
Asger Jorn & Jacqueline de Jong: Der Fall des asketischen Satyrs: Schnappschüsse aus E
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Asger Jorn & Jacqueline de Jong: Der Fall des asketischen Satyrs: Schnappschüsse aus E
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eBay-Artikelnr.:357408591013
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- ISBN
- 9781938922862
Über dieses Produkt
Product Identifiers
Publisher
D.A.P./Distributed Art Publishers
ISBN-10
1938922867
ISBN-13
9781938922862
eBay Product ID (ePID)
219184576
Product Key Features
Number of Pages
56 Pages
Publication Name
Asger Jorn and Jacqueline De Jong: the Case of the Ascetic Satyr : Snapshots from Eternity
Language
English
Subject
Conceptual, Individual Artists / Artists' Books, Subjects & Themes / Erotica, European
Publication Year
2015
Type
Textbook
Subject Area
Art
Format
Trade Paperback
Dimensions
Item Height
0.3 in
Item Weight
28 Oz
Item Length
12 in
Item Width
9.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
Far more than any conventional memoir, the book catches the real mood, the ambience, of a love affair: the way it is, spinning from desire into loss, fury into abasement, everything heightened, everything new.
Illustrated
Yes
Synopsis
In 1962, while living in Paris, Dutch painter, sculptor and editor of The Situationist Times Jacqueline de Jong (born 1939) completed a set of 11 woodcut engravings, a medium in which she rarely worked. Danish painter and writer Asger Jorn (1914-1973) adored the engravings and decided to publish them. First, however, Jorn decided to compose a set of texts to accompany the art work, turning the suite of engravings into an "erotic novel" which they called "The Case of the Ascetic Satyr." Over the course of the next decade they jotted down playful (and occasionally sexually explicit) notes to each other on anything that came to hand--exhibition flyers, cocktail napkins, even an unused sheet from Memoires , Jorn's famous collaborative artist's book with Guy Debord. The texts are mostly in English, the language Jorn and de Jong usually used together, though some are in French, Danish, Dutch or German. Wordplay is prevalent, sometimes referring to James Joyce's Finnegans Wake . In the end, the book project outlasted the relationship between the two artists, and so was never published. This beautifully produced artist's book--published in a signed and numbered edition of 200 copies--is thus not so much a facsimile as a true first edition, with the prints accompanied by replicas of the notes between the two lovers. A companion volume includes essays on the piece by leading art historians in the field, Kevin Repp, Marc Lenot, Roberto Ohrt, Karen Kurczynski and Axel Heil., In 1962, while living in Paris, Dutch painter, sculptor and editor of The Situationist Times Jacqueline de Jong (born 1939) completed a set of 11 woodcut engravings, a medium in which she rarely worked. Danish painter and writer Asger Jorn (1914 1973) adored the engravings and decided to publish them. First, however, Jorn decided to compose a set of texts to accompany the art work, turning the suite of engravings into an "erotic novel" which they called "The Case of the Ascetic Satyr." Over the course of the next decade they jotted down playful (and occasionally sexually explicit) notes to each other on anything that came to hand--exhibition flyers, cocktail napkins, even an unused sheet from Memoires , Jorn's famous collaborative artist's book with Guy Debord. The texts are mostly in English, the language Jorn and de Jong usually used together, though some are in French, Danish, Dutch or German. Wordplay is prevalent, sometimes referring to James Joyce's Finnegans Wake . In the end, the book project outlasted the relationship between the two artists, and so was never published. This beautifully produced artist's book--published in a signed and numbered edition of 200 copies--is thus not so much a facsimile as a true first edition, with the prints accompanied by replicas of the notes between the two lovers. A companion volume includes essays on the piece by leading art historians in the field, Kevin Repp, Marc Lenot, Roberto Ohrt, Karen Kurczynski and Axel Heil., In 1962, while living in Paris, Dutch painter, sculptor and editor of "The Situationist Times" Jacqueline de Jong (born 1939) completed a set of 11 woodcut engravings, a medium in which she rarely worked. Danish painter and writer Asger Jorn (1914-1973) adored the engravings and decided to publish them. First, however, Jorn decided to compose a set of texts to accompany the art work, turning the suite of engravings into an "erotic novel" which they called "The Case of the Ascetic Satyr." Over the course of the next decade they jotted down playful (and occasionally sexually explicit) notes to each other on anything that came to hand--exhibition flyers, cocktail napkins, even an unused sheet from "Memoires," Jorn's famous collaborative artist's book with Guy Debord. The texts are mostly in English, the language Jorn and de Jong usually used together, though some are in French, Danish, Dutch or German. Wordplay is prevalent, sometimes referring to James Joyce's "Finnegans Wake." In the end, the book project outlasted the relationship between the two artists, and so was never published. This beautifully produced artist's book--published in a signed and numbered edition of 200 copies--is thus not so much a facsimile as a true first edition, with the prints accompanied by replicas of the notes between the two lovers. A companion volume includes essays on the piece by leading art historians in the field, Kevin Repp, Marc Lenot, Roberto Ohrt, Karen Kurszinski and Axel Heil.
Text by
Ohrt, Roberto, Repp, Kevin, Lenot, Marc
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