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Lolas' House: Filipinoische Frauen, die im Krieg leben, Galang, M. Evelina, sehr gutes Buch
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Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- ISBN
- 9780810135864
- Book Title
- Lolas' House : Filipino Women Living with War
- Item Length
- 9 in
- Publisher
- Curbstone Press
- Publication Year
- 2017
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.8 in
- Genre
- History
- Topic
- Asia / Southeast Asia, Military / World War II
- Item Width
- 6 in
- Item Weight
- 13 Oz
- Number of Pages
- 280 Pages
Über dieses Produkt
Product Information
Lolas' House tells the stories, in unprecedented detail, of sixteen surviving Filipino "comfort women." During World War II more than 1,000 Filipino women and girls were kidnapped by the Imperial Japanese Army. They were taken from their homes, snatched from roadsides, and chased down in fields. Overall the Japanese forced 400,000 women across Asia into sexual slavery. M. Evelina Galang began researching these stories in the 1990s as 173 lolas, "grannies" in Tagalog, emerged after decades of shame and silence to demand recognition and justice from the Japanese government.
Product Identifiers
Publisher
Curbstone Press
ISBN-10
0810135868
ISBN-13
9780810135864
eBay Product ID (ePID)
234240384
Product Key Features
Book Title
Lolas' House : Filipino Women Living with War
Format
Trade Paperback
Language
English
Topic
Asia / Southeast Asia, Military / World War II
Publication Year
2017
Illustrator
Yes
Genre
History
Number of Pages
280 Pages
Dimensions
Item Length
9 in
Item Height
0.8 in
Item Width
6 in
Item Weight
13 Oz
Additional Product Features
Lc Classification Number
D810.C698.G35 2017
Reviews
"Lolas' House gives voice to the Filipina comfort women whose stories we must allow to enter our bodies. It is in letting our tears flow and our hearts break that we also share the Lolas' pleas for all wars to end. M. Evelina Galang has given us a beautiful gift borne of her desire to seek justice for the lolas, and for us to receive the gift of healing through storytelling." --Leny Mendoza Strobel, author of Babaylan: Filipinos and the Call of the Indigenous and Back from the Crocodile's Belly: Philippine Babaylan Studies and the Struggle for Indigenous Memory, "This book is the last stand of women who survived the kidnapping and rape that was Japanese army strategy in World War II. Courageous, aged grandmothers tell their stories and show their wounded bodies to M. Evelina Galang as evidence that these crimes occurred. Hopefully, Lolas' House will end denial and get justice, reparations, and a place in the history books for these women and their 400,000 sisters."--Maxine Hong Kingston, author of The Woman Warrior: Memoirs of a Girlhood among Ghosts, "This book is the last stand of women who survived the kidnapping and rape that was Japanese army strategy in World War II. Courageous, aged grandmothers tell their stories and show their wounded bodies to M. Evelina Galang as evidence that these crimes occurred. Hopefully, Lolas' House will end denial and get justice, reparations, and a place in the history books for these women and their 400,000 sisters."--Maxine Hong Kingston, author of The Woman Warrior: Memoirs of a Girlhood among Ghosts "A riveting work of profound historical importance, Lolas' House gives lasting voice to the Filipino comfort women--these perishing victims of the Japanese Imperial Army of WW II who wait still for an apology from Japan. This is M. Evelina Galang at her courageous, literary best." --Andrew X. Pham, author of Catfish and Mandala and The Eaves of Heaven, " Lolas' House is the last stand of women who survived the kidnapping and rape that was Japanese army strategy in World War II. Courageous, aged grandmothers tell their stories and show their wounded bodies to M. Evelina Galang as evidence that these crimes occurred." --Maxine Hong Kingston, author of The Woman Warrior: Memoirs of a Girlhood among Ghosts "A riveting work of profound historical importance, Lolas' House gives lasting voice to the Filipino comfort women--these perishing victims of the Japanese Imperial Army of WW II who wait still for an apology from Japan. This is M. Evelina Galang at her courageous, literary best." --Andrew X. Pham, author of Catfish and Mandala and The Eaves of Heaven, "When I first heard M. Evelina Galang read these stories the Lolas came to me through her words. This book is not just an act of collecting a documentation of history painfully revealed, but a poetry of personalities with all the textures of intellect, outrage, sadness, anger, resilience and love. This work is a monument to the Lolas and to the power of their protest; it is their message to the world about how to be truly human. M. Evelina Galang brings us into the Lolas' House, and we feel them in our hearts." --Johanna Poethig, Artist and Professor of Painting and Public Art at California State University, Monterey Bay "M. Evelina Galang contributes powerful evidence for a war crime that has been structurally overlooked and downplayed. And most importantly: she gives the Filipina victims a powerful voice." --Griselda Molemans, investigative reporter , "When I first heard M. Evelina Galang read these stories the Lolas came to me through her words. This book is not just an act of collecting a documentation of history painfully revealed, but a poetry of personalities with all the textures of intellect, outrage, sadness, anger, resilience and love. This work is a monument to the Lolas and to the power of their protest; it is their message to the world about how to be truly human. M. Evelina Galang brings us into the Lolas' House, and we feel them in our hearts." --Johanna Poethig, Artist and Professor of Painting and Public Art at California State University, Monterey Bay "M. Evelina Galang contributes powerful evidence for a war crime that has been structurally overlooked and downplayed. And most importantly: she gives the Filipina victims a powerful voice." --Griselda Molemans, investigative reporter "Galang dances, literally dances, around the main narrative of testimony. She dances with her dalagas and with the lolas, and tells us so. Despite their pain, there is still joy in the lolas' world. And in providing relief for themselves, they provide relief to the reader so that we can push on through their testimonies. So that we right the wrong. So we see justice done. Lolas' House is the first collection of direct personal testimonies from Filipina survivors to join the canon of comfort woman literature... Now, with Galang's important contribution, the lolas' voices are on record. The lolas are now dying in their old age, but with Lolas' House , Galang ensures their stories stay alive by recording them in history." --Christine Hyung-Oak Lee, Miami Rail, " Lolas' House puts luminous human faces on the dehumanizing wartime statistics of Filipino 'comfort women,' whose stories we must allow to enter our bodies. It is in letting our tears flow and our hearts break that we also share the lolas' pleas for all wars to end." --Leny Mendoza Strobel, editor of Babaylan: Filipinos and the Call of the Indigenous "An extraordinary book, Lolas' House will historically endure as a beautifully written record of collective survival and struggle among women against male sexual violence." --Caroline Norma, coauthor of The Japanese Comfort Women and Sexual Slavery during the China and Pacific Wars "In her fourth and most stunning book, Lolas' House: Filipino Women Living With War , M. Evelina Galang unwaveringly records the full-bodied lives, the heartbreaks, and the resilience of sixteen comfort women from the Philippines during World War II. The stories of the lolas' survival and their love of living and others bring about the commanding power of who the women are. Their stories are huwes de kutsilyo --justice by knife. Remember their stories. Let them knife, split, open you up--and with mercy, let them enter your bodies, so that we may never forget." --Melissa Sipin, Hyphen magazine "...while the book may be a tough one to get through, it's also a necessary one--especially for the healing of these brave women who survived a devastating national trauma." --Shondaland.com, "This book is the last stand of women who survived the kidnapping and rape that was Japanese army strategy in World War II. Courageous, aged grandmothers tell their stories and show their wounded bodies to M. Evelina Galang as evidence that these crimes occurred. Hopefully, Lolas' House will end denial and get justice, reparations, and a place in the history books for these women and their 400,000 sisters."--Maxine Hong Kingston, author of The Woman Warrior: Memoirs of a Girlhood among Ghosts "A riveting work of profound historical importance, Lolas' House gives lasting voice to the Filipino comfort women--these perishing victims of the Japanese Imperial Army of WW II who wait still for an apology from Japan. This is M. Evelina Galang at her courageous, literary best." --Andrew X. Pham, author of Catfish and Mandala and The Eaves of Heaven, "When I first heard M. Evelina Galang read these stories the Lolas came to me through her words. This book is not just an act of collecting a documentation of history painfully revealed, but a poetry of personalities with all the textures of intellect, outrage, sadness, anger, resilience and love. This work is a monument to the Lolas and to the power of their protest; it is their message to the world about how to be truly human. M. Evelina Galang brings us into the Lolas' House, and we feel them in our hearts." --Johanna Poethig, Artist and Professor of Painting and Public Art at California State University, Monterey Bay "M. Evelina Galang contributes powerful evidence for a war crime that has been structurally overlooked and downplayed. And most importantly: she gives the Filipina victims a powerful voice." --Griselda Molemans, investigative reporter, "When I first heard M. Evelina Galang read these stories the Lolas came to me through her words. This book is not just an act of collecting a documentation of history painfully revealed, but a poetry of personalities with all the textures of intellect, outrage, sadness, anger, resilience and love. This work is a monument to the Lolas and to the power of their protest; it is their message to the world about how to be truly human. M. Evelina Galang brings us into the Lolas' House, and we feel them in our hearts." --Johanna Poethig, Artist and Professor of Painting and Public Art at California State University, Monterey Bay "M. Evelina Galang contributes powerful evidence for a war crime that has been structurally overlooked and downplayed. And most importantly: she gives the Filipina victims a powerful voice." --Griselda Molemans, investigative reporter "Galang dances, literally dances, around the main narrative of testimony. She dances with her dalagas and with the lolas, and tells us so. Despite their pain, there is still joy in the lolas' world. And in providing relief for themselves, they provide relief to the reader so that we can push on through their testimonies. So that we right the wrong. So we see justice done. Lolas' House is the first collection of direct personal testimonies from Filipina survivors to join the canon of comfort woman literature... Now, with Galang's important contribution, the lolas' voices are on record. The lolas are now dying in their old age, but with Lolas' House , Galang ensures their stories stay alive by recording them in history." --Christine Hyung-Oak Lee, Miami Rail "These are important stories that need to be told... The raw first-person accounts are by far the strongest pieces of the book. The book is a reminder that it is difficult to heal without airing your story of pain and survival, and those stories are not simple." -- Rebellious magazine, " Lolas' House is the last stand of women who survived the kidnapping and rape that was Japanese army strategy in World War II. Courageous, aged grandmothers tell their stories and show their wounded bodies to M. Evelina Galang as evidence that these crimes occurred." --Maxine Hong Kingston, author of The Woman Warrior: Memoirs of a Girlhood among Ghosts "A riveting work of profound historical importance, Lolas' House gives lasting voice to the Filipino comfort women--these perishing victims of the Japanese Imperial Army of WW II who wait still for an apology from Japan. This is M. Evelina Galang at her courageous, literary best." --Andrew X. Pham, author of Catfish and Mandala and The Eaves of Heaven "The strength, courage and perseverance of these women is, truthfully, sort of life changing. Crimes against women are still under-reported and often go unrecognised. This is a book that shines a light in a dark place." --Aisling Twomey, Book Riot "A reminder that it is difficult to heal without airing your story of pain and survival, and those stories are not simple. They aren't just accounts of the events." -- Rebellious Magazine, "This book is the last stand of women who survived the kidnapping and rape that was Japanese army strategy in World War II. Courageous, aged grandmothers tell their stories and show their wounded bodies to Evelina Galang as evidence that these crimes occurred. Hopefully, Lola's House will end denial and get justice, reparations, and a place in the history books for these women and their 400,000 sisters."--Maxine Hong Kingston, author of The Woman Warrior: Memoirs of a Girlhood among Ghosts, "Lolas' House gives voice to the Filipina comfort women whose stories we must allow to enter our bodies. It is in letting our tears flow and our hearts break that we also share the Lolas' pleas for all wars to end. M. Evelina Galang has given us a beautiful gift borne of her desire to seek justice for the lolas, and for us to receive the gift of healing through storytelling." --Leny Mendoza Strobel, author of Babaylan: Filipinos and the Call of the Indigenous and Back from the Crocodile's Belly: Philippine Babaylan Studies and the Struggle for Indigenous Memory, " Lolas' House puts luminous human faces on the dehumanizing wartime statistics of Filipino 'comfort women,' whose stories we must allow to enter our bodies. It is in letting our tears flow and our hearts break that we also share the lolas' pleas for all wars to end." --Leny Mendoza Strobel, editor of Babaylan: Filipinos and the Call of the Indigenous "An extraordinary book, Lolas' House will historically endure as a beautifully written record of collective survival and struggle among women against male sexual violence." --Caroline Norma, coauthor of The Japanese Comfort Women and Sexual Slavery during the China and Pacific Wars "In her fourth and most stunning book, Lolas' House: Filipino Women Living With War , M. Evelina Galang unwaveringly records the full-bodied lives, the heartbreaks, and the resilience of sixteen comfort women from the Philippines during World War II. The stories of the lolas' survival and their love of living and others bring about the commanding power of who the women are. Their stories are huwes de kutsilyo --justice by knife. Remember their stories. Let them knife, split, open you up--and with mercy, let them enter your bodies, so that we may never forget." --Melissa Sipin, Hyphen magazine, " Lolas' House puts luminous human faces on the dehumanizing wartime statistics of Filipino 'comfort women,' whose stories we must allow to enter our bodies. It is in letting our tears flow and our hearts break that we also share the lolas' pleas for all wars to end." --Leny Mendoza Strobel, editor of Babaylan: Filipinos and the Call of the Indigenous "An extraordinary book, Lolas' House will historically endure as a beautifully written record of collective survival and struggle among women against male sexual violence." --Caroline Norma, coauthor of The Japanese Comfort Women and Sexual Slavery during the China and Pacific Wars, " Lolas' House is the last stand of women who survived the kidnapping and rape that was Japanese army strategy in World War II. Courageous, aged grandmothers tell their stories and show their wounded bodies to M. Evelina Galang as evidence that these crimes occurred." --Maxine Hong Kingston, author of The Woman Warrior: Memoirs of a Girlhood among Ghosts "A riveting work of profound historical importance, Lolas' House gives lasting voice to the Filipino comfort women--these perishing victims of the Japanese Imperial Army of WW II who wait still for an apology from Japan. This is M. Evelina Galang at her courageous, literary best." --Andrew X. Pham, author of Catfish and Mandala and The Eaves of Heaven "The strength, courage and perseverance of these women is, truthfully, sort of life changing. Crimes against women are still under-reported and often go unrecognised. This is a book that shines a light in a dark place." --Aisling Twomey, Book Riot
Table of Content
Welcome to the Lolas' House, 9 Through the Mercy of God, 23 Catalina Lorenzo, 25 Virginia Villarma, 41 Lucia Alvarez, 46 Pilar Frias, 67 "Turtle! Turtle!" 80 Benita Aliganza, 83 Cristita Alcober, 96 Narcisa Adriatico Claveria, 122 Violeta Lanzarote, 142 They Used Us, 149 Prescila Bartonico, 151 Dolores Molina, 164 Piedad Nicasio Nobleza, 180 Josefa Lopez Villamar, 189 Japanese Leftovers, 221 Atanacia Cortez, 214 Urduja Francisco Samonte, 235 Carmencita Cosio Ramel, 253 Remedios Felias, 260 Justice by Knife, 267 Filipino "Comfort Women" of World War II, 281 Monday's Luminous Mysteries, An Afterword, 300 Acknowledgements, 305
Copyright Date
2017
Target Audience
Trade
Lccn
2017-013878
Dewey Decimal
940.5308209599
Dewey Edition
23
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