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Die demotische Stimme in zeitgenössisch
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- Sofort-KaufenDie demotische Stimme in zeitgenössischer britischer Fiktion von J. Scott (englisch) Hardcove
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eBay-Artikelnr.:364688666967
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9780230217577
- Book Title
- The Demotic Voice in Contemporary British Fiction
- ISBN
- 9780230217577
- Subject Area
- Literary Criticism
- Publication Name
- Demotic Voice in Contemporary British Fiction
- Publisher
- Palgrave Macmillan The Limited
- Item Length
- 8.7 in
- Subject
- European / General, Modern / 20th Century, Semiotics & Theory, European / English, Irish, Scottish, Welsh
- Publication Year
- 2009
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.9 in
- Item Weight
- 17.4 Oz
- Item Width
- 5.6 in
- Number of Pages
- VII, 272 Pages
Über dieses Produkt
Product Identifiers
Publisher
Palgrave Macmillan The Limited
ISBN-10
0230217575
ISBN-13
9780230217577
eBay Product ID (ePID)
71762207
Product Key Features
Number of Pages
VII, 272 Pages
Publication Name
Demotic Voice in Contemporary British Fiction
Language
English
Subject
European / General, Modern / 20th Century, Semiotics & Theory, European / English, Irish, Scottish, Welsh
Publication Year
2009
Type
Textbook
Subject Area
Literary Criticism
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
17.4 Oz
Item Length
8.7 in
Item Width
5.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
'... for the more advanced creative writer at Masters and PHD level it could well prove to be a valuable critical source.' - David Manderson, Writing in Education
Dewey Edition
22
TitleLeading
The
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
823.91409353
Table Of Content
Contents Acknowledgements Introduction: A Story so Far? Paradigms: a Taxonomy of Narrative Technique Antecedents: 'The Right to Write a Voice' Graham Swift's Last Orders : the Polyphonic Novel How Late It Was, How Late for James Kelman's 'Folk Novel' Alan Warner: Art-speech and the Morvern Paradox The Demotic, the Mandarin and the Proletentious: Martin Amis, Will Self and English Art-speech Pitfalls and Potentialities: Niall Griffiths and Anne Donovan Conclusions: the Clamouring Continues... Bibliography Index
Synopsis
"Master Your Pain" is a comprehensive workbook for the person with chronic pain. It teaches powerful techniques rooted in brain/body science to help reduce pain and change what it is like to live with chronic pain. Written from personal and professional expertise with chronic pain, "Master Your Pain" compassionately empowers the reader with knowledge about pain and introduces neurobiological concepts, translating these into practical, easy-to-use techniques that address the destructive impact of persistent pain. The approaches used in this workbook are validating, non-judgmental, and can be life changing. It is not a "one size fits all" method, instead "Master Your Pain" aims to help individualize pain mastery, encouraging skepticism and systematic discovery of the utility of each skill for each person suffering with chronic pain.WHAT THEY'RE SAYING: ""Master Your Pain" insightfully creates a bridge between psychology and biology. It goes beyond what any other comparable pain book currently offers. She brilliantly delivers new tools to chronic pain patients."- JP Garofalo, PhD, Associate Professor of Psychology, Washington State University""Master Your Pain" provides straight-forward approaches to learning to manage, cope with, and even master chronic pain. She provides a broad spectrum of easy-to-implement pain management tools; from breath-work, visualization and relaxation, to understanding how to manage daily and social life, including nutrition and interactions with your medical practitioners. At the root of all Dr. Fancher's recommendations is an understanding of the latest research on chronic pain and what has been proven to work. She is able to educate the reader throughout the book so that the person experiencing persistent pain can gain an accurate understanding of what is physiologically happening to the brain and nervous system and how this contributes to and even exacerbates the pain experience."- Allison Suran, PT, GCFP, Founder Healing Bridge Physical Therapy"Dr. Fancher, as someone who deals personally with chronic pain and as a pain psychologist, speaks with an understanding no other expert can match. I highly recommend "Master Your Pain" to all my patients and for anyone with chronic pain."- Ginevra Liptan, MD, Medical Director, The Frida Center for Fibromyalgia"The book gives great insight into the variety of techniques that can make a difference, shows how personal responsibility and work is essential and then gives clear guidance about how to do the work in a clear and effective manner. I believe this book will become an essential tool for any effective pain management programs as well as being an essential resource for any individual wanting to determine how to not let chronic pain control or limit their lives."- Robert Djergaian, MD, Medical Director, Banner Good Samaritan Rehabilitation Institute"My role as a pain management specialist became infinitely more fulfilling and effective when I met my colleague and friend, Dr Jill Fancher, to whom I hope all my patients have the benefit of learning from. I am so excited to have her workbook Master Your Pain as a resource my patients can read, use, experience and learn from as they move through their personal journey we call 'chronic pain'." - Sandra Hadenfeld, ARNP, Pain Management Specialist, Peace Health Southwest Interventional Pain Clinic, This book is an assessment of narrative technique in contemporary British fiction, focusing on the experimental use of the demotic voice (regional or national dialects). The book examines the work of James Kelman, Graham Swift, Will Self and Martin Amis, amongst many others, from a practical as well as theoretical perspective., Contemporary British fiction often features 'everyday' narrative voices taken from 'everyday' contexts, using regional or national dialects. This writing comes in part from a desire to narrow the gap between author and character so that both speak on the same plane, and has important things to say about regional, national and cultural identity in modern Britain. This book focuses on the work of James Kelman, Alan Warner, Graham Swift, Will Self, Martin Amis, Niall Griffiths and Anne Donovan (amongst others) and it tries to assess the extent to which their techniques succeed or fail - for example, modes of notation for regional and national dialects and ways of representing 'internal' voices as opposed to spoken ones. An essential underlying question is whether a character's voice can ever be represented 'uncontaminated' by the author. Can the character be set free from its creator? The topic is approached from a practical rather than a purely theoretical angle; in other words, from the point of view of issues which inform and affect the 'hands on' work of crafting narrative fiction. Another ambition is to bridge the wide (and unnecessary?) gap between theory and the practicalities of writing fiction.
LC Classification Number
PN849.E87-.E872
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