Frame-By-Frame Stop Motion

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Zuletzt aktualisiert am 10. Okt. 2025 16:33:28 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Personalized
No
Country/Region of Manufacture
United States
ISBN
9781032817446
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Taylor & Francis Group
ISBN-10
1032817445
ISBN-13
9781032817446
eBay Product ID (ePID)
6076832396

Product Key Features

Number of Pages
12 Pages
Publication Name
Frame-By-Frame Stop Motion : the Guide to Non-Puppet Photographic Animation Techniques
Language
English
Subject
Digital Media / Video & Animation, General
Publication Year
2025
Type
Textbook
Author
Tom Gasek
Subject Area
Computers, Photography
Format
Trade Paperback

Dimensions

Item Weight
16 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Edition Number
3
Intended Audience
Scholarly & Professional
LCCN
2025-006237
Dewey Edition
23
Reviews
"This book is a wonderfully inspiring, accessible and thorough guide to a number of techniques that have been seldom written about or charted before. It is an essential manual for any student, professional or creative person who has ideas - and wants to be encouraged with a sense of "I could do that" - and wants to get their ideas out there. I just wish this book had been written when I was a student of animation (I still am, so I will buy it anyway)." -- Nick Park , Academy Award winner and creator of Wallace and Gromit . "A must-have book for any animator's library. Frame by Frame is a reminder of all the magical possibilities animation has to offer and all you need is a camera and an idea." -- Jim Capabianco , Filmmaker / Director of "The Inventor" "Tom's extensive experience as a stop motion animator, combined with his knowledge of the field and his natural teaching ability, make this book a clear, well-organized, and empowering introduction to stop motion animation. This book will be an invaluable resource for student and teacher alike." -- Steven Subotnick , animator, educator and author of Animation in the Home Digital Studio "In the digital age it pays to remember that innovative ideas can still be inspired using even the most basic techniques. This book is a timely reminder that a rewarding process depends as much on ingenuity as it does on facility." -- Dave Borthwick , animation director, Bolex Brothers
Illustrated
Yes
Dewey Decimal
777.7
Table Of Content
Chapter 1: What are the Possibilities?, Chapter 2: Shooting Frame by Frame, Chapter 3: Pixilation, Chapter 4: Time Lapse, Chapter 5: Cinematography, Lighting and Composition, Chapter 6: Objects, People & Places, Chapter 7: The Multi-plane Downshooter, Chapter 8: A Sense of Drama, Chapter 9: Rhythm and Flow, Chapter 10: Post-production Techniques, Chapter 11: Massaging Frames in the Edit, Chapter 12: Exposure to the Market
Synopsis
This third edition of Frame-by-Frame Stop Motion is an up-to-date review of non-puppet stop motion techniques. The reader will not only learn how to execute these techniques through descriptive chapters but also experience them with the carefully designed exercises included at the end of this book. There are many other aspects of filmmaking including design, sound, cinematography, lighting, and animation principles that make this a thorough study in non-puppet stop motion. The animation of people, objects (not designed to be animated), light painting, time-lapse, and downshooting are popular approaches to animation practice around the globe. This edition includes insights from the author, an experienced stop motion puppet and non-puppet animator, as well as filmmakers from Japan to Eastern Europe to Argentina and North America. There are many aspects to this edition that should appeal not only to animators but also to photographers, live-action filmmakers and those interested in expanding their repertoire in the filmmaking arena. Included are examples of filmmaking critiques and a wide variety of applications of photographic animation. Frame-by-Frame Stop Motion is the only resource of its kind., Single frame filmmaking has been around as long as film itself. It is the ancestor to modern day special effects and animation. Despite its age-old practice, single frame film making and stop-motion animation continues to influence media and culture with its magic., Single frame filmmaking has been around as long as film itself. It is the ancestor to modern day special effects and animation. Despite its age-old practice, single frame film making and stop-motion animation continues to influence media and culture with its magic. Current advances in technology and classic stop motion techniques, such as pixilation, time-lapse photography, and down shooting have combined to form exciting new approaches. Tom Gasek's Frame-By-Frame Stop Motion offers hands-on experience and various tricks, tips, and exercises to help strengthen skills and produce effective results. Interviews from experts in the field offer not only inspiration but also help readers learn how to apply skills and new applications. The companion website offers further instruction, recommended films, tools and resources for both the novice and the expert., This third edition of FramebyFrame Stop Motion is an uptodate review of nonpuppet stop motion techniques. The reader will not only learn how to execute these techniques through descriptive chapters but also experience them with the carefully designed exercises included at the end of this book. There are many other aspects of filmmaking including design, sound, cinematography, lighting, and animation principles that make this a thorough study in nonpuppet stop motion. The animation of people, objects (not designed to be animated), light painting, timelapse, and downshooting are popular approaches to animation practice around the globe. This edition includes insights from the author, an experienced stop motion puppet and nonpuppet animator, as well as filmmakers from Japan to Eastern Europe to Argentina and North America. There are many aspects to this edition that should appeal not only to animators but also to photographers, liveaction filmmakers and those interested in expanding their repertoire in the filmmaking arena. Included are examples of filmmaking critiques and a wide variety of applications of photographic animation. FramebyFrame Stop Motion is the only resource of its kind.
LC Classification Number
TR897.5.G38 2026

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