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Mischblutbotsc haften: Literatur, Film, Familie, Ort, Taschenbuch von Owens, Lo...
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eBay-Artikelnr.:363977452251
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780806133812
- Book Title
- Mixedblood Messages : Literature, Film, Family, Place
- Book Series
- American Indian Literature and Critical Studies Ser.
- Publisher
- University of Oklahoma Press
- Item Length
- 8.5 in
- Publication Year
- 2001
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.7 in
- Genre
- Social Science, History
- Topic
- Ethnic Studies / Native American Studies, Native American
- Item Weight
- 12.7 Oz
- Item Width
- 5.2 in
- Number of Pages
- 282 Pages
Über dieses Produkt
Product Identifiers
Publisher
University of Oklahoma Press
ISBN-10
0806133813
ISBN-13
9780806133812
eBay Product ID (ePID)
1921184
Product Key Features
Book Title
Mixedblood Messages : Literature, Film, Family, Place
Number of Pages
282 Pages
Language
English
Topic
Ethnic Studies / Native American Studies, Native American
Publication Year
2001
Illustrator
Yes
Genre
Social Science, History
Book Series
American Indian Literature and Critical Studies Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
12.7 Oz
Item Length
8.5 in
Item Width
5.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2001-027628
Dewey Edition
21
Series Volume Number
26
Dewey Decimal
970/.00497
Synopsis
In this challenging and often humorous book, Louis Owens examines issues of Indian identity and relationship to the environment as depicted in literature and film and as embodied in his own mixedblood roots in family and land. Powerful social and historical forces, he maintains, conspire to colonize literature and film by and about Native Americans into a safe "Indian Territory" that will contain and neutralize Indians. Countering this colonial "Territory" is what Owens defines as "Frontier," a dynamic, uncontainable, multi-directional space within which cultures meet and even merge. Owens offers new insights into the works of Indian writers ranging from John Rollin Ridge, Mourning Dove, and D'Arcy McNickle to N. Scott Momaday, Leslie Silko, James Welch, and Gerald Vizenor. In his analysis of Indians in film he scrutinizes distortions of Indians as victims or vanishing Americans in a series of John Wayne movies and in the politically correct but false gestures of the more recent Dances With Wolves . As Owens moves through his personal landscape in Oklahoma, Mississippi, California, and New Mexico, he questions how human beings collectively can alter their disastrous relationship with the natural world before they destroy it. He challenges all of us to articulate, through literature and other means, messages of personal and environmental -- as well as cultural--survival, and to explore and share these messages by writing and reading across cultural boundaries., In this challenging and often humorous book, Louis Owens examines issues of Indian identity and relationship to the environment as depicted in literature and film and as embodied in his own mixedblood roots in family and land., Revives the classical strategies of ancient Greek and Roman rhetoricians and adapts them to the needs of contemporary writers and speakers., In this challenging and often humorous book, Louis Owens examines issues of Indian identity and relationship to the environment as depicted in literature and film and as embodied in his own mixedblood roots in family and land. Powerful social and historical forces, he maintains, conspire to colonize literature and film by and about Native Americans into a safe "Indian Territory" that will contain and neutralize Indians. Countering this colonial "Territory" is what Owens defines as "Frontier," a dynamic, uncontainable, multi-directional space within which cultures meet and even merge. Owens offers new insights into the works of Indian writers ranging from John Rollin Ridge, Mourning Dove, and D'Arcy McNickle to N. Scott Momaday, Leslie Silko, James Welch, and Gerald Vizenor. In his analysis of Indians in film he scrutinizes distortions of Indians as victims or vanishing Americans in a series of John Wayne movies and in the politically correct but false gestures of the more recent Dances With Wolves. As Owens moves through his personal landscape in Oklahoma, Mississippi, California, and New Mexico, he questions how human beings collectively can alter their disastrous relationship with the natural world before they destroy it. He challenges all of us to articulate, through literature and other means, messages of personal and environmental ? as well as cultural?survival, and to explore and share these messages by writing and reading across cultural boundaries.
LC Classification Number
E98.M63O9 2001
Artikelbeschreibung des Verkäufers
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