Nature Knows No Color-Line: Research Into the Negro Ancestry in the White Race

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Artikelzustand
Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
Publication Date
2011-04-01
Edition Number
3
Pages
248
ISBN
0819575100
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Wesleyan University Press
ISBN-10
0819575100
ISBN-13
9780819575104
eBay Product ID (ePID)
202491709

Product Key Features

Book Title
Nature Knows No Color-Line : Research Into the Negro Ancestry in the White Race
Number of Pages
248 Pages
Language
English
Publication Year
2011
Topic
Ethnic Studies / African American Studies
Illustrator
Yes
Genre
Social Science
Author
J. A. Rogers
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
11.2 Oz
Item Length
8.5 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
LCCN
52-001502
Reviews
"The published works of Joel Augustus Rogers are known currently to only a handful of scholars. Even those historians and anthropologists who are aware of Rogers' self-published and popular scholarly works tend only to remember him for the biographical portraits of African and African American leaders and his investigations of the history of "sex and race" in antiquity and in the modern era. Most contemporary college students have never heard of J.A Rogers nor are they aware of his long journalistic career and pioneering archival research. Rogers committed his life to fighting against racism and he had a major influence on black print culture through his attempts to improve race relations in the United States and challenge white supremacist tracts aimed at disparaging the history and contributions of people of African descent to world civilizations."-Thabiti Asukile, "Black International Journalism, Archival Research and Black Print Culture", The Journal of African American History, "The published works of Joel Augustus Rogers are known currently to only a handful of scholars. Even those historians and anthropologists who are aware of Rogers' self-published and popular scholarly works tend only to remember him for the biographical portraits of African and African American leaders and his investigations of the history of "sex and race" in antiquity and in the modern era. Most contemporary college students have never heard of J.A Rogers nor are they aware of his long journalistic career and pioneering archival research. Rogers committed his life to fighting against racism and he had a major influence on black print culture through his attempts to improve race relations in the United States and challenge white supremacist tracts aimed at disparaging the history and contributions of people of African descent to world civilizations."--Thabiti Asukile, "Black International Journalism, Archival Research and Black Print Culture", The Journal of African American History, "The published works of Joel Augustus Rogers are known currently to only a handful of scholars. Even those historians and anthropologists who are aware of Rogers' self-published and popular scholarly works tend only to remember him for the biographical portraits of African and African American leaders and his investigations of the history of sex and race in antiquity and in the modern era. Most contemporary college students have never heard of J.A Rogers nor are they aware of his long journalistic career and pioneering archival research. Rogers committed his life to fighting against racism and he had a major influence on black print culture through his attempts to improve race relations in the United States and challenge white supremacist tracts aimed at disparaging the history and contributions of people of African descent to world civilizations."--Thabiti Asukile, Black International Journalism, Archival Research and Black Print Culture, The Journal of African American History, "The published works of Joel Augustus Rogers are known currently to only a handful of scholars. Even those historians and anthropologists who are aware of Rogers' self-published and popular scholarly works tend only to remember him for the biographical portraits of African and African American leaders and his investigations of the history of "sex and race" in antiquity and in the modern era. Most contemporary college students have never heard of J.A Rogers nor are they aware of his long journalistic career and pioneering archival research. Rogers committed his life to fighting against racism and he had a major influence on black print culture through his attempts to improve race relations in the United States and challenge white supremacist tracts aimed at disparaging the history and contributions of people of African descent to world civilizations.", "The published works of Joel Augustus Rogers are known currently to only a handful of scholars. Even those historians and anthropologists who are aware of Rogers' self-published and popular scholarly works tend only to remember him for the biographical portraits of African and African American leaders and his investigations of the history of "sex and race" in antiquity and in the modern era. Most contemporary college students have never heard of J.A Rogers nor are they aware of his long journalistic career and pioneering archival research. Rogers committed his life to fighting against racism and he had a major influence on black print culture through his attempts to improve race relations in the United States and challenge white supremacist tracts aimed at disparaging the history and contributions of people of African descent to world civilizations."-Thabiti Asukile, "Black International Journalism, Archival Research and Black Print Culture" , The Journal of African American History
Synopsis
Classic work of black study refuting scientific racism In Nature Knows No Color-Line , originally published in 1952, historian Joel Augustus Rogers examines the origins of racial hierarchy and the color problem. Rogers was a humanist who believed that there were no scientifically evident racial divisions?all humans belong to one "race." He believed that color prejudice generally evolved from issues of domination and power between two physiologically different groups. According to Rogers, color prejudice was then used a rationale for domination, subjugation and warfare. Societies developed myths and prejudices in order to pursue their own interests at the expense of other groups. This book argues that many instances of the contributions of black people had been left out of the history books, and gives many examples., Classic work of black study refuting scientific racism In Nature Knows No Color-Line , originally published in 1952, historian Joel Augustus Rogers examines the origins of racial hierarchy and the color problem. Rogers was a humanist who believed that there were no scientifically evident racial divisions--all humans belong to one "race." He believed that color prejudice generally evolved from issues of domination and power between two physiologically different groups. According to Rogers, color prejudice was then used a rationale for domination, subjugation and warfare. Societies developed myths and prejudices in order to pursue their own interests at the expense of other groups. This book argues that many instances of the contributions of black people had been left out of the history books, and gives many examples., In Nature Knows No Color-Line, originally published in 1952, historian Joel Augustus Rogers examines the origins of racial hierarchy and the color problem. Rogers was a humanist who believed that there were no scientifically evident racial divisions--all humans belong to one "race." He believed that color prejudice generally evolved from issues of domination and power between two physiologically different groups. According to Rogers, color prejudice was then used a rationale for domination, subjugation and warfare. Societies developed myths and prejudices in order to pursue their own interests at the expense of other groups. This book argues that many instances of the contributions of black people had been left out of the history books, and gives many examples.

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