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Hans J. Wegner: Nur ein guter Stuhl von Christian Holmsted Olesen: Gebraucht

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Artikelzustand
Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
Publication Date
2014-05-07
ISBN
9783775738095
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Hatje Cantz Verlag Gmbh & Co KG
ISBN-10
3775738096
ISBN-13
9783775738095
eBay Product ID (ePID)
201600041

Product Key Features

Book Title
Hans J. Wegner : Just One Good Chair
Number of Pages
256 Pages
Language
English
Publication Year
2014
Topic
History & Criticism, General
Illustrator
Yes
Genre
Design, Architecture
Author
Rasmus Koch
Format
Hardcover

Dimensions

Item Height
1.5 in
Item Weight
68.1 Oz
Item Length
12.9 in
Item Width
10.2 in

Additional Product Features

Intended Audience
Trade
Reviews
Danish Designer Hans J. Wegner created the Y chair, the China chair, the Peacock chair, the Ox chair-even a chair called the Chair.
Dewey Edition
23
Dewey Decimal
749.32092
Synopsis
An elegant, linen-bound overview of midcentury Danish modernist Hans J. Wegner's unrivalled chairs, still strikingly modern and coveted after decades The name of Hans J. Wegner (1914-2007) is inseparable from his unrivalled chairs, which have helped Danish design achieve international recognition. Any fan of design has his or her favorite among Wegner's approximately 500 creations, and there is hardly an interior design magazine that has not included an illustration of his elegant China Chair (1943) or Y Chair (1950). Even John F. Kennedy sat on the Round Chair, now known simply as The Chair (1949). Trained as a furniture maker, Wegner typically made his prototypes by hand, using traditional joinery techniques such as tongue-and-groove or finger joints. In the process, he often pushed the limitations of wood, giving his designs an unequaled elegance. Their beauty was matched by their practicality: he considered comfort and ergonomics to be equally as important as appearance. Despite his concern for functionality, his personality and sense of humor also shone through his works, as evidenced by his splendid Peacock Chair (1947) or the masculine Ox Chair (1960), available with or without horns., The name Hans J. Wegner (1914-2007) is inseparable from his unrivalled chairs, which helped Danish design to achieve its international breakthrough. Every design fan has his or her favorite from among Wegner's approximately five hundred creations. Today, there is a hardly a glossy interior design magazine that does not include an illustration of the elegant China Chair (1943) or the Y Chair (1950), and even John F. Kennedy sat on his Round Chair, which is now simply called The Chair (1949). Trained as a furniture maker, Wegner usually made his prototypes himself by hand, using traditional joinery techniques such as tongue-and-groove or finger joints. In the process he pushed the limitations of wood, giving his designs an unmatched elegance. His sense of humor did not fall by the wayside, either, as evidenced by his splendid Peacock Chair (1947) or the masculine Ox Chair (1960), that latter of which is available with or without horns. (German edition ISBN 978-3-7757-3808-8), The name of Hans J. Wegner (1914-2007) is inseparable from his unrivalled chairs, which have helped Danish design achieve international recognition. Any fan of design has his or her favorite among Wegner's approximately 500 creations, and there is hardly an interior design magazine that has not included an illustration of his elegant China Chair (1943) or Y Chair (1950). Even John F. Kennedy sat on the Round Chair, now known simply as The Chair (1949). Trained as a furniture maker, Wegner typically made his prototypes by hand, using traditional joinery techniques such as tongue-and-groove or finger joints. In the process, he often pushed the limitations of wood, giving his designs an unequaled elegance. Their beauty was matched by their practicality: he considered comfort and ergonomics to be equally as important as appearance. Despite his concern for functionality, his personality and sense of humor also shone through his works, as evidenced by his splendid Peacock Chair (1947) or the masculine Ox Chair (1960), available with or without horns.
LC Classification Number
NK2586
Text by
Olesen, Christian Holmsted

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