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Chris Gillespie Live at the Carlyle von Chris Gillespie (CD, 2007)
US $10,01
Ca.CHF 7,97
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Abholung:
Kostenlose Abholung in Goshen, Indiana, USA.
Versand:
US $4,63 (ca. CHF 3,68) USPS Media MailTM.
Standort: Goshen, Indiana, USA
Lieferung:
Lieferung zwischen Do, 9. Okt und Di, 14. Okt bei heutigem Zahlungseingang
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eBay-Artikelnr.:357687715837
Artikelmerkmale
- Artikelzustand
- UPC
- 0791558705027
Über dieses Produkt
Product Identifiers
Producer
Jan Folkson
Record Label
CD Baby, Cdb
UPC
0791558705027
eBay Product ID (ePID)
4046042775
Product Key Features
Format
CD
Release Year
2007
Genre
Jazz
Artist
Chris Gillespie
Release Title
Chris Gillespie Live at the Carlyle
Dimensions
Item Height
0.40 in
Item Weight
0.25 lb
Item Length
5.60 in
Item Width
4.90 in
Additional Product Features
Number of Discs
1
Number of Tracks
11
Tracks
How About You, But Beautiful, How Deep Is the Ocean, Alone Together, In the Still of the Night, They Can't Take That Away from Me, What S New, Take Five, Don't Explain, Here S to Life, Thank You ; Credits
Notes
Product Description Excerpted from the album liner notes by Wilfrid Sheed. Towards the end of this exhilarating album, Chris Gillespie breaks into Bart Howard's classic, Fly Me to the Moon, and one realizes with a shock that we ve already been there. Because, ... Gillespie has taken us on the whole love-trip, to the moon and back, as artfully as it can be done. Under Bobby (Short), the Carlyle became the big leagues of cabaret, the equivalent of playing the Palace and vaudeville. And under Gillespie it still is. ... he plays and sings in a contemplative style that makes the American standards sound like newfound treasure and a passport to paradise. ... and incidentally the best evening of cabaret that I have ever spent entirely at home. Wilfrid Sheed, noted author of The House That George Built (the golden age of the American Songbook), literary critic and novelist, won a 1987 Grammy Award for Best Album Notes on Frank Sinatra's The Voice . Chris Gillespie is accompanied by Vito Leszcak on drums; Keith Loftis (toured with Ray Charles)on Sax; and Frank Tate (who was Bobby Short's Bass player for 10 years) on Bass. Chris Gillespie Live At The Carlyle If you are of a certain age, odds are good that you saw Bobby Short sing at the Carlyle Hotel. I did. It was a necessary part of my New York education, signifying that I was no longer Craven Youth, with the beer and the pot and the hippie hair. Showing up at The Carlyle bar --- in regulation blazer and tie, my date more familiar with Calvin than Couture --- testified that I knew how to open a door for a woman, order a grown-up drink, plot a seduction that ruffled no feathers along the way. And how simple it was to do that: Just join the out-of-towners, the December lovers, the tragic drunks and the devotees of the Great American Songbook as they paid homage to Bobby Short, the master of the sophisticated song. Since Short's death in 2005, Chris Gillespie has filled much of the gap. Tall, suave and exotic --- his father is Dutch, his mother Tasmanian --- he was born and raised in Munich, where he was classically trained. And then he made the fateful decision to cast his lot with Cole Porter, the Gershwins, Irving Berlin, Jimmy van Heusen, Howard Dietz and Arthur Schwartz. On the surface, Chris Gillespie is the Terminator of saloon singers. He's got a decisive piano style; long ago, he seemed, he banished all offensive unnecessary touches. His voice is smoother than the most expensive liquor at the Carlyle bar. If this live CD is any indication, patter is --- mercifully --- not his thing. And he has exquisite taste in sidemen: Vito Lesczak (drums), Keith Loftis (sax) and, on bass, Frank Tate, who accompanied Bobby Short for a decade. Which is not to say that Chris Gillespie is channeling Short --- or anyone. He's far too witty. "Live at the Carlyle" begins with a song about a man and woman getting to know one another. But we're not far into "How About You?" before he departs from the melody to do a bit of flirting of his own --- his piano slips into "New York, New York" and then slides into "Rhapsody in Blue." He even goofs on the lyrics, but justthismuch. That first song is a warning. This may be music that you listen to because it's comfortable and familiar, but when Chris Gillespie is on stage it still demands close listening. So "Alone Together" begins as if the song will be pounding rock and roll, but the Dietz-Schwartz tune quickly moves into a South American beat. And in case you thought that Dave Brubeck and Paul Desmond owned their signature song, Gillespie shows how well "Take Five" and Bach get along. I haven't been to hear music at the Carlyle in decades; I'm way past needing to prove my adulthood with a knowing nod after a piano solo. But the eleven songs on Chris Gillespie's CD make me rethink that. I know: It isn't rock and roll. But I like it. -- by Jesse Kornbluth, for HeadButler.com I have been travelling from Chicago to New York over the last few years jus
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