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Medieval Robots: Mechanism, Magic, Nature, and Art (The Middle Ages Series), Tru
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Medieval Robots: Mechanism, Magic, Nature, and Art (The Middle Ages Series), Tru

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    “Good; some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name ...
    ISBN
    9780812246971

    Über dieses Produkt

    Product Identifiers

    Publisher
    University of Pennsylvania Press
    ISBN-10
    0812246977
    ISBN-13
    9780812246971
    eBay Product ID (ePID)
    208585017

    Product Key Features

    Number of Pages
    312 Pages
    Publication Name
    Medieval Robots : Mechanism, Magic, Nature, and Art
    Language
    English
    Publication Year
    2015
    Subject
    Machine Theory, Medieval, Mechanical, Magick Studies, Robotics, Europe / Medieval
    Type
    Textbook
    Subject Area
    Literary Criticism, Body, Mind & Spirit, Computers, Technology & Engineering, History
    Author
    E. R. Truitt
    Series
    The Middle Ages Ser.
    Format
    Hardcover

    Dimensions

    Item Length
    9 in
    Item Width
    6 in

    Additional Product Features

    Intended Audience
    College Audience
    LCCN
    2015-008085
    Reviews
    "The first comprehensive work of scholarship on European automata of the Middle Ages, Medieval Robots systematically and chronologically works through themes such as the transition from the magical to the mechanical and the liminal status of robots between art and nature, familiar and foreign. Well-researched and well-written, the book does an excellent job of showing the wider cultural significance of automata within medieval history and the history of science."--Pamela O. Long, author of Openness, Secrecy, Authorship: Technical Arts and the Culture of Knowledge from Antiquity to the Renaissance, "The first comprehensive work of scholarship on European automata of the Middle Ages, Medieval Robots systematically and chronologically works through themes such as the transition from the magical to the mechanical and the liminal status of robots between art and nature, familiar and foreign. Well researched and well written, the book does an excellent job of showing the wider cultural significance of automata within medieval history and the history of science."--Pamela O. Long, author of Openness, Secrecy, Authorship: Technical Arts and the Culture of Knowledge from Antiquity to the Renaissance
    Dewey Edition
    23
    Illustrated
    Yes
    Dewey Decimal
    629.8
    Table Of Content
    List of Abbreviations Introduction. The Persistence of Robots: An Archaeology of Automata Chapter 1. Rare Devices: Geography and Technology Chapter 2. Between Art and Nature: Natura artifex , Neoplatonism, and Literary Automata Chapter 3. Talking Heads: Astral Science, Divination, and Legends of Medieval Philosophers Chapter 4. The Quick and the Dead: Automata, Memorial Statues, and Corpses Chapter 5. From Texts to Technology: Mechanical Marvels in Courtly and Public Pageantry Chapter 6. The Clockwork Universe: Keeping Sacred and Secular Time Notes Bibliography Index Acknowledgments
    Synopsis
    A thousand years before Isaac Asimov set down his Three Laws of Robotics, real and imagined automata appeared throughout European courts, liturgies, and literary texts. Medieval robots took such forms as talking statues, mechanical animals, or silent metal guardians; some served to entertain or instruct while others performed disciplinary or surveillance functions. Variously ascribed to artisanal genius, inexplicable cosmic forces, or demonic powers, these marvelous fabrications raised fundamental questions about knowledge, nature, and divine purpose in the Middle Ages. Medieval Robots recovers the forgotten history of fantastical, aspirational, and terrifying machines that especially captivated Europe in imagination and reality between the ninth and fourteenth centuries. E. R. Truitt traces the different forms of self-moving or self-sustaining manufactured objects from their earliest appearances in the Latin West through centuries of mechanical and literary invention. Chronicled in romances and song as well as histories and encyclopedias, medieval automata were powerful cultural objects that probed the limits of natural philosophy, illuminated and challenged definitions of life and death, and epitomized the transformative and threatening potential of foreign knowledge and culture. This original and wide-ranging study reveals the convergence of science, technology, and imagination in medieval culture, and demonstrates the striking similarities between medieval and modern robotic and cybernetic visions., Medieval robots took such forms as talking statues, mechanical animals, or silent metal guardians; some served to entertain or instruct while others performed surveillance or discipline. Medieval Robots explores the forgotten history of real and imagined machines that captivated Europe from the ninth through the fourteenth centuries., A thousand years before Isaac Asimov set down his Three Laws of Robotics, real and imagined automata appeared in European courts, liturgies, and literary texts. Medieval robots took such forms as talking statues, mechanical animals, and silent metal guardians; some served to entertain or instruct while others performed disciplinary or surveillance functions. Variously ascribed to artisanal genius, inexplicable cosmic forces, or demonic powers, these marvelous fabrications raised fundamental questions about knowledge, nature, and divine purpose in the Middle Ages. Medieval Robots recovers the forgotten history of fantastical, aspirational, and terrifying machines that captivated Europe in imagination and reality between the ninth and fourteenth centuries. E. R. Truitt traces the different forms of self-moving or self-sustaining manufactured objects from their earliest appearances in the Latin West through centuries of mechanical and literary invention. Chronicled in romances and song as well as histories and encyclopedias, medieval automata were powerful cultural objects that probed the limits of natural philosophy, illuminated and challenged definitions of life and death, and epitomized the transformative and threatening potential of foreign knowledge and culture. This original and wide-ranging study reveals the convergence of science, technology, and imagination in medieval culture and demonstrates the striking similarities between medieval and modern robotic and cybernetic visions.
    LC Classification Number
    TJ211.T74 2015

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