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Kunst als das Absolute: Das Verhältnis der Kunst zur Metaphysik bei Kant, Fichte, Schelling, H
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Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9781501330551
- Book Title
- Art as the Absolute
- ISBN
- 9781501330551
Über dieses Produkt
Product Identifiers
Publisher
Bloomsbury Academic & Professional
ISBN-10
1501330551
ISBN-13
9781501330551
eBay Product ID (ePID)
228961105
Product Key Features
Number of Pages
216 Pages
Language
English
Publication Name
Art As the Absolute : Art's Relation to Metaphysics in Kant, Fichte, Schelling, Hegel, and Schopenhauer
Publication Year
2017
Subject
Movements / Idealism, Aesthetics, Metaphysics, Semiotics & Theory
Type
Textbook
Subject Area
Literary Criticism, Philosophy
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
10.3 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
College Audience
Reviews
"German idealism, in the boldness of its textual and systematic design, in the innovative persistence of its investigations, and in its profound, multinational repercussions, has, over the past four decades, served contemporary critical theory as a primary 'scene of interpretation.' The critical community is in Paul Gordon's considerable debt for the fresh and conclusive update delivered by Art as the Absolute on the constellation of concepts and constructs crystallizing around the Romantic figure of the artist, and on the liberties, privileges, and restrictions attending this complex and ambiguous figure. The theoretical acumen and erudition that Gordon had to derive in order to synthesize this study are prodigious; yet in its directness of approach and presentation, this current status-report is accessible to advanced scholars and motivated undergraduates alike. Gordon's fresh readings of Kant, Fichte, Schelling, Hegel, and Schopenhauer, among others, will reside at the theoretical cutting-edge for some time to come." -- Henry Sussman, Visiting Professor of Germanic Languages and Literatures, Yale University, USA, and author of Playful Intelligence and The Aesthetic Contract, German idealism, in the boldness of its textual and systematic design, in the innovative persistence of its investigations, and in its profound, multinational repercussions, has, over the past four decades, served contemporary critical theory as a primary 'scene of interpretation.' The critical community is in Paul Gordon's considerable debt for the fresh and conclusive update delivered by Art asthe Absolute on the constellation of concepts and constructs crystallizing around the Romantic figure of the artist, and on the liberties, privileges, and restrictions attending this complex and ambiguous figure. The theoretical acumen and erudition that Gordon had to derive in order to synthesize this study are prodigious; yet in its directness of approach and presentation, this current status-report is accessible to advanced scholars and motivated undergraduates alike. Gordon's fresh readings of Kant, Fichte, Schelling, Hegel, and Schopenhauer, among others, will reside at the theoretical cutting-edge for some time to come.
Dewey Edition
23
Dewey Decimal
111.85
Table Of Content
Preface Art as the Absolute: Kant, Fichte, Schelling, Hegel and Schopenhauer Introduction The Symposium on Art and the Absolute 1 Kant I: The Critique of Judgment 2 Kant II: The Critique of Teleological Judgment 3 Fichte: On the Spirit and the Letter in Philosophy 4 Schelling I: The System of Transcendental Idealism 5 Schelling II: The Philosophy of Art 6 Hegel: The Encycopedia and Lectures on Aesthetics 7 Schopenhauer: The World as Will and Representation Appendix Nietzsche's Wrath: Nietzsche's Critique of the Kantian Absolute Bibliography Index
Synopsis
Art as the Absolute is a literary and philosophical investigation into the meaning of art and its claims to truth. Exploring in particular the writings of Kant and those who followed after, including Fichte, Schelling, Hegel, Schopenhauer, and Nietzsche, Paul Gordon contends that art solves the problem of how one can "know" the absolute in non-conceptual, non-discursive terms. The idea of art's inherent relation to the absolute, first explicitly rendered by Kant, is examined in major works from 1790 to 1823. The first and last chapters, on Plato and Nietzsche respectively, deal with precursors and "post-cursors" of this idea. Gordon shows and seeks to reddress the lack of attention to this idea after Hegel, as well as in contemporary reassessments of this period. Art as the Absolute will be of interest to students and scholars studying aesthetics from both a literary and philosophical perspective., Art as the Absolute is a literary and philosophical investigation into the meaning of art and its claims to truth. Exploring in particular the writings of Kant and those who followed after, including Fichte, Schelling, Hegel, Schopenhauer, and Nietzsche, Paul Gordon contends that art solves the problem of how one can "know+? the absolute in non-conceptual, non-discursive terms.The idea of art's inherent relation to the absolute, first explicitly rendered by Kant, is examined in major works from 1790 to 1823. The first and last chapters, on Plato and Nietzsche respectively, deal with precursors and "post-cursors+? of this idea. Gordon shows and seeks to reddress the lack of attention to this idea after Hegel, as well as in contemporary reassessments of this period. Art as the Absolute will be of interest to students and scholars studying aesthetics from both a literary and philosophical perspective.
LC Classification Number
BD416.G67 2017
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grandeagleretail
98,3% positive Bewertungen•2.8 Mio. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (1'054'247)
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- a***o (387)- Bewertung vom Käufer.Letzter MonatBestätigter KaufExcellent service, item as described, would buy from this seller again.
- 9***- (131)- Bewertung vom Käufer.Letzter MonatBestätigter KaufGreat product and arrived on time 👍🏻👍🏻
- l***o (1097)- Bewertung vom Käufer.Letzter MonatBestätigter KaufCheers.
- 4***1 (694)- Bewertung vom Käufer.Letzter MonatBestätigter KaufThanks