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Warum Mona Lisa lächelt und andere Geschichten von Vasari, Taschenbuch von Barolsky, Paul, ...

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Book Title
Why Mona Lisa Smiles and other Tales by Vasari
ISBN
9780271026152

Über dieses Produkt

Product Identifiers

Publisher
Pennsylvania STATE University Press
ISBN-10
0271026154
ISBN-13
9780271026152
eBay Product ID (ePID)
43544140

Product Key Features

Number of Pages
148 Pages
Language
English
Publication Name
Why Mona Lisa Smiles and Other Tales by Vasari
Subject
Semiotics & Theory, Artists, Architects, Photographers, History / Renaissance, History / General
Publication Year
1991
Type
Textbook
Author
Paul Barolsky
Subject Area
Literary Criticism, Art, Biography & Autobiography
Format
Trade Paperback

Dimensions

Item Height
0.3 in
Item Weight
17 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
20
Dewey Decimal
709/.2
Synopsis
Art history as we know it would not exist without Vasari, and Barolsky shows us that something of the same claim should be made for literary history. He demonstrates the ways in which a literary approach to Vasari's book deepens our understanding of its historical, art-historical, and imaginative character. Why Mona Lisa Smiles discusses Vasari's shrewd, witty, intimate awareness of Dante, Petrarch, and Boccaccio and relates the Lives to the works of Catiglione, Arentino, Cellini, and Rabelais. Barolsky reveals the unexpected fantasy of Varasi, who imagined and then invented artists and works of art, as well as totally fabricating the lives of artists about whom he knew little or nothing. Barolsky traces the myth of Pygmalion through the Lives, demonstrating that Vasari was himself a Pygmalion in words and showing that wittily played on the names of artists, revealing these poetical fantasies as part of the very iconology of Renaissance art. By aprroaching the LIves as a combination of genres---biography, history, novella, autobiography, novel and literary banquet--Barolsky connects Vasari's highly fictionalized history to the modern historical novel. The fictional character of Vasari's book should not be ignored or dismissed by art historians, Barolssky insists, since it is itself a historical document--the record of how a painter and writer of extraordinary sensibility beheld works of art at a particular moment in history. Barolsky's unique approach to the Lives makes just study a valuable contribution to the history of the reception of art. Paul Barolsky is Professor of History of Art at the University of Virginia. He is the author of Michelangelo's Nose (Penn State, 1990), Walter Pater's Renaissance (Penn State,1987), Daniele da Volterra: A Catalogue Raisonne (Garland, 1979), and Infinite Jest: Wit and Humor in Italian Renaissance Art (Missouri,1978)., Art history as we know it would not exist without Vasari, and Barolsky shows us that something of the same claim should be made for literary history. He demonstrates the ways in which a literary approach to Vasari's book deepens our understanding of its historical, art-historical, and imaginative character. Why Mona Lisa Smiles discusses Vasari's shrewd, witty, intimate awareness of Dante, Petrarch, and Boccaccio and relates the Lives to the works of Castiglione, Aretino, Cellini, and Rabelais. Barolsky reveals the unexpected fantasy of Vasari, who imagined and then invented artists and works of art, totally fabricating the lives of artists about whom he knew little or nothing. Barolsky traces the myth of Pygmalion through the Lives , demonstrating that Vasari was himself a Pygmalion in words and showing how he wittily played on the names of artists, revealing these poetical fantasies as part of the very iconography of Renaissance art. By approaching the Lives as a combination of genres--biography, history, novella, autobiography, novel, and literary banquet--Barolsky connects Vasari's highly fictionalized history to the modern historical novel. The fictional character of Vasari's book should not be ignored or dismissed by art historians, Barolsky insists, since it is itself a historical document--the record of how a painter and writer of extraordinary sensibility beheld works of art at a particular moment in history. Barolsky's unique approach to the Lives makes this study a valuable contribution to the history of the reception of art.

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