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How to Read a Film: Movies, Media, and Beyond - Paperback - GOOD
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eBay-Artikelnr.:357020922932
Artikelmerkmale
- Artikelzustand
- Brand
- Unbranded
- MPN
- Does not apply
- ISBN
- 9780195321050
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195321057
ISBN-13
9780195321050
eBay Product ID (ePID)
61140764
Product Key Features
Edition
4
Book Title
How to Read a Film : Movies, Media, and Beyond
Number of Pages
736 Pages
Language
English
Topic
Film / General, Interactive & Multimedia, Film / History & Criticism
Publication Year
2009
Illustrator
Yes
Genre
Computers, Performing Arts
Format
Trade Paperback
Dimensions
Item Height
1.3 in
Item Weight
38.5 Oz
Item Length
9.1 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Reviews
"Anyone who writes about film, or who is interested in film seriously, just has to have it."--Richard Roud, Director of the New York Film Festival
Dewey Decimal
791.43015
Table Of Content
IntroductionI. Film as ArtThe Nature of ArtWays of Looking at ArtFilm, Recording, and the Other ArtsThe Structure of ArtII. Technology: Image and SoundArt and TechnologyThe LensThe CameraThe FilmstockThe SoudtrackPost-ProductionVideo and FilmProjectionIII. The Language of Film: Signs and SyntaxSignsSyntaxIV. The Shape of Film HistoryMovies/Film/Cinema"Movies": Economics"Film": Politics"Cinema": AestheticsV. Film Theory: Form and FunctionThe CriticThe Poet and the Philosopher: Lindsay and MunsterbergExpressionism and Realism: Arnheim and KracauerMontage: Pudovkin, Eisenstein, Balazs, and FormalismMise en Scene: Neorealism, Bazin, and GodardFilm Speaks and Acts: Metz and Contemporary TheoryVI. Media: The Middle of ThingsCommunity Print and Electronic MediaThe Technology of Mechanical and Electronic MediaRadio and RecordsTelevision and VideoVII. Multimedia: The Digital RevolutionThe Digital RevolutionThe Myth of MultimediaThe Myth of Virtual RealityThe Myth of Cyberspace"What is to be Done?"Film and Media: A ChronologyReading About Film and MediaIndex
Synopsis
Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media.Now, JamesMonaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an "Essential Library: One Hundred Books About Film and Media You Should Read" and "OneHundred Films You Should See." As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. Inaddition, Monaco stresses the still-evolving digital context of film throughout--one of the new sections looks at the untrustworthy nature of digital images and sound--and his chapter on multimediabrings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative black-and-white film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better., Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an "Essential Library: One Hundred Books About Film and Media You Should Read" and "One Hundred Films You Should See." As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media suchas the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning, and, more importantly, how we can best discern allthat a film is attempting to communicate. In addition, Monaco stresses the still-evolving digital context of film throughout and his chapter on multimedia brings media criticism into the twenty-first century., A new edition of a genuine classic in film studies, featuring a new preface and several new sections. 'Against Art' suggests restoring the balance between the virtual world of art and the real world. 'Morphing' discusses the untrustworthy nature of digital images and sounds. 'The Virtual World' describes contemporary culture where everyone is connected to each other's images, and how the ring-tone market rivals the feature film business., Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media. Now, James Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an "Essential Library: One Hundred Books About Film and Media You Should Read" and "One Hundred Films You Should See." As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the still-evolving digital context of film throughout--one of the new sections looks at the untrustworthy nature of digital images and sound--and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative black-and-white film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better.
LC Classification Number
PN1994.M59 2008
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