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Carey Blyton - Doctor Who: Revenge Of The Cybermen (Original-Soun dtrack) - 180gm
US $38,53
Ca.CHF 30,91
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Versand:
Kostenlos Economy Shipping.
Standort: Shepherdsville, Kentucky, USA
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Lieferung zwischen Sa, 30. Aug und Do, 4. Sep nach 94104 bei heutigem Zahlungseingang
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eBay-Artikelnr.:364672301907
Artikelmerkmale
- Artikelzustand
- Custom Bundle
- No
- Duration
- Album
- Language
- English
- Modified Item
- No
- Record Grading
- Mint(M)
- Record Size
- 12"
- Sleeve Grading
- Mint(M)
- Features
- 180 Gram, UK - Import
- Speed
- 33 RPM
- Title
- Doctor Who: Revenge Of The Cybermen (Original Soundtrack) - 180g
- Album Name
- Doctor Who: Revenge Of The Cybermen (Original Soundtrack) - 180g
- Type
- Album
- Brand
- Silva Screen
- UPC
- 0738572158576
Über dieses Produkt
Product Identifiers
Record Label
Silva Screen, Slvc
UPC
0738572158576
eBay Product ID (ePID)
26071197866
Product Key Features
Format
Record
Release Year
2023
Genre
Soundtrack
Artist
Blyton, Carey
Release Title
Doctor Who: Revenge of the Cybermen (Original Soundtrack) -180gm Vinyl
Dimensions
Item Height
0.34 in
Item Weight
1.04 lb
Item Length
12.76 in
Item Width
12.42 in
Additional Product Features
Number of Tracks
67
Tracks
1.1 Doctor Who - Opening Title Theme 1.2 Return to Nerva Beacon 1.3 Can Anyone Hear Me? 1.4 Cybermat / Unspool / Plague 1.5 Cybership I 1.6 Searching Kellman's Room 1.7 Sarah vs Cybermat Part 1 1.8 Sarah vs Cybermat Part 2 1.9 Sabotage 1.10 It's Happening All Over Again 1.11 The Skystriker 1.12 On Voga 1.13 Sarah and Harry Captured Part 1 1.14 Sarah and Harry Captured Part 2 1.15 Cybership II 1.16 Enter Vorus 1.17 Remote Control Threat 1.18 Tyrum and Vorus 1.19 One More Pull 1.20 Caves Chase 1.21 Caves Chase Continued 1.22 Surrounded 1.23 Boarding Party 1.24 The Beacon is Ours 1.25 Tyrum Fanfare 1.26 Prisoners 1.27 Fresh Orders 1.28 It Cannot Be Stopped 1.29 Loose Thinking / The Bomb 1.30 The Countdown Has Commenced 1.31 Cybermarch 1.32 Radarscope 1.33 Adventures on Voga 1.34 Rockfall 1.35 Surface Party and Detonation 1.36 Nine Minutes 1.37 Cybermat vs Cybermen 1.38 The Biggest Bang in History? 1.39 Waltz - All's Well That Ends Well 1.40 Doctor Who - Closing Title Theme (53" Version) 2.1 Sarah vs Cybermat (end of part 1 alternative) 2.2 Sarah vs Cybermat (start of part 2) 2.3 It's Happening All Over Again (random organ) 2.4 Sarah and Harry Captured (alternative) 2.5 Put That Gun Down (synth cue) 2.6 Cybership II (alternative) 2.7 Remote Control Threat (alternative) 2.8 One More Pull (alternative) and Vogan Gunfight 2.9 Cybership III (synth cue) 2.10 Caves Chase (alternative) 2.11 Cybership IV (synth cue) 2.12 Caves Chase Continued (alternative) 2.13 Surrounded (alternative) 2.14 Boarding Party (end of Part 2 alternative) 2.15 Jelly Babies (synth cue) 2.16 Tyrum Fanfare (edited cue as used) 2.17 It Cannot Be Stopped (alternative) 2.18 Loose Thinking (alternative) 2.19 The Bomb (alternative) 2.20 The Countdown Has Commenced (alternative) 2.21 Looped Cybermarch 2.22 Looped Cybermarch with Synth 2.23 Adventures on Voga (synth cues) 2.24 The Red Zone (Random Organ) 2.25 Heartbeat Countdown I ; II (synth cues) / Rockfall (alternative) 2.26 Session Tapes - Random Organ, Specimen Gong, Timps 2.27 Session Tapes - m42a ; 42b (improvs)
Number of Discs
2
Notes
Eighth in a collectible set of Eight Doctor Who Story Releases. Original TV Soundtrack by Carey Blyton. Gatefold Sleeve by Clayton Hickman. Doctor Who - Revenge Of The Cybermen was the season 12 finale first broadcast on April 19th, 1975. As with so much television music of the 1960s, '70s and '80s, the original master tapes of Carey Blyton's score for Revenge of the Cybermen were not retained. The only surviving copy is a set of four 7", 7. 5ips "composer's copy" domestic 1/4-inch tape. It is from those digital transfers that this release is taken. Sadly, and to Carey's obvious and understandable disappointment, the completed music did not meet with the complete approval of the production team, and much of it was not used. Peter Howell of the BBC Radiophonic Workshop added some electronic embellishments and arranged some additional cues for parts two and three but some of that was also left on the proverbial cutting room floor. For this release, Carey's original score is presented (and heard here for the first time) as written. This is followed by the additional, alternative, and "enhanced" cues, all of which were also on Carey Blyton's tapes.
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