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eBay-Artikelnr.:365576716984
Artikelmerkmale
- Artikelzustand
- Book Title
- The Wedding Complex: Forms of Belonging in Modern American Cultur
- Publication Date
- 2002-10-31
- Pages
- 312
- ISBN
- 9780822329534
Über dieses Produkt
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822329530
ISBN-13
9780822329534
eBay Product ID (ePID)
2212874
Product Key Features
Number of Pages
277 Pages
Publication Name
Wedding Complex : Forms of Belonging in Modern American Culture
Language
English
Subject
Lgbt Studies / General, Popular Culture, American / General, Weddings, Sociology / Marriage & Family
Publication Year
2002
Type
Textbook
Subject Area
Literary Criticism, Reference, Social Science
Series
Series Q Ser.
Format
Hardcover
Dimensions
Item Height
1.3 in
Item Weight
21.9 Oz
Item Length
9 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2002-003196
TitleLeading
The
Reviews
"Elizabeth Freeman's The Wedding Complex performs a crucial scholarly and public service-disentangling the messy, expansive, uncontainable work of the wedding from the normative regulation of the law of marriage. This book is sharp, funny, and deeply significant to current understandings of what is at stake in what are reductively called 'the marriage debates.' A must-read for activists and policymakers as well as across the disciplines."-Lisa Duggan, author of Sapphic Slashers: Sex, Violence, and American Modernity, This subtly argued book provides welcome relief from the predictable debates that often surround the issue of same-sex marriage. Uncoupling the ritual of the wedding from the legal reality of the marriage, Elizabeth Freeman demonstrates that weddings are, in and of themselves, quite queer indeed. . . . She provides a cogent argument for avoiding the marriage trap while encouraging us to throw all the parties we want., " . . . Freeman's social thought is far more compelling than the literary analysis to which it is hitched."--Elaine Showalter, Times Literary Supplement, 28 November 2003 "This subtly argued book provides welcome relief from the predictable debates that often surround the issue of same-sex marriage. Uncoupling the ritual of the wedding from the legal reality of the marriage, Elizabeth Freeman demonstrates that weddings are, in and of themselves, quite queer indeed. . . . She provides a cogent argument for avoiding the marriage trap while encouraging us to throw all the parties we want."-Out Magazine "[I]ntriguing and original. . . .The Wedding Complex shows that weddings don't equal marriage, and Freeman's divorcing this couple shows us just how rocky their relationship has always been."-Chris Freeman, CLGH Newsletter "[I]nteresting and insightful. Freeman's work creatively illustrates how deeply entrenched notions of marriage are in American society, defining our conceptions of national and personal attachment solely through a monogamous, dyadic couple."-Priscilla Yamin, The New Formulation "[T]he timeliness, sophistication, and originality of the argument make this a worthwhile book, even (actually, especially) for those beyond the field of 'wedding studies.' It's also well written and occasionally hilarious."-Karen Dubinsky, Journal of the History of Sexuality "Freeman's work has the joy and playfulness of new scholarship. . . . The work as a whole is both fresh and timely. . . ."-Lori Askeland, American Quarterly "[Freeman] concludes with a good discussion of gay marriage, and a suggestion that the gay community might be better off avoiding wedding rituals and looking for alternative forms of recognition and parity."-Elaine Showalter, TLS "With catchy quotes and anecdotes throughout, this [book] would be suitable for any reader interested in the concept of weddings."-- Gemma England, M/C : Journal of Media and Culture "Freeman presents highly original but historically-grounded readings of early modern wedding law and ritual. . . . [She] achieve[s] extraordinarily detailed, original, and incisive readings. . . . The Wedding Complex stands as our most original and theoretically sophisticated work to date on the American wedding. It establishes Freeman as an exciting and important scholar not only in popular culture, but also in American literature, queer studies, antebellum history, and race theory."-Stephanie Harzewski, Iowa Journal of Cultural Studies Interviewed in Chronicle Review's Commentary. Also reviewed in Choice and Out. Interviewed on Indiebride. Listed in PW, Cultural Critique, Library Journal, Women's Review of Books, Feminist Academic Press column, TLS Book Alert email, Journal of the History of Sexuality, Women's Studies, College Literature, Critical Inquiry, and Journal of American History. Abstract in Philadelphia Gay News. Freeman was on NPR's "The Todd Mundt Show" and on the OutQ network. Mixed review in Journal of Marriage and Family and American Historical Review, " The Wedding Complex by Elizabeth Freeman is an extremely original and important work. Freeman takes a distinctly new and different approach to American canonical texts, asking what forms of belonging and desire they produce outside of normative marital unions. For Freeman, the wedding produces and imagines social and cultural relations and kinship forms even as the heterosexual marriage erases these other modes of desire."--Judith Halberstam, author of Female Masculinity, “Elizabeth Freeman’s The Wedding Complex performs a crucial scholarly and public service-disentangling the messy, expansive, uncontainable work of the wedding from the normative regulation of the law of marriage. This book is sharp, funny, and deeply significant to current understandings of what is at stake in what are reductively called ‘the marriage debates.’ A must-read for activists and policymakers as well as across the disciplines.�-Lisa Duggan, author of Sapphic Slashers: Sex, Violence, and American Modernity, " . . . Freeman's social thought is far more compelling than the literary analysis to which it is hitched."--Elaine Showalter, Times Literary Supplement, 28 November 2003 "This subtly argued book provides welcome relief from the predictable debates that often surround the issue of same-sex marriage. Uncoupling the ritual of the wedding from the legal reality of the marriage, Elizabeth Freeman demonstrates that weddings are, in and of themselves, quite queer indeed. . . . She provides a cogent argument for avoiding the marriage trap while encouraging us to throw all the parties we want."--Out Magazine "[I]ntriguing and original. . . .The Wedding Complex shows that weddings don't equal marriage, and Freeman's divorcing this couple shows us just how rocky their relationship has always been."--Chris Freeman, CLGH Newsletter "[I]nteresting and insightful. Freeman's work creatively illustrates how deeply entrenched notions of marriage are in American society, defining our conceptions of national and personal attachment solely through a monogamous, dyadic couple."--Priscilla Yamin, The New Formulation "[T]he timeliness, sophistication, and originality of the argument make this a worthwhile book, even (actually, especially) for those beyond the field of 'wedding studies.' It's also well written and occasionally hilarious."--Karen Dubinsky, Journal of the History of Sexuality "Freeman's work has the joy and playfulness of new scholarship. . . . The work as a whole is both fresh and timely. . . ."--Lori Askeland, American Quarterly "[Freeman] concludes with a good discussion of gay marriage, and a suggestion that the gay community might be better off avoiding wedding rituals and looking for alternative forms of recognition and parity."--Elaine Showalter, TLS "With catchy quotes and anecdotes throughout, this [book] would be suitable for any reader interested in the concept of weddings."-- Gemma England, M/C : Journal of Media and Culture "Freeman presents highly original but historically-grounded readings of early modern wedding law and ritual. . . . [She] achieve[s] extraordinarily detailed, original, and incisive readings. . . . The Wedding Complex stands as our most original and theoretically sophisticated work to date on the American wedding. It establishes Freeman as an exciting and important scholar not only in popular culture, but also in American literature, queer studies, antebellum history, and race theory."--Stephanie Harzewski, Iowa Journal of Cultural Studies Interviewed in Chronicle Review's Commentary. Also reviewed in Choice and Out. Interviewed on Indiebride. Listed in PW, Cultural Critique, Library Journal, Women's Review of Books, Feminist Academic Press column, TLS Book Alert email, Journal of the History of Sexuality, Women's Studies, College Literature, Critical Inquiry, and Journal of American History. Abstract in Philadelphia Gay News. Freeman was on NPR's "The Todd Mundt Show" and on the OutQ network. Mixed review in Journal of Marriage and Family and American Historical Review, “ The Wedding Complex by Elizabeth Freeman is an extremely original and important work. Freeman takes a distinctly new and different approach to American canonical texts, asking what forms of belonging and desire they produce outside of normative marital unions. For Freeman, the wedding produces and imagines social and cultural relations and kinship forms even as the heterosexual marriage erases these other modes of desire.�-Judith Halberstam, author of Female Masculinity, "Elizabeth Freeman's The Wedding Complex performs a crucial scholarly and public service--disentangling the messy, expansive, uncontainable work of the wedding from the normative regulation of the law of marriage. This book is sharp, funny, and deeply significant to current understandings of what is at stake in what are reductively called 'the marriage debates.' A must-read for activists and policymakers as well as across the disciplines."--Lisa Duggan, author of Sapphic Slashers: Sex, Violence, and American Modernity, " . . . Freeman's social thought is far more compelling than the literary analysis to which it ishitched."--Elaine Showalter, Times Literary Supplement, 28 November 2003"This subtly argued book provides welcome relief from the predictable debates that often surround the issue of same-sex marriage. Uncoupling the ritual of the wedding from the legal reality of the marriage, Elizabeth Freeman demonstrates that weddings are, in and of themselves, quite queer indeed. . . . She provides a cogent argument for avoiding the marriage trap while encouraging us to throw all the parties we want."-Out Magazine"[I]ntriguing and original. . . .The Wedding Complex shows that weddings don't equal marriage, and Freeman's divorcing this couple shows us just how rocky their relationship has always been."-Chris Freeman, CLGH Newsletter"[I]nteresting and insightful. Freeman's work creatively illustrates how deeply entrenched notions of marriage are in American society, defining our conceptions of national and personal attachment solely through a monogamous, dyadic couple."-Priscilla Yamin, The New Formulation"[T]he timeliness, sophistication, and originality of the argument make this a worthwhile book, even (actually, especially) for those beyond the field of 'wedding studies.' It's also well written and occasionally hilarious."-Karen Dubinsky, Journal of the History of Sexuality"Freeman's work has the joy and playfulness of new scholarship. . . . The work as a whole is both fresh and timely. . . ."-Lori Askeland, American Quarterly"[Freeman] concludes with a good discussion of gay marriage, and a suggestion that the gay community might be better off avoiding wedding rituals and looking for alternative forms of recognition and parity."-Elaine Showalter, TLS"With catchy quotes and anecdotes throughout, this [book] would be suitable for any reader interested in the concept of weddings."-- Gemma England, M/C : Journal of Media and Culture"Freeman presents highly original but historically-grounded readings of early modern wedding law and ritual. . . . [She] achieve[s] extraordinarily detailed, original, and incisive readings. . . . The Wedding Complex stands as our most original and theoretically sophisticated work to date on the American wedding. It establishes Freeman as an exciting and important scholar not only in popular culture, but also in American literature, queer studies, antebellum history, and race theory."-Stephanie Harzewski, Iowa Journal of Cultural StudiesInterviewed in Chronicle Review's Commentary. Also reviewed in Choice and Out. Interviewed on Indiebride. Listed in PW, Cultural Critique, Library Journal, Women's Review of Books, Feminist Academic Press column, TLS Book Alert email, Journal of the History of Sexuality, Women's Studies, College Literature, Critical Inquiry, and Journal of American History. Abstract in Philadelphia Gay News. Freeman was on NPR's "The Todd Mundt Show" and on the OutQ network. Mixed review in Journal of Marriage and Family and American Historical Review, " The Wedding Complex by Elizabeth Freeman is an extremely original and important work. Freeman takes a distinctly new and different approach to American canonical texts, asking what forms of belonging and desire they produce outside of normative marital unions. For Freeman, the wedding produces and imagines social and cultural relations and kinship forms even as the heterosexual marriage erases these other modes of desire."-Judith Halberstam, author of Female Masculinity
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
813/.509355
Table Of Content
Preface Acknowledgments 1. Love among the Ruins 2. The We of Me: The Member of the Wedding's Novel Alliances 3. "That Troth Which Failed to Plight": Race, the Wedding, and Kin Aesthetics in Absalom, Absalom! 4. "A Diabolical Circle for the Divell to Daunce In": Foundational Weddings and the Problem of Civil Marriage 5. Honeymoon with a Stranger: Private Couplehood and the Making of the National Subject 6. The Immediate Country, or, Heterosexuality in the Age of Mechanical Reproduction Coda Notes Selected Bibliography Index
Synopsis
A queer literary and cultural studies examination of the wedding ceremony (rather than the resulting marriages) which finds it to be a space of more open possibilities than might normally be supposed., In The Wedding Complex Elizabeth Freeman explores the significance of the wedding ceremony by asking what the wedding becomes when you separate it from the idea of marriage. Freeman finds that weddings--as performances, fantasies, and rituals of transformation--are sites for imagining and enacting forms of social intimacy other than monogamous heterosexuality. Looking at the history of Anglo-American weddings and their depictions in American literature and popular culture from the antebellum era to the present, she reveals the cluster of queer desires at the heart of the "wedding complex"--longings not for marriage necessarily but for public forms of attachment, ceremony, pageantry, and celebration. Freeman draws on queer theory and social history to focus on a range of texts where weddings do not necessarily lead to legal marriage but instead reflect yearnings for intimate arrangements other than long-term, state-sanctioned, domestic couplehood. Beginning with a look at the debates over gay marriage, she proceeds to consider literary works by Nathaniel Hawthorne, William Faulkner, Carson McCullers, Vladimir Nabokov, and Edgar Allan Poe, along with such Hollywood films as Father of the Bride , The Graduate , and The Godfather . She also discusses less well-known texts such as Su Friedrich's experimental film First Comes Love and the off-Broadway, interactive dinner play Tony 'n' Tina's Wedding . Offering bold new ways to imagine attachment and belonging, and the public performance and recognition of social intimacy, The Wedding Complex is a major contribution to American studies, queer theory, and cultural studies.
LC Classification Number
PS374.W39F74 2002
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