Orson Welles entdecken, Rosenbaum, Jonathan, sehr gutes Buch
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Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- ISBN
- 9780520251236
Über dieses Produkt
Product Identifiers
Publisher
University of California Press
ISBN-10
0520251237
ISBN-13
9780520251236
eBay Product ID (ePID)
63751859
Product Key Features
Number of Pages
346 Pages
Language
English
Publication Name
Discovering Orson Welles
Subject
Film / General, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts)
Publication Year
2007
Type
Textbook
Subject Area
Performing Arts
Format
Perfect
Dimensions
Item Height
0.8 in
Item Weight
17.6 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2006-021749
Reviews
"The intellectually insatiable Rosenbaum is just the person to dissect the myths and expose the inaccuracies that have grown to define the Welles legend. [It] has both breadth and depth."-- American Cinematographer, _The intellectually insatiable Rosenbaum is just the person to dissect the myths and expose the inaccuracies that have grown to define the Welles legend. [It] has both breadth and depth._, The intellectually insatiable Rosenbaum is just the person to dissect the myths and expose the inaccuracies that have grown to define the Welles legend. [It] has both breadth and depth.
Dewey Edition
22
Dewey Decimal
791.43023/3092
Table Of Content
Acknowledgments Introduction 1. I Missed It at the Movies: Objections to "Raising KANE" 2. The Voice and the Eye: A Commentary on the HEART OF DARKNESS Script 3. Notes on a Conversation with Welles 4. First Impressions of F FOR FAKE 5. The Butterfly and the Whale: Orson Welles's F FOR FAKE 6. Prime Cut (The 107-Minute TOUCH OF EVIL) 7. André Bazin and the Politics of Sound in TOUCH OF EVIL 8. The Invisible Orson Welles: A First Inventory 9. Review of Biographies by Barbara Leaming and Charles Higham and a Critical Edition of TOUCH OF EVIL 10. Afterword to THE BIG BRASS RING, a Screenplay by Orson Welles (with Oja Kodar) 11. Wellesian: Quixote in a Trashcan (New York University Welles Conference) 12. Reviews of Citizen Welles and a Critical Edition of CHIMES AT MIDNIGHT 13. Review of Orson Welles: A Bio-Bibliography 14. Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation 15. The Seven ARKADINs 16. OTHELLO Goes Hollywood 17. Truth and Consequence: On IT'S ALL TRUE: BASED ON AN UNFINISHED FILM BY ORSON WELLES 18. Afterword to THE CRADLE WILL ROCK, an Original Screenplay by Orson Welles 19. Orson Welles in the U.S.: An Exchange with Bill Krohn 20. The Battle over Orson Welles 21. TOUCH OF EVIL Retouched 22. Excerpt from "Problems of Access: On the Trail of Some Festival Films and Filmmakers" (On TOUCH OF EVIL) 23. Welles in the Lime Light: THE THIRD MAN 24. Orson Welles as Ideological Challenge 25. Orson Welles's Purloined Letter: F FOR FAKE 26. When Will--and How Can--We Finish Orson Welles's DON QUIXOTE? Appendix: The Present State of the Welles Film Legacy Index
Synopsis
Of the dozens of books written about Orson Welles, most focus on the central enigma of Welles's career: why did someone so extravagantly talented neglect to finish so many projects? Film critic Jonathan Rosenbaum has long believed that to dwell on this aspect of the Welles canon is to overlook the wealth of information available by studying the unrealized works. Discovering Orson Welles collects Rosenbaum's writings to date on Welles-some thirty-five years of them-and makes an irrefutable case for the seriousness of his work, illuminating both Welles the artist and Welles the man. The book is also a chronicle of Rosenbaum's highly personal writer's journey and his efforts to arrive at the truth. The essays, interviews, and reviews are arranged chronologically and are accompanied by commentary that updates the scholarship. Highlights include Rosenbaum's 1972 interview with Welles about his first Hollywood project, Heart of Darkness; Rosenbaum's rebuttal to Pauline Kael's famous essay "Raising Kane"; detailed essays and comprehensive discussions of Welles's major unfinished work, including two unrealized projects, The Big Brass Ring and The Cradle Will Rock; and an account of Rosenbaum's work as consultant on the 1998 re-editing of Touch of Evil, based on a studio memo by Welles., Of the dozens of books written about Orson Welles, most focus on the central enigma of Welles's career: why did someone so extravagantly talented neglect to finish so many projects? Film critic Jonathan Rosenbaum has long believed that to dwell on this aspect of the Welles canon is to overlook the wealth of information available by studying the unrealized works. Discovering Orson Welles collects Rosenbaum's writings to date on Welles--some thirty-five years of them--and makes an irrefutable case for the seriousness of his work, illuminating both Welles the artist and Welles the man. The book is also a chronicle of Rosenbaum's highly personal writer's journey and his efforts to arrive at the truth. The essays, interviews, and reviews are arranged chronologically and are accompanied by commentary that updates the scholarship. Highlights include Rosenbaum's 1972 interview with Welles about his first Hollywood project, Heart of Darkness; Rosenbaum's rebuttal to Pauline Kael's famous essay "Raising Kane"; detailed essays and comprehensive discussions of Welles's major unfinished work, including two unrealized projects, The Big Brass Ring and The Cradle Will Rock; and an account of Rosenbaum's work as consultant on the 1998 re-editing of Touch of Evil, based on a studio memo by Welles., Of the dozens of books written about Orson Welles, most focus on the central enigma of Welles's career: why did someone so extravagantly talented neglect to finish so many projects? Film critic Jonathan Rosenbaum has long believed that to dwell on this aspect of the Welles canon is to overlook the wealth of information available by studying the unrealized works. "Discovering Orson Welles "collects Rosenbaum's writings to date on Welles--some thirty-five years of them--and makes an irrefutable case for the seriousness of his work, illuminating both Welles the artist and Welles the man. The book is also a chronicle of Rosenbaum's highly personal writer's journey and his efforts to arrive at the truth. The essays, interviews, and reviews are arranged chronologically and are accompanied by commentary that updates the scholarship. Highlights include Rosenbaum's 1972 interview with Welles about his first Hollywood project, "Heart of Darkness; "Rosenbaum's rebuttal to Pauline Kael's famous essay "Raising Kane"; detailed essays and comprehensive discussions of Welles's major unfinished work, including two unrealized projects, "The Big Brass Ring "and "The Cradle Will Rock; "and an account of Rosenbaum's work as consultant on the 1998 re-editing of "Touch of Evil, "based on a studio memo by Welles., Of the dozens of books written about Orson Welles, most focus on the central enigma of Welles's career: why did someone so extravagantly talented neglect to finish so many projects? Film critic Jonathan Rosenbaum has long believed that to dwell on this aspect of the Welles canon is to overlook the wealth of information available by studying the unrealized works. Discovering Orson Welles collects Rosenbaum's writings-to-date on Welles - some 35 years of them - and makes an irrefutable case for the seriousness of his work, illuminating both Welles the artist and Welles the man. The book is also a chronicle of Rosenbaum's highly personal writer's journey and his unceasing efforts to arrive at the truth. The essays, interviews, and reviews are arranged chronologically and are accompanied by commentary that updates the scholarship and sets the record straight. Highlights include Rosenbaum's 1972 interview with Welles about his first Hollywood project, Heart of Darkness; Rosenbaum's rebuttal to Pauline Kael's famous essay, "Raising Kane"; detailed essays and comprehensive discussions of Welles's major unfinished work, including two unrealized projects, The Big Brass Ring and The Cradle Will Rock; and an account of Rosenbaum's work as consultant on the 1998 re-editing of Touch of Evil, based on a studio memo by Welles. These sharp, intelligent, and accessibly written pieces argue for a critical and historical approach to Orson Welles that eschews closure and considers the ideological challenges implicit in Welles's work and career.
LC Classification Number
PN1998.3.W45R67 2007
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