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Realism and Role-Play: The Human Figure in French Art from Callot to the Brother

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Zuletzt aktualisiert am 16. Jul. 2025 09:25:34 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
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ISBN-13
9781644531808
Book Title
Realism and Role-Play
ISBN
9781644531808
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
University of Delaware Press
ISBN-10
1644531801
ISBN-13
9781644531808
eBay Product ID (ePID)
28038380573

Product Key Features

Number of Pages
324 Pages
Publication Name
Realism and Role-Play : the Human Figure in French Art from Callot to the Brothers Le Nain
Language
English
Publication Year
2020
Subject
General, History / General
Type
Textbook
Author
Marika Takanishi Knowles
Subject Area
Art
Series
Studies in Seventeenth- and Eighteenth-Century Art and Culture Ser.
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
19.1 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
College Audience
LCCN
2020-023358
Reviews
In this highly original study, the visual examples chosen are rich, the visual analyses are compelling, and there is a varied array of broader cultural contextualization brought into play, from theater to literature and social history.
Dewey Edition
23
Grade From
Eleventh Grade
Illustrated
Yes
Dewey Decimal
704.9/420944
Table Of Content
Contents List of Illustrations Acknowledgments Introduction Chapter 1. Making an Entrance: Tupinambas and Burlesque Dancers Chapter 2. Swaggering OΣ (Callot I): Actors, Mercenaries, and Duelers Chapter 3. Marking Nobility: Fanfarons, Pages, and Illustrious Men Chapter 4. Playing the Strong Woman: Queens and Courtesans Chapter 5. Covering Shame (Callot II): Dwarves, Beggars, and Criers Chapter 6. Opening Secrets: Peasants Coda. Curtain Call: Watteau's Pierrot Endnotes Bibliography Index
Synopsis
After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Fascinated by the intricate politics of the encounter between two human beings, artists such as Jacques Callot, Daniel Rabel, Abraham Bosse, Claude Vignon, Georges de la Tour, Jean de Saint-Igny, the Brothers Le Nain, Pierre Brébiette, Jean I Le Blond, and Charles David represented the human figure as a performer acting out a social role. The resulting figures were everyday types whose representations in series of prints, painted galleries, and illustrated books created a repertoire of such contemporary roles. Realism and Role-Play draws on literature, social history, and affect theory in order to understand the way that figuration performed social positions. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press., After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Realism and Role-Play draws on literature, social history, and affect theory in order to understand the way that figuration performed social positions., After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Fascinated by the intricate politics of the encounter between two human beings, artists such as Jacques Callot, Daniel Rabel, Abraham Bosse, Claude Vignon, Georges de la Tour, Jean de Saint-Igny, the Brothers Le Nain, Pierre Br biette, Jean I Le Blond, and Charles David represented the human figure as a performer acting out a her social role. The resulting figures were everyday types whose representations in series of prints, painted galleries, and illustrated books created a repertoire of such contemporary roles. Realism and Role-Play draws on literature, social history, and affect theory in order to understand the way that figuration performed social positions. Studies in Seventeenth- and Eighteenth-Century Art and Culture
LC Classification Number
N7625

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