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Den Kanon komponieren in der DDR: Neunzigjährige Erzählungen...

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Book Title
Composing the Canon in the German Democratic Republic : Narrative
ISBN
9780199998098
Publication Year
2014
Type
Textbook
Format
Hardcover
Language
English
Publication Name
Composing the Canon in the German Democratic Republic : Narratives of Nineteenth-Century Music
Item Height
1.2in
Author
Elaine Kelly
Item Length
6.2in
Publisher
Oxford University Press, Incorporated
Item Width
9.3in
Item Weight
37.7 Oz
Number of Pages
264 Pages

Über dieses Produkt

Product Information

When the German Democratic Republic (GDR) was founded in 1949, its leaders did not position it as a new state. Instead, they represented East German socialism as the culmination of all that was positive in Germany's past. The GDR was heralded as the second German Enlightenment, a society in which the rational ideals of progress, Bildung, and revolution that had first come to fruition with Goethe and Beethoven would finally achieve their apotheosis. Central to this founding myth was the Germanic musical heritage. Just as the canon had defined the idea of the German nation in the nineteenth-century, so in the GDR it contributed to the act of imagining the collective socialist state. Composing the Canon in the German Democratic Republic uses the reception of the Germanic musical heritage to chart the changing landscape of musical culture in the German Democratic Republic. Author Elaine Kelly demonstrates the nuances of musical thought in the state, revealing a model of societal ascent and decline that has implications that reach far beyond studies of the GDR itself. The first book-length study in English devoted to music in the GDR, Composing the Canon in the German Democratic Republic is a seminal text for scholars of music in the Cold War and in Germany more widely.

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0199998094
ISBN-13
9780199998098
eBay Product ID (ePID)
201597924

Product Key Features

Author
Elaine Kelly
Publication Name
Composing the Canon in the German Democratic Republic : Narratives of Nineteenth-Century Music
Format
Hardcover
Language
English
Publication Year
2014
Type
Textbook
Number of Pages
264 Pages

Dimensions

Item Length
6.2in
Item Height
1.2in
Item Width
9.3in
Item Weight
37.7 Oz

Additional Product Features

Lc Classification Number
Ml3917.G3.K45 2014
Reviews
"[Kelly] maps new territory while leaving room for more focused studies to generate a more detailed portrait of the era. The volume is a noteworthy contribution to the understanding of the politics of classical music in Germany in the second half of the 20th century. Recommended." --Choice"Explores how a society is defined by its culture and its choices on what parts of that culture reach canonical status." --The Beethoven Journal"This book is a significant study." --Classical Net"The musical world in the GDR has been the focus of sustained scholarly attention in recent years, and Elaine Kelly's book makes a valuable contribution to this growing body of work. She offers an insightful examination of the place of the nineteenth-century musical canon in the context of the GDR, and in doing so makes useful observations on the East German variant of socialism more generally. Kelly makes effective use of a wide range of sources, including official state documents, musicological writings, and press reviews, as well as musical works themselves. She places herself in the broad consensus of recent GDR scholarship, which blurs the line between state and society, emphasizes the negotiated nature of power relations, and sees the East German dictatorship as a nuanced one."--German Studies Review, "Explores how a society is defined by its culture and its choices on what parts of that culture reach canonical status." --The Beethoven Journal "This book is a significant study." --Classical Net, "[Kelly] maps new territory while leaving room for more focused studies to generate a more detailed portrait of the era. The volume is a noteworthy contribution to the understanding of the politics of classical music in Germany in the second half of the 20th century. Recommended." --Choice "Explores how a society is defined by its culture and its choices on what parts of that culture reach canonical status." --The Beethoven Journal"This book is a significant study." --Classical Net"The musical world in the GDR has been the focus of sustained scholarly attention in recent years, and Elaine Kelly's book makes a valuable contribution to this growing body of work. She offers an insightful examination of the place of the nineteenth-century musical canon in the context of the GDR, and in doing so makes useful observations on the East German variant of socialism more generally. Kelly makes effective use of a wide range of sources, including official state documents, musicological writings, and press reviews, as well as musical works themselves. She places herself in the broad consensus of recent GDR scholarship, which blurs the line between state and society, emphasizes the negotiated nature of power relations, and sees the East German dictatorship as a nuanced one."--German Studies Review, "[Kelly] maps new territory while leaving room for more focused studies to generate a more detailed portrait of the era. The volume is a noteworthy contribution to the understanding of the politics of classical music in Germany in the second half of the 20th century. Recommended." --Choice "Explores how a society is defined by its culture and its choices on what parts of that culture reach canonical status." --The Beethoven Journal "This book is a significant study." --Classical Net "The musical world in the GDR has been the focus of sustained scholarly attention in recent years, and Elaine Kelly's book makes a valuable contribution to this growing body of work. She offers an insightful examination of the place of the nineteenth-century musical canon in the context of the GDR, and in doing so makes useful observations on the East German variant of socialism more generally. Kelly makes effective use of a wide range of sources, including official state documents, musicological writings, and press reviews, as well as musical works themselves. She places herself in the broad consensus of recent GDR scholarship, which blurs the line between state and society, emphasizes the negotiated nature of power relations, and sees the East German dictatorship as a nuanced one."--German Studies Review, "[Kelly] maps new territory while leaving room for more focused studies to generate a more detailed portrait of the era. The volume is a noteworthy contribution to the understanding of the politics of classical music in Germany in the second half of the 20th century. Recommended." --Choice "Explores how a society is defined by its culture and its choices on what parts of that culture reach canonical status." --The Beethoven Journal "This book is a significant study." --Classical Net
Table of Content
AcknowledgementsList of AbbreviationsIntroduction: Bourgeois Pasts and Socialist FuturesPart 1: Constructing the Canon1. Writing the Nation2. A Case of WagnerPart 2: Critiquing the Canon3. Late Beethoven and Late Socialism4. The Romantic Revival and the Search for Utopia5. Staging Late Socialism: Ruth Berghaus and the German Opera TraditioEpilogue: Art After SocialismBibliography, Table of Contents Acknowledgements List of Abbreviations Introduction: Bourgeois Pasts and Socialist Futures 1 Part 1: Constructing the Canon Chapter 1: Writing the Nation 42 Chapter 2: A Case of Wagner 92 Part 2: Critiquing the Canon Chapter 3: Late Beethoven and Late Socialism 144 Chapter 4: The Romantic Revival and the Search for Utopia 192 Chapter 5: Staging Late Socialism: Ruth Berghaus and the German Opera Tradition 227 Epilogue: Art After Socialism 276 Bibliography 285
Copyright Date
2014
Topic
History & Criticism, Europe / Germany, Ethnomusicology, Instruction & Study / General, General, Ethnic
Lccn
2014-002355
Dewey Decimal
780.943/1
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Music, History

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