Brassai, Molina, Antonio Muñoz, Alexander, Stuart, Galassi, Peter, sehr gutes Buch
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eBay-Artikelnr.:357472623997
Artikelmerkmale
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- Hinweise des Verkäufers
- ISBN
- 9788498446449
Über dieses Produkt
Product Identifiers
Publisher
Fundacion Mapfre
ISBN-10
8498446449
ISBN-13
9788498446449
eBay Product ID (ePID)
242552869
Product Key Features
Book Title
Brassaï
Number of Pages
368 Pages
Language
English
Publication Year
2018
Topic
Techniques / General, Individual Photographers / Monographs, Subjects & Themes / Portraits & Selfies, Individual Photographers / General, Photojournalism, Collections, Catalogs, Exhibitions / General, History
Illustrator
Yes
Genre
Photography
Format
Hardcover
Dimensions
Item Height
1.5 in
Item Weight
85.8 Oz
Item Length
12.2 in
Item Width
9.9 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Reviews
Brassai is the most wide-ranging colleetioo of his work in English, particularly good on his early photographs for magazines, from the raffish Scandale to the impeccable Minotaure; his ventures outside Paris and in daylight; and - balancing his extensive coverage of lowlife -· his documentation of 1930s high Jife, which makes today's equivalent look especially tawdry and cheap., Brassaï captured both high and low society: beautiful couples and couture shows as well as the grittier side of Parisian nightlife, including hookups in bars and moments in brothels., The most wide-ranging collection of his work in English, particularly good on his early photographs for magazines, from the raffish Scandale to the impeccable Minotaure; his ventures outside Paris and in daylight; and -- balancing his extensive coverage of lowlife -- his documentation of 1930s high life, which makes today's equivalent look especially tawdry and cheap.
Dewey Decimal
779.944361092
Synopsis
Brassai was the first great chronicler of the urban underbelly This sumptuous Brassai overview gathers outstanding prints of his finest and most popular photographs, drawing on the Estate Brassai in Paris and the collections of leading museums in France and the United States. The work is organized into 18 thematic groupings, such as "Paris by Night," "Portraits" and "Self-Portraits," "Body of a Woman," "Graffiti," "Places and Things," "Pleasures" and "The Street," focusing throughout on his celebrated depictions of 1930s Paris. When Brassai took up photography in the late 1920s, after his move to Paris in 1924 (from his native Brassov in Austria-Hungary, via Budapest and Berlin), the photobook was blossoming as a new art form ripe for exploration. Brassai gave the genre one of its undisputed classics, Paris de nuit (1933)--the first in what is now a long line of photobooks portraying cities by night. The book was popular with both cognoscenti and tourists, and made Brassai famous; he became the first great chronicler of the urban underbelly, with images of prostitutes, gangsters, brothels and night clubs. Today Brassai is canonical, and easily one of the most influential photographers of the 20th century, as this 368-page volume--the most beautifully produced and edited survey of his accomplishment in print--amply attests. Born Gyula Halász, Brassai (1899-1984) began his career as a sculptor, painter and journalist, forming friendships with artists and writers such as Pablo Picasso, Joan Miró, Salvador Dalí, Jacques Prévert, Henri Michaux and Henry Miller, most of whom he later photographed. Brassaï published numerous great photobooks throughout his career, including Voluptés de Paris (1935), Henry Miller: The Paris Years (1975) and Artists of My Life (1982). The George Eastman House in Rochester, New York, the Art Institute in Chicago and The Museum of Modern Art in New York have all held retrospectives of his work., Brassai was the first great chronicler of the urban underbelly This sumptuous Brassai overview gathers outstanding prints of his finest and most popular photographs, drawing on the Estate Brassai in Paris and the collections of leading museums in France and the United States. The work is organized into 18 thematic groupings, such as "Paris by Night," "Portraits" and "Self-Portraits," "Body of a Woman," "Graffiti," "Places and Things," "Pleasures" and "The Street," focusing throughout on his celebrated depictions of 1930s Paris. When Brassai took up photography in the late 1920s, after his move to Paris in 1924 (from his native Brassov in Austria-Hungary, via Budapest and Berlin), the photobook was blossoming as a new art form ripe for exploration. Brassai gave the genre one of its undisputed classics, Paris de nuit (1933)--the first in what is now a long line of photobooks portraying cities by night. The book was popular with both cognoscenti and tourists, and made Brassai famous; he became the first great chronicler of the urban underbelly, with images of prostitutes, gangsters, brothels and night clubs. Today Brassai is canonical, and easily one of the most influential photographers of the 20th century, as this 368-page volume--the most beautifully produced and edited survey of his accomplishment in print--amply attests. Born Gyula Hal sz, Brassai (1899-1984) began his career as a sculptor, painter and journalist, forming friendships with artists and writers such as Pablo Picasso, Joan Mir , Salvador Dal , Jacques Pr vert, Henri Michaux and Henry Miller, most of whom he later photographed. Brassa published numerous great photobooks throughout his career, including Volupt s de Paris (1935), Henry Miller: The Paris Years (1975) and Artists of My Life (1982). The George Eastman House in Rochester, New York, the Art Institute in Chicago and The Museum of Modern Art in New York have all held retrospectives of his work., Brassaï (1899-1984) was a key member of a group of European and North American photographers who, over the course of the 20th century, managed to redefine the identity and enrich the potential of photography as an artistic medium. The main theme of his work was Paris, the subject matter for some of his most significant and renowned images. He captured vibrant images of the daily life of the city, especially the vitality of its night-time atmosphere, in a vivid expression of the powerful artistic dimension of his perspective. The evocative capacity of his images achieved unquestionable recognition that spread from artistic photography circles to the tourist industry and the commercial photography circuit., Brassai was the first great chronicler of the urban underbelly This sumptuous Brassai overview gathers outstanding prints of his finest and most popular photographs, drawing on the Estate Brassai in Paris and the collections of leading museums in France and the United States. The work is organized into 18 thematic groupings, such as Paris by Night, Portraits and Self-Portraits, Body of a Woman, Graffiti, Places and Things, Pleasures and The Street, focusing throughout on his celebrated depictions of 1930s Paris. When Brassai took up photography in the late 1920s, after his move to Paris in 1924 (from his native Brassov in Austria-Hungary, via Budapest and Berlin), the photobook was blossoming as a new art form ripe for exploration. Brassai gave the genre one of its undisputed classics, Paris de nuit (1933) the first in what is now a long line of photobooks portraying cities by night. The book was popular with both cognoscenti and tourists, and made Brassai famous; he became the first great chronicler of the urban underbelly, with images of prostitutes, gangsters, brothels and night clubs. Today Brassai is canonical, and easily one of the most influential photographers of the 20th century, as this 368-page volume the most beautifully produced and edited survey of his accomplishment in print amply attests. Born Gyula Halász, Brassai (1899 1984) began his career as a sculptor, painter and journalist, forming friendships with artists and writers such as Pablo Picasso, Joan Miró, Salvador Dalí, Jacques Prévert, Henri Michaux and Henry Miller, most of whom he later photographed. Brassaï published numerous great photobooks throughout his career, including Voluptés de Paris (1935), Henry Miller: The Paris Years (1975) and Artists of My Life (1982). The George Eastman House in Rochester, New York, the Art Institute in Chicago and The Museum of Modern Art in New York have all held retrospectives of his work.
LC Classification Number
TR654
Text by
Galassi, Peter, Alexander, Stuart, Molina, Antonio Muñoz
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