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Gerhard Richter: Porträts von Gerhard Richter: Neu

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US $214,01
Ca.CHF 171,49
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Standort: Sparks, Nevada, USA
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Zuletzt aktualisiert am 18. Jul. 2025 12:21:40 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
Publication Date
2006-07-01
Pages
224
ISBN
9783775717250

Über dieses Produkt

Product Identifiers

Publisher
Hatje Cantz Verlag Gmbh & Co KG
ISBN-10
3775717250
ISBN-13
9783775717250
eBay Product ID (ePID)
50586719

Product Key Features

Original Language
German
Book Title
Gerhard Richter : Portraits
Number of Pages
224 Pages
Language
English
Topic
Individual Artists / General, Collections, Catalogs, Exhibitions / General
Publication Year
2006
Illustrator
Yes
Genre
Art
Author
Gerhard Richter
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
34.8 Oz
Item Length
9.5 in
Item Width
6.8 in

Additional Product Features

Intended Audience
Trade
Reviews
Now that we do not have priests and philosophers anymore, artists are the most important people in the world ... Art is wretched, cynical, stupid, helpless, confusing.
Dewey Edition
22
Grade From
College Freshman
Number of Volumes
1 vol.
Dewey Decimal
709.2
Grade To
UP
Synopsis
This first comprehensive overview of the place of the portrait in Gerhard Richter's oeuvre assembles portrait paintings, photographs, watercolors, drawings and prints from the 1960s to the present--everything from classics like the strikingly honey-haired Betty to previously unknown works discovered in the course of research for this project. Icons such as Ema (Nude on a Staircase), Uncle Rudi, Mister Heyde, 48 Portraits, Self-Portrait, Family at the Sea, Small Bathers, Reader and Moritz, settle once and for all that Richter's emotional pull towards his material ("The subject matter is so important to me that I invest much time and effort in my search for it, so much that I just have to paint it.") not only doesn't hinder him from producing classics, but rather encourages it. Stefan Gronert's essay follows the development of the portrait in the artist's work, starting with the blurred black-and-white pictures of the 1960s and moving on to the colorful panels of recent years, while Hubertus Butin devotes his essay to Richter's portrait photography of the 1960s. Portraits demonstrates that Richter pursues the theme of the portrait in not only all of the media in which he works, but in every genre as well., This first comprehensive overview of the place of the portrait in Gerhard Richter s oeuvre assembles portrait paintings, photographs, watercolors, drawings and prints from the 1960s to the present--everything from classics like the strikingly honey-haired Betty to previously unknown works discovered in the course of research for this project. Icons such as Ema (Nude on a Staircase), Uncle Rudi, Mister Heyde, 48 Portraits, Self-Portrait, Family at the Sea, Small Bathers, Reader and Moritz, settle once and for all that Richter s emotional pull towards his material ( The subject matter is so important to me that I invest much time and effort in my search for it, so much that I just have to paint it. ) not only doesn t hinder him from producing classics, but rather encourages it. Stefan Gronert s essay follows the development of the portrait in the artist s work, starting with the blurred black-and-white pictures of the 1960s and moving on to the colorful panels of recent years, while Hubertus Butin devotes his essay to Richter s portrait photography of the 1960s. Portraits demonstrates that Richter pursues the theme of the portrait in not only all of the media in which he works, but in every genre as well., This first comprehensive overview of the place of the portrait in Gerhard Richter's oeuvre assembles portrait paintings, photographs, watercolors, drawings, and prints from the 1960s to the present., This first comprehensive overview of the place of the portrait in Gerhard Richterís oeuvre assembles portrait paintings, photographs, watercolors, drawings and prints from the 1960s to the present--everything from classics like the strikingly honey-haired Betty to previously unknown works discovered in the course of research for this project. Icons such as Ema (Nude on a Staircase), Uncle Rudi, Mister Heyde, 48 Portraits, Self-Portrait, Family at the Sea, Small Bathers, Reader and Moritz, settle once and for all that Richterís emotional pull towards his material (ìThe subject matter is so important to me that I invest much time and effort in my search for it, so much that I just have to paint it.î) not only doesnít hinder him from producing classics, but rather encourages it. Stefan Gronertís essay follows the development of the portrait in the artistís work, starting with the blurred black-and-white pictures of the 1960s and moving on to the colorful panels of recent years, while Hubertus Butin devotes his essay to Richterís portrait photography of the 1960s. Portraits demonstrates that Richter pursues the theme of the portrait in not only all of the media in which he works, but in every genre as well.
LC Classification Number
ND568

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