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For All the World to See: Visual Cul..., Maurice Berger

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ISBN
0300121318
EAN
9780300121315
Publication Name
N/A
Type
Hardback
Release Title
For All the World to See: Visual Culture and the Struggle for ...
Artist
Maurice Berger
Brand
N/A
Colour
N/A

Über dieses Produkt

Product Identifiers

Publisher
Yale University Press
ISBN-10
0300121318
ISBN-13
9780300121315
eBay Product ID (ePID)
78713577

Product Key Features

Book Title
For All the World to See : Visual Culture and the Struggle for Civil Rights
Number of Pages
224 Pages
Language
English
Publication Year
2010
Topic
Collections, Catalogs, Exhibitions / Group Shows, United States / 20th Century, Civil Rights, Photoessays & Documentaries, United States / General
Illustrator
Yes
Genre
Political Science, Photography, History
Author
Maurice Berger
Format
Hardcover

Dimensions

Item Height
0.1 in
Item Weight
28.9 Oz
Item Length
1 in
Item Width
0.8 in

Additional Product Features

Intended Audience
Trade
LCCN
2009-937819
Reviews
"In 1955, the photograph of Emmett Till's mutilated body was for many African-Americans the visual equivalent of a knock-out punch. . . . That single image played a powerful role in building the civil rights movement, we learn in Maurice Berger's For All the World to See. "-- Boston Globe, "[An] attractive and compellingly written new work."--Tracy E. K'Myer, The Register of the Kentucky Historical Society, "Even 'unforgettable' images such as those contained in this project can be forgotten if they are not part of a public and highly visible record. With this tremendously important book, Maurice Berger has ensured that these powerful, affirming, and harrowing images will remain central to the story of this country's furious and joyful struggle for civil rights."-Henry Louis Gates, Jr., Harvard University, "In 1955, the photograph of Emmett Till's mutilated body was for many African-Americans the visual equivalent of a knock-out punch. . . . That single image played a powerful role in building the civil rights movement, we learn in Maurice Berger's For All the World to See. "- Boston Globe, Winner of the 2010 Outstanding Exhibition in a University Art Museum, given by the Association of Art Museum Curators, "In 1955, the photograph of Emmett Till's mutilated body was for many African-Americans the visual equivalent of a knock-out punch. . . . That single image played a powerful role in building the civil rights movement, we learn in Maurice Berger's For All the World to See. "- Boston Globe  , "Stunning both visually and interpretively, this marvelous book is by turns chilling and inspiring, poignant and gritty. The images it chooses and juxtaposes will introduce young people to worlds of struggle too little recalled and remind us all of the stakes involved in images of race and freedom."-David Roediger, author of How Race Survived U.S. History: From Settlement and Slavery to the Obama Phenomenon, "[An] attractive and compellingly written new work."--Tracy E. K''Myer,The Register of the Kentucky Historical Society, " For All the World to See. . .  reminds us though text and images just how powerfully photography affected the course of a major social movement that changed the history and the fabric of American life, all for the better."--Robert Leiter, Jewish Exponent, " For All the World to See. . . reminds us though text and images just how powerfully photography affected the course of a major social movement that changed the history and the fabric of American life, all for the better."--Robert Leiter, Jewish Exponent, "Even 'unforgettable' images such as those contained in this project can be forgotten if they are not part of a public and highly visible record. With this tremendously important book, Maurice Berger has ensured that these powerful, affirming, and harrowing images will remain central to the story of this country''s furious and joyful struggle for civil rights."-Henry Louis Gates, Jr., Harvard University, "Stunning both visually and interpretively, this marvelous book is by turns chilling and inspiring, poignant and gritty. The images it chooses and juxtaposes will introduce young people to worlds of struggle too little recalled and remind us all of the stakes involved in images of race and freedom."--David Roediger, author of How Race Survived U.S. History: From Settlement and Slavery to the Obama Phenomenon, "In 1955, the photograph of Emmett Till's mutilated body was for many African-Americans the visual equivalent of a knock-out punch. . . . That single image played a powerful role in building the civil rights movement, we learn in Maurice Berger'sFor All the World to See."--Boston Globe  , "Stunning both visually and interpretively, this marvelous book is by turns chilling and inspiring, poignant and gritty.  The images it chooses and juxtaposes will introduce young people to worlds of struggle too little recalled and remind us all of the stakes involved in images of race and freedom."-David Roediger, author of How Race Survived U.S. History: From Settlement and Slavery to the Obama Phenomenon, �Even �unforgettable� images such as those contained in this project can be forgotten if they are not part of a public and highly visible record. With this tremendously important book, Maurice Berger has ensured that these powerful, affirming, and harrowing images will remain central to the story of this country''s furious and joyful struggle for civil rights.��Henry Louis Gates, Jr., Harvard University, "Stunning both visually and interpretively, this marvelous book is by turns chilling and inspiring, poignant and gritty. The images it chooses and juxtaposes will introduce young people to worlds of struggle too little recalled and remind us all of the stakes involved in images of race and freedom."�David Roediger, author of How Race Survived U.S. History: From Settlement and Slavery to the Obama Phenomenon, " For All the World to See. . . reminds us though text and images just how powerfully photography affected the course of a major social movement that changed the history and the fabric of American life, all for the better." --Robert Leiter, Jewish Exponent, "[An] attractive and compellingly written new work."--Tracy E. K''Myer, The Register of the Kentucky Historical Society, "Even 'unforgettable' images such as those contained in this project can be forgotten if they are not part of a public and highly visible record. With this tremendously important book, Maurice Berger has ensured that these powerful, affirming, and harrowing images will remain central to the story of this country's furious and joyful struggle for civil rights."--Henry Louis Gates, Jr., Harvard University
Dewey Edition
22
Dewey Decimal
323.1196073
Synopsis
A stunning visual history of the civil rights movement in America In 1955, shortly after Emmett Till was murdered by white supremacists in Mississippi, his grieving mother distributed to the press a gruesome photograph of his mutilated corpse. Asked why she would do this, she explained that by witnessing with their own eyes the brutality of segregation and racism, Americans would be more likely to support the cause of racial justice. "Let the world see what I've seen," was her reply. The publication of the photograph inspired a generation of activists to join the civil rights movement. Despite this extraordinary episode, the story of visual culture's role in the modern civil rights movement is rarely included in its history . This is the first comprehensive examination of the ways images mattered in the struggle, and it investigates a broad range of media including photography, television, film, magazines, newspapers, and advertising. These images were ever present and diverse: the startling footage of southern white aggression and black suffering that appeared night after night on television news programs; the photographs of black achievers and martyrs in Negro periodicals; the humble snapshot, no less powerful in its ability to edify and motivate. In each case, the war against racism was waged through pictures--millions of points of light, millions of potent weapons that forever changed a nation. Through vivid storytelling and incisive analysis, this powerful book allows us to see and understand the crucial role that visual culture played in forever changing a nation.
LC Classification Number
E185.61

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