Bild 1 von 1
Bild 1 von 1
Lucrecia Martel, Taschenbuch von Gemünden, Gerd, nagelneu, versandkostenf
US $31,73
Ca.CHF 26,98
Artikelzustand:
Neu
Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte Seiten. Genauere Einzelheiten entnehmen Sie bitte dem Angebot des Verkäufers.
3 verfügbar
- Sofort-KaufenLucrecia Martel, Taschenbuch von Gemünden, Gerd, nagelneu, versandkostenfrei in den USA
Versand:
Kostenlos Economy Shipping.
Standort: Jessup, Maryland, USA
Lieferung:
Lieferung zwischen Fr, 4. Okt und Do, 10. Okt nach 43230 bei heutigem Zahlungseingang
Rücknahme:
14 Tage Rückgabe. Käufer zahlt Rückversand.
Zahlungen:
Sicher einkaufen
Der Verkäufer ist für dieses Angebot verantwortlich.
eBay-Artikelnr.:364781274087
Artikelmerkmale
- Artikelzustand
- Book Title
- Lucrecia Martel
- ISBN
- 9780252084669
- Subject Area
- Performing Arts, Biography & Autobiography, History
- Publication Name
- Lucrecia Martel
- Publisher
- University of Illinois Press
- Item Length
- 8.2 in
- Subject
- Entertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production, Film / History & Criticism, Latin America / South America
- Publication Year
- 2019
- Series
- Contemporary Film Directors Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 17.6 Oz
- Item Width
- 5.5 in
- Number of Pages
- 206 Pages
Über dieses Produkt
Product Identifiers
Publisher
University of Illinois Press
ISBN-10
0252084667
ISBN-13
9780252084669
eBay Product ID (ePID)
13038257943
Product Key Features
Number of Pages
206 Pages
Language
English
Publication Name
Lucrecia Martel
Subject
Entertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production, Film / History & Criticism, Latin America / South America
Publication Year
2019
Type
Textbook
Subject Area
Performing Arts, Biography & Autobiography, History
Series
Contemporary Film Directors Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
17.6 Oz
Item Length
8.2 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2019-018163
Reviews
"Journalists discovered Lucrecia Martel with her last film, but scholars like Gerd Gemünden were already paying attention to her extraordinary body of work. Now, Gemünden analyzes the complexities of the Martel universe with a combination of cinematic precision and historical knowledge, unpacking her references and delineating her acute specificity of place. A welcome volume and likely an instant classic."--B. Ruby Rich, editor, Film Quarterly "In a superb and richly documented in-depth reading of Lucrecia Martel's filmic oeuvre, Gerd Gemünden places her firmly within the context of Argentina's vibrant New Cinema of the last twenty years, while also making a convincing case for her to be considered a leading filmmaker of our time."--Jens Andermann, author of New Argentine Cinema
Illustrated
Yes
Synopsis
Films like Zama and The Headless Woman have made Lucrecia Martel a fixture on festival marquees and critic's best lists. Though often allied with mainstream figures and genre frameworks, Martel works within art cinema, and since her 2001 debut The Swamp she has become one of international film's most acclaimed auteurs.Gerd Gemünden offers a ......, Films like Zama and The Headless Woman have made Lucrecia Martel a fixture on festival marquees and critic's best lists. Though often allied with mainstream figures and genre frameworks, Martel works within art cinema, and since her 2001 debut The Swamp she has become one of international film's most acclaimed auteurs.Gerd Gemünden offers a career-spanning analysis of a filmmaker dedicated to revealing the ephemeral, fortuitous, and endless variety of human experience. Martel's focus on sound, touch, taste, and smell challenge film's usual emphasis on what a viewer sees. By merging of these and other experimental techniques with heightened realism, she invites audiences into film narratives at once unresolved, truncated, and elliptical. Gemünden aligns Martel's filmmaking methods with the work of other international directors who criticize--and pointedly circumvent--the high-velocity speeds of today's cinematic storytelling. He also explores how Martel's radical political critique forces viewers to rethink entitlement, race, class, and exploitation of indigenous peoples within Argentinian society and beyond., Films like Zama and The Headless Woman have made Lucrecia Martel a fixture on festival marquees and critic's best lists. Though often allied with mainstream figures and genre frameworks, Martel works within art cinema, and since her 2001 debut The Swamp she has become one of international film's most acclaimed auteurs.Gerd Gemünden offers a career-spanning analysis of a filmmaker dedicated to revealing the ephemeral, fortuitous, and endless variety of human experience. Martel's focus on sound, touch, taste, and smell challenge film's usual emphasis on what a viewer sees. By merging of these and other experimental techniques with heightened realism, she invites audiences into film narratives at once unresolved, truncated, and elliptical. Gemünden aligns Martel's filmmaking methods with the work of other international directors who criticize-and pointedly circumvent-the high-velocity speeds of today's cinematic storytelling. He also explores how Martel's radical political critique forces viewers to rethink entitlement, race, class, and exploitation of indigenous peoples within Argentinian society and beyond., Films like Zama and The Headless Woman have made Lucrecia Martel a fixture on festival marquees and critic's best lists. Though often allied with mainstream figures and genre frameworks, Martel works within art cinema, and since her 2001 debut The Swamp she has become one of international film's most acclaimed auteurs.Gerd Gem nden offers a career-spanning analysis of a filmmaker dedicated to revealing the ephemeral, fortuitous, and endless variety of human experience. Martel's focus on sound, touch, taste, and smell challenge film's usual emphasis on what a viewer sees. By merging of these and other experimental techniques with heightened realism, she invites audiences into film narratives at once unresolved, truncated, and elliptical. Gem nden aligns Martel's filmmaking methods with the work of other international directors who criticize-and pointedly circumvent-the high-velocity speeds of today's cinematic storytelling. He also explores how Martel's radical political critique forces viewers to rethink entitlement, race, class, and exploitation of indigenous peoples within Argentinian society and beyond.
LC Classification Number
PN1998.3.M36855G46
Artikelbeschreibung des Verkäufers
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (353'246)
- e***d (1991)- Bewertung vom Käufer.Letzter MonatBestätigter KaufItem in excellent condition and very prompt delivery
- p***e (191)- Bewertung vom Käufer.Letzter MonatBestätigter KaufGreat ebayer
- z***z (5244)- Bewertung vom Käufer.Letzter MonatBestätigter KaufEXCELLENT !!
Noch mehr entdecken:
- The Face Zeitschriften,
- The Walking Dead Belletristik-Bücher,
- New Age Sachbuch Bücher,
- The Culinary Chronicle Kochbücher,
- Frederick-the-Great-Belletristik - Bücher,
- Masters of the Universe Jugendliche Hörbücher und Hörspiele,
- Masters of the Universe Buchreihe Hörbücher und Hörspiele auf Deutsch,
- Masters of the Universe Buchreihe Hörbücher und Hörspiele auf Englisch,
- Masters of the Universe Buchreihe Hörbücher und Hörspiele auf Englisch,
- Masters of the Universe Buchreihe Kassette Hörbücher und Hörspiele mit Kinder- & Jugendliteratur