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- ISBN
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Über dieses Produkt
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
022629403X
ISBN-13
9780226294032
eBay Product ID (ePID)
2309310204
Product Key Features
Number of Pages
240 Pages
Language
English
Publication Name
Limits of Critique
Subject
Epistemology, General, Hermeneutics
Publication Year
2015
Type
Textbook
Subject Area
Literary Criticism, Philosophy
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
10.5 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2015-010763
Reviews
Timely, well-written, and compelling. This is that rare book that offers persuasive answers to a question many literary scholars are asking today, yet also promises to open new conversations that will continue into the future. The Limits of Critique should be required reading for all lovers of literature., What interests Felski is the critic's task--which is to be suspicious of what lies beneath the surface of story, and she examines the methodology required to tease out that meaning and the variety of literary and psychological tools the critic uses to do so. . . . Recommended., Rita Felski's The Limits of Critique . . . argues compellingly that our critical habits have unwittingly become trapped within a range so pinched we can barely turn our heads to see that there might be other possibilities available. She offers a nuanced description of the state of theory-heavy academic literary critique, and some proposals for how we might finally start to move beyond it., Felski's prose is bold and engaging throughout, and we are privy to her dexterous style which successfully surveys an expansive range of canonical and local critical narratives. . . . Painting a provocative landscape of contemporary critical practices, The Limits of Critique will undoubtedly resonate both with readers who are entrenched in the US culture that Felski describes as well as those external to it., Rita Felski's The Limits of Critique . . . argues compellingly that our critical habits have unwittingly become trapped within a range so pinched we can barely turn our heads to see that there might be other possibilities available. She offers a nuanced description of the state of theory-heavy academic literary critique, and some proposals for how we might finally start to move beyond it., A major theorist with a lively prose and an equally lively use of metaphor, Felski has always been where the action is. She has now written a book that will get all of us to take another look at what we've been doing. The Limits of Critique will shock some and elate others. No one will feel neutral, and no one can afford not to read this book., I sense that Felski wants us to dispense with the mood of mysterious purposiveness taken with literary works and with the influence machine apparatus and its moral psychology. Therein lies the book's greatest and most ambitious provocation: its claim that aesthetic works have nothing to hide and that there is no ghost in the machine. By admitting of this fact we may reacquire the pleasures of criticism., Felski suggests that authors, readers and critics are not the only actors involved in interpretation, there are non-humans, texts, journals, circulation systems, but moreover there are hermeneutics, theories and other techniques, including critique. Within this complex network, critique has its limitations, and there are numerous post-critical possibilities., Some books are so incisive and timely that they seem inevitable. . . . The Limits of Critique is such a book. By exploring its limits, Felski frees critics from relying on critique as the gatekeeper of literary studies and offers a prescient guide to life in a postcritical world., What interests Felski is the critic's task--which is to be suspicious of what lies beneath the surface of story, and she examines the methodology required to tease out that meaning and the variety of literary and psychological tools the critic uses to do so. . . . Recommended., Felski's punchy colloquial style eases our path . . . and her footnotes collect any number of easy-to-overlook gems . . . including not a few from the pages of New Literary History , the journal she has revived so impressively. . . . Her exasperation with the histrionics of critique and its bullying of literature is merited and persuasive., Some books are so incisive and timely that they seem inevitable. . . . The Limits of Critique is such a book. By exploring its limits, Felski frees critics from relying on critique as the gatekeeper of literary studies and offers a prescient guide to life in a postcritical world.
Dewey Edition
23
TitleLeading
The
Dewey Decimal
801/.95
Table Of Content
Acknowledgments Introduction 1 The Stakes of Suspicion 2 Digging Down and Standing Back 3 An Inspector Calls 4 Crrritique 5 "Context Stinks!" In Short Notes Index
Synopsis
Why must critics unmask and demystify literary works? Why do they believe that language is always withholding some truth, that the critic's task is to reveal the unsaid or repressed? In this book, Rita Felski examines critique, the dominant form of interpretation in literary studies, and situates it as but one method among many, a method with strong allure--but also definite limits. Felski argues that critique is a sensibility best captured by Paul Ricoeur's phrase "the hermeneutics of suspicion." She shows how this suspicion toward texts forecloses many potential readings while providing no guarantee of rigorous or radical thought. Instead, she suggests, literary scholars should try what she calls "postcritical reading" rather than looking behind a text for hidden causes and motives, literary scholars should place themselves in front of it and reflect on what it suggests and makes possible. By bringing critique down to earth and exploring new modes of interpretation, The Limits of Critique offers a fresh approach to the relationship between artistic works and the social world., Why must critics unmask and demystify literary works? Why do they believe that language is always withholding some truth, that the critic's task is to reveal the unsaid or repressed? In this book, Rita Felski examines critique, the dominant form of interpretation in literary studies, and situates it as but one method among many, a method with strong allure--but also definite limits. Felski argues that critique is a sensibility best captured by Paul Ricoeur's phrase "the hermeneutics of suspicion." She shows how this suspicion toward texts forecloses many potential readings while providing no guarantee of rigorous or radical thought. Instead, she suggests, literary scholars should try what she calls "postcritical reading": rather than looking behind a text for hidden causes and motives, literary scholars should place themselves in front of it and reflect on what it suggests and makes possible. By bringing critique down to earth and exploring new modes of interpretation, The Limits of Critique offers a fresh approach to the relationship between artistic works and the social world., Why do critics feel impelled to unmask and demystify the works that they read? What is the rationale for their conviction that language is always withholding some important truth, that the critic's task is to unearth what is unsaid, naturalized, or repressed? These are the features of critique, a mode of thought that thoroughly dominates academic criticism. In this book, Rita Felski brilliantly exposes critique's more troubling qualities and proposes alternatives to it. Critique, she argues, is not just a method but also a sensibility—one best captured by Paul Ricoeur's phrase the hermeneutics of suspicion." As the characteristic affect of critique, suspicion, Felski shows, helps us understand critique's seductions and limitations. The questions that Felski poses about critique have implications well beyond intramural debates among literary scholars. Literary studies, says Felski, is facing a legitimation crisis thanks to a sadly depleted language of value that leaves the field struggling to find reasons why students should care about Beowulf or Baudelaire. Why is literature worth bothering with? For Felski, the tendencies to make literary texts the object of suspicious reading or, conversely, impute to them qualities of critique, forecloses too many other possibilities. Felski offers an alternative model that she calls postcritical reading." Rather than looking behind the text for its hidden causes, conditions, and motives, she suggests that literary scholars place themselves in front of a text, reflecting on what it calls forth and makes possible. Here Felski enlists the work of Bruno Latour to rethink reading as a co-production between actors, rather than an unraveling of manifest meaning, a form of making rather than unmaking. As a scholar with an abiding respect for theory who has long deployed elements of critique in her own work, Felski is able to provide an insider's account of critique's limits and alternatives that will resonate widely in the humanities.
LC Classification Number
PN81.F44 2015
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- r***s (451)- Bewertung vom Käufer.Letzter MonatBestätigter KaufThanks for the good book.
- l***o (347)- Bewertung vom Käufer.Letzter MonatBestätigter KaufTop shelf service, product and shipping. Excellent packaging for shipment.
- e***a (251)- Bewertung vom Käufer.Letzter MonatBestätigter KaufThe book arrived in phenomenal condition, was very well packaged and protected better then described! The price was also fair, this was my first time buying from this seller but I'm very satisfied! I'll definitely be doing business again with this seller and I'll definitely be back for more I highly recommend this seller!
- r***s (451)- Bewertung vom Käufer.Letzter MonatBestätigter KaufThanks for the good book.