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Dylan eingelöst: Vom Highway 61 bis gerettet, Taschenbuch von Webb, Stephen H., BH...
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eBay-Artikelnr.:355670244103
Artikelmerkmale
- Artikelzustand
- Book Title
- Dylan Redeemed : From Highway 61 to Saved
- ISBN
- 9780826419194
- Subject Area
- Music, Biography & Autobiography
- Publication Name
- Dylan Redeemed : from Highway 61 to Saved
- Publisher
- Bloomsbury Academic & Professional
- Item Length
- 7.8 in
- Subject
- Composers & Musicians, General, Genres & Styles / Rock
- Publication Year
- 2006
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.4 in
- Item Weight
- 7.4 Oz
- Item Width
- 5.1 in
- Number of Pages
- 208 Pages
Über dieses Produkt
Product Identifiers
Publisher
Bloomsbury Academic & Professional
ISBN-10
0826419194
ISBN-13
9780826419194
eBay Product ID (ePID)
54351801
Product Key Features
Number of Pages
208 Pages
Language
English
Publication Name
Dylan Redeemed : from Highway 61 to Saved
Subject
Composers & Musicians, General, Genres & Styles / Rock
Publication Year
2006
Type
Textbook
Subject Area
Music, Biography & Autobiography
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
7.4 Oz
Item Length
7.8 in
Item Width
5.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2006-022074
Dewey Edition
22
Reviews
"Webb has delivered one of the brainiest, most challenging of Dylan books...a forceful, original analysis of Dylan's songbook. It could well change how you hear his great body of work..." - dylandaily.com, Dylan is almost universally known as this radical protest singer and poetic champion of liberal causes. Webb thinks otherwise, writing that Dylan's body of work is more reflective of Christian thought, and cites several examples in his book. Journalreview.com, December 21,2006|9780826419194|
Dewey Decimal
782.42164092 B
Table Of Content
Introduction: Dylan and the History of Sound Chapter 1: Growing Up Evangelical in a Rock and Roll WorldChapter 2: Putting Dylan in a New Political PerspectiveChatper 3: Slow Train Long Time ComingChapter 4: A Voice You Could Scour a Skillet WithChapter 5: A Tale of Two Popes and the End of Rock and Roll
Synopsis
Bob Dylan's earth-shattering performance at Newport in 1965 changed the face of rock and roll and the face of folk music forever. Dylan broke the musical equivalent of the sound barrier. He had to teach his audience how to hear sounds that had never before been heard. Dylan did the same for religion when he converted to Christianity in late 1978. Rock and reilgion have become intertwined in contemporay culture. Does rock gain its power from the decline of religious authority? Is rock a neutral medium that churches can appropriate with little or no danger to spiritual truths? Do rock and religion have the same ancient roots? Or is rock essentially at odds with Christianity? No contemporary musician presents a better test case than Bob Dylan. He played a key role in the fusion of rock and religion when he converted to Christianity. Dylan was ahead of the contemporary Christian music trend. Although he helped legitimize Christian rock in the late seventies, even his early music had deeply spiritual undertones. From the beginning of his career, Dylan talked about his music in terms of a spiritual calling. He imbued rock with something oracular and otherworldly--a supersonic rendition of the supernatural--which gave popular music enough weight to convey something of the mystery of religious ritual. Webb focuses on Dylan's religious period in this book, but convincingly shows that this religious period cannot be understood apart from a rereading of his entire career. Webb reevaluates Dylan's early career in light of Dylan's Christian period and shows that Dylan's Christian period was a natural development in his musical and spiritual journey. >, Bob Dylan's earth-shattering performance at Newport in 1965 changed the face of rock and roll and the face of folk music forever. Dylan broke the musical equivalent of the sound barrier. He had to teach his audience how to hear sounds that had never before been heard.  Dylan did the same for religion when he converted to Christianity in late 1978. Rock and reilgion have become intertwined in contemporay culture. Does rock gain its power from the decline of religious authority? Is rock a neutral medium that churches can appropriate with little or no danger to spiritual truths? Do rock and religion have the same ancient roots? Or is rock essentially at odds with Christianity? No contemporary musician presents a better test case than Bob Dylan. He played a key role in the fusion of rock and religion when he converted to Christianity. Dylan was ahead of the contemporary Christian music trend. Although he helped legitimize Christian rock in the late seventies, even his early music had deeply spiritual undertones. From the beginning of his career, Dylan talked about his music in terms of a spiritual calling. He imbued rock with something oracular and otherworldly--a supersonic rendition of the supernatural--which gave popular music enough weight to convey something of the mystery of religious ritual. Webb focuses on Dylan's religious period in this book, but convincingly shows that this religious period cannot be understood apart from a rereading of his entire career. Webb reevaluates Dylan's early career in light of Dylan's Christian period and shows that Dylan's Christian period was a natural development in his musical and spiritual journey., Bob Dylan's earth-shattering performance at Newport in 1965 changed the face of rock and roll and the face of folk music forever. Dylan broke the musical equivalent of the sound barrier. He had to teach his audience how to hear sounds that had never before been heard. Dylan did the same for religion when he converted to Christianity in late 1978. Rock and reilgion have become intertwined in contemporay culture. Does rock gain its power from the decline of religious authority? Is rock a neutral medium that churches can appropriate with little or no danger to spiritual truths? Do rock and religion have the same ancient roots? Or is rock essentially at odds with Christianity? No contemporary musician presents a better test case than Bob Dylan. He played a key role in the fusion of rock and religion when he converted to Christianity. Dylan was ahead of the contemporary Christian music trend. Although he helped legitimize Christian rock in the late seventies, even his early music had deeply spiritual undertones. From the beginning of his career, Dylan talked about his music in terms of a spiritual calling. He imbued rock with something oracular and otherworldly--a supersonic rendition of the supernatural--which gave popular music enough weight to convey something of the mystery of religious ritual. Webb focuses on Dylan's religious period in this book, but convincingly shows that this religious period cannot be understood apart from a rereading of his entire career. Webb reevaluates Dylan's early career in light of Dylan's Christian period and shows that Dylan's Christian period was a natural development in his musical and spiritual journey., Webb re-evaluates Dylan's early career in light of Dylan's Christian period and shows that it was a natural development in his musical and spiritual journey. >
LC Classification Number
ML420.D98W42 2006
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