsylvania, USA
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eBay-Artikelnr.:355660611484
Artikelmerkmale
- Artikelzustand
- Personalize
- No
- Signed
- No
- Ex Libris
- No
- Narrative Type
- Nonfiction
- Personalized
- No
- Original Language
- English
- Country/Region of Manufacture
- United States
- Inscribed
- No
- Vintage
- No
- ISBN
- 9780802715081
- Book Title
- Devil's Own Work : the Civil War Draft Riots and the Fight to Reconstruct America
- Publisher
- Walker & Company
- Item Length
- 9.3 in
- Publication Year
- 2007
- Format
- Perfect
- Language
- English
- Illustrator
- Yes
- Item Height
- 1.2 in
- Genre
- History
- Topic
- United States / Civil War Period (1850-1877), General, Americas (North, Central, South, West Indies)
- Item Weight
- 17 Oz
- Item Width
- 6 in
- Number of Pages
- 448 Pages
Über dieses Produkt
Product Identifiers
Publisher
Walker & Company
ISBN-10
0802715087
ISBN-13
9780802715081
eBay Product ID (ePID)
56941794
Product Key Features
Book Title
Devil's Own Work : the Civil War Draft Riots and the Fight to Reconstruct America
Number of Pages
448 Pages
Language
English
Topic
United States / Civil War Period (1850-1877), General, Americas (North, Central, South, West Indies)
Publication Year
2007
Illustrator
Yes
Genre
History
Format
Perfect
Dimensions
Item Height
1.2 in
Item Weight
17 Oz
Item Length
9.3 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
Reviews
"The most lethal urban riot in American history, the New York City draft riots in July 1863 were not an isolated event. Barnet Schecter provides the most detailed narrative of the riots, and also places them within the national context of the Civil War and the local context of ethnic, racial, and political conflict during the decades from the 1840s to the 1870s. The experience of New York's African American community receives more attention in The Devil's Own Work than in any other study."-- James M. McPherson, author of Battle Cry of Freedom "An acute study of perhaps New York City's most barbarous episode...Schecter throws a wide net in his detailed account of the riots, setting the violence amid the racism, political corruption and brutal inequities of the time, looking not only at what inspired the rebellion, but also at what it left in its wake."-- Alison McCulloch , New York Times Book Review "A coruscating chronicle of this shameful episode in American history. He might well have contented himself with a blow-by-blow account, but he also lays bare the depth of pro-Southern "copperhead" sentiments in the North--in New York City in particular--and the persistence of such sentiments after the war."-- Fergus M. Bordewich, Wall Street Journal "A fascinating look at the explosive witches' brew of resentment and rage that ignited deadly Civil War draft riots and which continued to haunt the nation for another hundred years thereafter. It's all here in this thought-provoking and meticulously rendered work: race and class, protest and reform, and a myriad of colorful voices."-- Jay Winik, author of April 1865: The Month That Saved America "Schecter's riveting narrative places the violence, dramatized by Martin Scorcese's "Gangs of New York," in a national context, as a microcosm of forces that deferred integration for a century."-- USA Today, "The most lethal urban riot in American history, the New York City draft riots in July 1863 were not an isolated event. Barnet Schecter provides the most detailed narrative of the riots, and also places them within the national context of the Civil War and the local context of ethnic, racial, and political conflict during the decades from the 1840s to the 1870s. The experience of New York's African American community receives more attention inThe Devil's Own Workthan in any other study."-James M. McPherson, author ofBattle Cry of Freedom "An acute study of perhaps New York City's most barbarous episode...Schecter throws a wide net in his detailed account of the riots, setting the violence amid the racism, political corruption and brutal inequities of the time, looking not only at what inspired the rebellion, but also at what it left in its wake."-Alison McCulloch,New YorkTimes Book Review "A coruscating chronicle of this shameful episode in American history. He might well have contented himself with a blow-by-blow account, but he also lays bare the depth of pro-Southern "copperhead" sentiments in the North-in New York City in particular-and the persistence of such sentiments after the war."-Fergus M. Bordewich,Wall Street Journal "A fascinating look at the explosive witches' brew of resentment and rage that ignited deadly Civil War draft riots and which continued to haunt the nation for another hundred years thereafter. It's all here in this thought-provoking and meticulously rendered work: race and class, protest and reform, and a myriad of colorful voices."-Jay Winik, author ofApril 1865: The Month That Saved America "Schecter's riveting narrative places the violence, dramatized by Martin Scorcese's "Gangs of New York," in a national context, as a microcosm of forces that deferred integration for a century."-USAToday, The most lethal urban riot in American history, the New York City draft riots in July 1863 were not an isolated event. Barnet Schecter provides the most detailed narrative of the riots, and also places them within the national context of the Civil War and the local context of ethnic, racial, and political conflict during the decades from the 1840s to the 1870s. The experience of New York's African American community receives more attention in The Devil's Own Work than in any other study., "The most lethal urban riot in American history, the New York City draft riots in July 1863 were not an isolated event. Barnet Schecter provides the most detailed narrative of the riots, and also places them within the national context of the Civil War and the local context of ethnic, racial, and political conflict during the decades from the 1840s to the 1870s. The experience of New York's African American community receives more attention in The Devil's Own Work than in any other study."-- James M. McPherson, author of Battle Cry of Freedom "An acute study of perhaps New York City's most barbarous episode...Schecter throws a wide net in his detailed account of the riots, setting the violence amid the racism, political corruption and brutal inequities of the time, looking not only at what inspired the rebellion, but also at what it left in its wake."-- Alison McCulloch , New York Times Book Review "A coruscating chronicle of this shameful episode in American history. He might well have contented himself with a blow-by-blow account, but he also lays bare the depth of pro-Southern "copperhead" sentiments in the North--in New York City in particular--and the persistence of such sentiments after the war."-- Fergus M. Bordewich, Wall Street Journal "A fascinating look at the explosive witches' brew of resentment and rage that ignited deadly Civil War draft riots and which continued to haunt the nation for another hundred years thereafter. It's all here in this thought-provoking and meticulously rendered work: race and class, protest and reform, and a myriad of colorful voices."-- Jay Winik, author of April 1865: The Month That Saved America "Schecter's riveting narrative places the violence, dramatized by Martin Scorcese's "Gangs of New York," in a national context, as a microcosm of forces that deferred integration for a century."-- USA Today, An acute study of perhaps New York City's most barbarous episode...Schecter throws a wide net in his detailed account of the riots, setting the violence amid the racism, political corruption and brutal inequities of the time, looking not only at what inspired the rebellion, but also at what it left in its wake., "The most lethal urban riot in American history, the New York City draft riots in July 1863 were not an isolated event. Barnet Schecter provides the most detailed narrative of the riots, and also places them within the national context of the Civil War and the local context of ethnic, racial, and political conflict during the decades from the 1840s to the 1870s. The experience of New York's African American community receives more attention in The Devil's Own Work than in any other study." -- James M. McPherson, author of Battle Cry of Freedom "An acute study of perhaps New York City's most barbarous episode...Schecter throws a wide net in his detailed account of the riots, setting the violence amid the racism, political corruption and brutal inequities of the time, looking not only at what inspired the rebellion, but also at what it left in its wake." -- Alison McCulloch, New York Times Book Review "A coruscating chronicle of this shameful episode in American history. He might well have contented himself with a blow-by-blow account, but he also lays bare the depth of pro-Southern "copperhead" sentiments in the North--in New York City in particular--and the persistence of such sentiments after the war." -- Fergus M. Bordewich, Wall Street Journal "A fascinating look at the explosive witches' brew of resentment and rage that ignited deadly Civil War draft riots and which continued to haunt the nation for another hundred years thereafter. It's all here in this thought-provoking and meticulously rendered work: race and class, protest and reform, and a myriad of colorful voices." -- Jay Winik, author of April 1865: The Month That Saved America "Schecter's riveting narrative places the violence, dramatized by Martin Scorcese's "Gangs of New York," in a national context, as a microcosm of forces that deferred integration for a century." -- USA Today, A fascinating look at the explosive witches' brew of resentment and rage that ignited deadly Civil War draft riots and which continued to haunt the nation for another hundred years thereafter. It's all here in this thought-provoking and meticulously rendered work: race and class, protest and reform, and a myriad of colorful voices., " The most lethal urban riot in American history, the New York City draft riots in July 1863 were not an isolated event. Barnet Schecter provides the most detailed narrative of the riots, and also places them within the national context of the Civil War and the local context of ethnic, racial, and political conflict during the decades from the 1840s to the 1870s. The experience of New York' s African American community receives more attention in "The Devil' s Own Work" than in any other study." -- James M. McPherson, author of "Battle Cry of Freedom" " An acute study of perhaps New York City' s most barbarous episode...Schecter throws a wide net in his detailed account of the riots, setting the violence amid the racism, political corruption and brutal inequities of the time, looking not only at what inspired the rebellion, but also at what it left in its wake." -- Alison McCulloch, "New York"" Times Book Review" " A coruscating chronicle of this shameful episode in American history. He might well have contented himself with a blow-by-blow account, but he also lays bare the depth of pro-Southern " copperhead" sentiments in the North-- in New York City in particular-- and the persistence of such sentiments after the war." -- Fergus M. Bordewich, "Wall Street Journal" " A fascinating look at the explosive witches' brew of resentment and rage that ignited deadly Civil War draft riots and which continued to haunt the nation for another hundred years thereafter. It' s all here in this thought-provoking and meticulously rendered work: race and class, protest and reform, and a myriad of colorful voices." -- Jay Winik, author of "April 1865: The Month That Saved America" " Schecter' s riveting narrative places the violence, dramatized by Martin Scorcese' s " Gangs of New York, " in a national context, as a microcosm of forces that deferred integration for a century." -- "USA"" Today", "The most lethal urban riot in American history, the New York City draft riots in July 1863 were not an isolated event. Barnet Schecter provides the most detailed narrative of the riots, and also places them within the national context of the Civil War and the local context of ethnic, racial, and political conflict during the decades from the 1840s to the 1870s. The experience of New York's African American community receives more attention in "The Devil's Own Work" than in any other study."--James M. McPherson, author of "Battle Cry of Freedom" "An acute study of perhaps New York City's most barbarous episode...Schecter throws a wide net in his detailed account of the riots, setting the violence amid the racism, political corruption and brutal inequities of the time, looking not only at what inspired the rebellion, but also at what it left in its wake."--Alison McCulloch, "New York"" Times Book Review" "A coruscating chronicle of this shameful episode in American history. He might well have contented himself with a blow-by-blow account, but he also lays bare the depth of pro-Southern "copperhead" sentiments in the North--in New York City in particular--and the persistence of such sentiments after the war."--Fergus M. Bordewich, "Wall Street Journal" "A fascinating look at the explosive witches' brew of resentment and rage that ignited deadly Civil War draft riots and which continued to haunt the nation for another hundred years thereafter. It's all here in this thought-provoking and meticulously rendered work: race and class, protest and reform, and a myriad of colorful voices."--Jay Winik, author of "April 1865: The Month That Saved America" "Schecter's riveting narrativeplaces the violence, dramatized by Martin Scorcese's "Gangs of New York," in a national context, as a microcosm of forces that deferred integration for a century."--"USA"" Today", A coruscating chronicle of this shameful episode in American history. He might well have contented himself with a blow-by-blow account, but he also lays bare the depth of pro-Southern "copperhead" sentiments in the North--in New York City in particular--and the persistence of such sentiments after the war., Schecter's riveting narrative places the violence, dramatized by Martin Scorcese's "Gangs of New York," in a national context, as a microcosm of forces that deferred integration for a century.
TitleLeading
The
Dewey Edition
22
Dewey Decimal
974.7/103
Synopsis
On July 13, 1863, the largest riots in American history broke out on the streets of New York City, nearly destroying in four days the financial, industrial, and commercial hub of the nation. Placing the riots in the context of social tension and reform from the 1840s through the 1870s, Barnet Schecter sheds new light on the Civil War era and on the history of protest and reform in America.
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