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William Christenberry: Kodachromes, Woodward, Richard B., Very Good Book
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William Christenberry: Kodachromes, Woodward, Richard B., Very Good Book
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William Christenberry: Kodachromes, Woodward, Richard B., Very Good Book

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    Hinweise des Verkäufers
    “Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - ...
    ISBN
    9781597111478
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Aperture Foundation, Incorporated
    ISBN-10
    1597111473
    ISBN-13
    9781597111478
    eBay Product ID (ePID)
    103063465

    Product Key Features

    Book Title
    William Christenberry: Kodachromes
    Number of Pages
    176 Pages
    Language
    English
    Topic
    United States / South / East South Central (Al, Ky, ms, Tn), General, Individual Photographers / Artists' Books
    Publication Year
    2010
    Illustrator
    Yes
    Genre
    Travel, Photography
    Author
    William Christenberry
    Format
    Hardcover

    Dimensions

    Item Height
    0.8 in
    Item Weight
    0 Oz
    Item Length
    9.8 in
    Item Width
    11.9 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2010-905267
    Dewey Edition
    22
    Dewey Decimal
    779.9976143063
    Synopsis
    Although best known for his large-format color photographs made with vintage Kodak Brownie cameras, William Christenberry has also consistently produced work with 35 mm Kodachrome slide film since he took up photography. William Christenberry: Kodachromes is the first publication to showcase this stunning and previously unknown body of work, spanning from 1964 to 2007, of which only a small number of images have ever been published or exhibited. As in all of Christenberry's photographs, the subject matter is the rural Deep South: the twisting back roads, open landscapes, rusted signage and ramshackle vernacular architecture found in Hale County, Alabama. Though many of the sites pictured in this rare collection are new, other subjects have grown iconic in Christenberry's oeuvre as he has returned to photograph them over the decades--the red building in the forest, Sprott Church, the Palmist Sign and the Bar-B-Q Inn, among others. The photographs in William Christenberry: Kodachromes were made with a camera that allowed for greater mobility, revealing new ways of considering Christenberry's perennial subjects and offering further insight into the working method of this venerable artist. William Christenberry (born 1936) has been a professor at the Corcoran College of Art and Design, Washington, D.C., since 1968. His work has been the subject of dozens of solo shows and exhibitions over the last 40 years, and can be found in numerous permanent collections, including those of the Smithsonian American Art Museum, Washington, D.C.; The Museum of Modern Art and Whitney Museum of American Art, both in New York; Stedelijk Museum, Amsterdam; San Francisco Museum of Modern Art; and Center for Creative Photography, Tucson. His work was the subject of a major year-long solo exhibition at the Smithsonian American Art Museum in 2006., Although best known for his large-format color photographs made with vintage Kodak Brownie cameras, William Christenberry has also consistently produced work with 35 mm Kodachrome slide film since he took up photography. "William Christenberry: Kodachromes" is the first publication to showcase this stunning and previously unknown body of work, spanning from 1964 to 2007, of which only a small number of images have ever been published or exhibited. As in all of Christenberry's photographs, the subject matter is the rural Deep South: the twisting back roads, open landscapes, rusted signage and ramshackle vernacular architecture found in Hale County, Alabama. Though many of the sites pictured in this rare collection are new, other subjects have grown iconic in Christenberry's oeuvre as he has returned to photograph them over the decades--the red building in the forest, Sprott Church, the Palmist Sign and the Bar-B-Q Inn, among others. The photographs in "William Christenberry: Kodachromes" were made with a camera that allowed for greater mobility, revealing new ways of considering Christenberry's perennial subjects and offering further insight into the working method of this venerable artist. William Christenberry (born 1936) has been a professor at the Corcoran College of Art and Design, Washington, D.C., since 1968. His work has been the subject of dozens of solo shows and exhibitions over the last 40 years, and can be found in numerous permanent collections, including those of the Smithsonian American Art Museum, Washington, D.C.; The Museum of Modern Art and Whitney Museum of American Art, both in New York; Stedelijk Museum, Amsterdam; San Francisco Museum of Modern Art; and Center for Creative Photography, Tucson. His work was the subject of a major year-long solo exhibition at the Smithsonian American Art Museum in 2006., Although best known for his large-format color photographs made with vintage Kodak Brownie cameras, William Christenberry has also consistently produced work with 35 mm Kodachrome slide film ever since he took up photography. William Christenberry: Kodachromes is the first publication to showcase this stunning and previously unknown body of work, spanning from 1964 to 2007, of which only a small number of images have ever been published or exhibited. As in all of Christenberry's photographs, the subject matter is the rural Deep South: the twisting back roads, open landscapes, rusted signage, and ramshackle vernacular architecture found in Hale County, Alabama. Though many of the sites pictured in this rare collection are new, other subjects grew iconic in Christenberry's oeuvre as he has returned to photograph them for decades-the red building in the forest, Sprott Church, the Palmist Sign, and the Bar-B-Q Inn, among others. However, the photographs in William Christenberry: Kodachromes, made with a camera that allowed for greater mobility, reveal new ways of considering Christenberry's perennial subjects and o!er further insight into the working method of this venerable artist.
    LC Classification Number
    TR654.C4875 2010

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