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Club 57: Film, Performance und Kunst im Ostdorf, 1978-1983 von Magliozzi
US $24,99
Ca.CHF 20,12
Artikelzustand:
“Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
Gut
Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr geringfügige Beschädigungen auf, wie z.B. kleinere Schrammen, er hat aber weder Löcher, noch ist er eingerissen. Bei gebundenen Büchern ist der Schutzumschlag möglicherweise nicht mehr vorhanden. Die Bindung weist geringfügige Gebrauchsspuren auf. Die Mehrzahl der Seiten ist unbeschädigt, das heißt, es gibt kaum Knitter oder Einrisse, es wurden nur in geringem Maße Bleistiftunterstreichungen im Text vorgenommen, es gibt keine Textmarkierungen und die Randbereiche sind nicht beschrieben. Alle Seiten sind vollständig vorhanden. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers.
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Versand:
US $6,99 (ca. CHF 5,63) USPS Media MailTM.
Standort: Multiple Locations, USA
Lieferung:
Lieferung zwischen Fr, 27. Jun und Di, 1. Jul nach 94104 bei heutigem Zahlungseingang
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eBay-Artikelnr.:365640228457
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- “Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
- Narrative Type
- Equipment, Techniques & Reference
- Type
- Book
- Intended Audience
- N/A
- ISBN
- 9781633450301
Über dieses Produkt
Product Identifiers
Publisher
Museum of Modern Art
ISBN-10
1633450309
ISBN-13
9781633450301
eBay Product ID (ePID)
234399683
Product Key Features
Book Title
Club 57 : Film, Performance, and Art in the East Village, 1978-1983
Number of Pages
184 Pages
Language
English
Topic
Theater / General, General, Performance, Customs & Traditions
Publication Year
2017
Illustrator
Yes
Genre
Art, Performing Arts, Social Science
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
37.7 Oz
Item Length
10.8 in
Item Width
9.3 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Reviews
Opened in 1978, it quickly became a center for all manner of creative experimentation: photography, video, zines, performance, music, and theater, and more than a few important artists emerged from its damp depths: Keith Haring, who used to perform from inside a fake TV set; the painter Kenny Scharf; the team of Marc Shaiman and Scott Wittman, who would go on to write the music and lyrics for Hairspray.
Dewey Decimal
792.7097471
Synopsis
How one small, no-budget club became a crucible of East Village creativity New York s East Village was alive with artistic activity in the 1970s and 80s, fueled by low rents, resistance to the Reagan presidency and the desire to experiment with new modes of art, performance, fashion, music, and exhibition. Club 57, located in the basement of a Polish church at 57 St. Marks Place, began as a no-budget venue for music and film exhibitions and quickly became a center of the neighborhood s constellation of countercultural venues, with artists such as Keith Haring, Ann Magnuson, Klaus Nomi, Tseng Kwong Chi, John Sex, Fab 5 Freddy, John Lypsinka Eppperson, and Lisa Baumgardner. Fabled but not widely known until now, Club 57 is said to have influenced virtually every club that came in its wake. Published to accompany the first major exhibition to examine this scene-changing alternative space in full, Club 57: Film, Performance, and Art in the East Village, 1978 1983 features rarely seen artwork, film stills, photographs, posters, flyers, and zines to create a uniquely detailed portrait of unbridled creativity before the dawn of the digital age., How one small, no-budget club became a crucible of East Village creativity New York's East Village was alive with artistic activity in the 1970s and '80s, fueled by low rents, resistance to the Reagan presidency and the desire to experiment with new modes of art, performance, fashion, music, and exhibition. Club 57, located in the basement of a Polish church at 57 St. Marks Place, began as a no-budget venue for music and film exhibitions and quickly became a center of the neighborhood's constellation of countercultural venues, with artists such as Keith Haring, Ann Magnuson, Klaus Nomi, Tseng Kwong Chi, John Sex, Fab 5 Freddy, John "Lypsinka" Eppperson, and Lisa Baumgardner. Fabled but not widely known until now, Club 57 is said to have influenced virtually every club that came in its wake. Published to accompany the first major exhibition to examine this scene-changing alternative space in full, Club 57: Film, Performance, and Art in the East Village, 1978-1983 features rarely seen artwork, film stills, photographs, posters, flyers, and zines to create a uniquely detailed portrait of unbridled creativity before the dawn of the digital age., An in-depth examination of the iconic alternative space Club 57.Located in the basement of a Polish Church at 57 St. Marks Place, Club 57 (1978-83) began as a no-budget venue for music and film exhibitions, and quickly took pride of place in a constellation of countercultural venues in downtown New York fuelled by low rents, the Reagan presidency and the desire to experiment with new modes of art, performance, fashion, music and exhibition. A centre of creative activity in the East Village, Club 57 is said to have influenced virtually every club that came in its wake. Published to accompany the first major exhibition to examine the scene-changing, interdisciplinary life of downtown New York's seminal alternative space in full, Club 57: Film, Performance, and Art in the East Village, 1978-1983 taps into the legacy of Club 57's founding curatorial staff to examine how the convergence of film, video, performance, art and curatorship in the club environment of New York in the 1970s and 1980s became a model for a new spirit of interdisciplinary endeavour. The richly illustrated publication will feature film and video stills; photographs of Club event and activities; ephemeral documents such as flyers, posters and period zines; and a robust plate section of rarely-seen artwork from the period by the likes of Keith Haring, Kenny Scharf, Tseng Kwong Chi, Kitty Brophy, Fab Five Freddy, Richard Hambleton, Dan Asher, Ellen Berkenblit and John Sex.
LC Classification Number
F128.627
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