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First Impressions Sefer Hasidim an..., Skloot, Joseph

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Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Book Title
First Impressions Sefer Hasidim and Early Modern Hebrew Print...
ISBN
1684581494
EAN
9781684581498
Release Title
First Impressions Sefer Hasidim and Early Modern Hebrew Print...
Artist
Skloot, Joseph A.
Brand
N/A
Colour
N/A

Über dieses Produkt

Product Identifiers

Publisher
Brandeis University Press
ISBN-10
1684581494
ISBN-13
9781684581498
eBay Product ID (ePID)
28058378466

Product Key Features

Number of Pages
268 Pages
Language
English
Publication Name
First Impressions : Sefer Hasidim and Early Modern Hebrew Printing
Publication Year
2023
Subject
Modern / 16th Century, Ethics & Moral Philosophy, Books & Reading, Jewish
Type
Textbook
Author
Joseph A. Skloot
Subject Area
Literary Criticism, Philosophy, History
Series
The Tauber Institute Series for the Study of European Jewry Ser.
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
16 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2022-050290
Reviews
Who makes a book, the author or the publisher? Skloot studies a classic of medieval Jewish literature, Sefer Hasidim , to answer this old question in a new way. He takes the reader into two printing houses, one Jewish and one Christian, and shows how each of them framed and transformed the book, giving it an author and sometimes rewriting its text, in their editions. A classic of medieval spirituality that remained labile in manuscript, Sefer Hasidim took on the form it would retain for centuries in the inky hands of correctors. This lively and learned book is a tour de force of book history, rich in textual and human detail., By employing the scholarly paradigm of microhistory, the author masterfully . . . sheds light on broader questions surrounding the early days of the printing press. . . . By zooming in on these particular editions, the author provides valuable insights into the interplay between Jewish literature, the printing press, and the complex sociocultural landscape of the time., Recent research has revealed that what we call Sefer Hasidim was composed from a loose collection of a variety of earlier 'treatises' and 'text blocks' without any coherent organization. In this groundbreaking study, Skloot demonstrates convincingly and in detail how this loose collection became a book in the proper sense of the word only during its printing process., The deep dive into textual development . . . reflects the best of what book historical work can offer--namely, the meaning behind the material culture that was so important in early modern intellectual life. . . . Skloot's ability to explain significance is impressive, and his clear contextualization makes this a worthwhile book for scholars, students, and lay readers of book history, early modern Europe, and Jewish-Christian interaction., Skloot's monograph brings an admirable counterbalance to this broad picture of early Jewish printing. His is a perspective wherein, indeed, the book as the canonical version of the text appears in print but it also accounts for the creativity and consciousness of the bookmakers who actively maneuvered between material, political, and commercial necessities implicit in textual labor.
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
686.21924
Table Of Content
Acknowledgements Notes on This Text List of Figures Introduction Chapter One: Sefer ?asidim in the Middle Ages Chapter Two: The Partners of Bologna Chapter Three: The Partners' Sefer ?asidim: Paratexts and Text Chapter Four: Ambrosius Froben of Basel Chapter Five: Froben's Sefer ?asidim: Paratexts Chapter Six: Froben's Sefer ?asidim: Text Epilogue Bibliography
Synopsis
Uncovers the history of creative adaptation and transformation through a close analysis of the creation of the Sefer Hasidim book. In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer Hasidim , a compendium of rituals, stories, and religious instruction that primarily originated in medieval Franco-Germany. How these men, of Italian and Spanish descent, came to produce a book that would come to shape Ashkenazic culture, and Jewish culture more broadly, over the next four centuries is the basis of this kaleidoscopic study of the history of Hebrew printing in the sixteenth century. During these early years of printing, the classic works of ancient and medieval Hebrew and Jewish literature became widely available to Jewish (and non-Jewish) readers for the first time. Printing, though, was not merely the duplication and distribution of pre-existing manuscripts, it was the creative adaptation and transformation of those manuscripts by printers. Ranging from Catholic Bologna to Protestant Basel to the Jewish heartland of the Polish-Lithuanian Commonwealth, Joseph A. Skloot uncovers the history of that creativity by examining the first two print editions of Sefer Hasidim . Along the way, he demonstrates how volumes that were long thought to be eternal and unchanging were in fact artifacts of historical agency and contingency, created by and for human beings., In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer Hasidim, a compendium of rituals, stories, and religious instruction that primarily originated in medieval Franco-Germany. How these men, of Italian and Spanish descent, came to produce a book that would come to shape Jewish culture over the next four centuries is the basis of this kaleidoscopic study of the history of Hebrew printing in the sixteenth century.
LC Classification Number
BJ1287.J83S55 2023

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