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Kunst, Emotion und Ethik von Berys Gaut (Englisch) Hardcover Buch
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eBay-Artikelnr.:365718272346
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9780199263219
- Book Title
- Art, Emotion and Ethics
- ISBN
- 9780199263219
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199263213
ISBN-13
9780199263219
eBay Product ID (ePID)
58629124
Product Key Features
Number of Pages
288 Pages
Language
English
Publication Name
Art, Emotion and Ethics
Publication Year
2007
Subject
General, Aesthetics
Type
Textbook
Subject Area
Art, Philosophy
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
20.5 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2006-103223
Dewey Edition
22
Reviews
"There is much here to admire. Amon the strengths of the work are the clarity and sophistication of Gaut's arguments.... I consider this an important book that deserves to be widely read and discussed."--Daniel Jacobson, Notre Dame Philosophical Reviews, "There is much here to admire. Amon the strengths of the work are the clarity and sophistication of Gaut's arguments.... I consider this an important book that deserves to be widely read and discussed."--Daniel Jacobson,Notre Dame Philosophical Reviews
Illustrated
Yes
Dewey Decimal
111/.85
Table Of Content
List of Illustrations1. The Long Debate2. Aesthetics and Ethics: Basic Concepts3. A Conceptual Map4. Autonomism5. Artistic and Critical Practices6. Questions of Character7. The Cognitive Argument: The Epistemic Claim8. The Cognitive Argument: The Aesthetic Claim9. Emotion and Imagination10. The Merited Response ArgumentBibliographyIndex
Synopsis
Art, Emotion and Ethics is a systematic investigation of the relation of art to morality, a topic that has been of central and recurring interest to the philosophy of art since Plato. Berys Gaut explores the various positions that have been taken in this debate, and argues that an artwork is always aesthetically flawed insofar as it possesses a moral defect that is aesthetically relevant. Three main arguments are developed for this view; these involveshowing how moral goodness is itself a kind of beauty, that artworks can teach us about morality and that this is under certain conditions an aesthetic merit in them, and that our emotional responses to works ofart are properly guided in part by moral considerations.Art, Emotion and Ethics also contains detailed interpretations of a wide range of artworks, including Rembrandt's Bathsheba and Nabokov's Lolita, which show that ethical criticism can yield rich and plausible accounts of individual works. Gaut develops a new theory of the nature of aesthetic value, explores how art can teach us about the world and what we morally ought to do by guiding ourimaginings, and argues that we can have genuine emotions towards people and events that we know are merely fictional.Characterised by its clarity and sustained argument, this book will be of interest toanyone who wants to understand the relation of art to morality., Can a good work of art be evil? Art, Emotion and Ethis explores this issue, arguing that artworks are always aesthetically flawed if they have a moral defect that is aesthetically relevant. Berys Gaut shows how moral goodness is itself a kind of beauty, that artworks can teach us about morality and that this is under certain conditions an aesthetic merit in them, and that our emotional responses to works of art are properly guided in part by moralconsiderations. Characterised by its clarity and sustained argument, this book will be of interest to anyone who wants to understand the relation of art to morality., Art, Emotion and Ethics is a systematic investigation of the relation of art to morality, a topic that has been of central and recurring interest to the philosophy of art since Plato. Berys Gaut explores the various positions that have been taken in this debate, and argues that an artwork is always aesthetically flawed insofar as it possesses a moral defect that is aesthetically relevant. Three main arguments are developed for this view; these involve showing how moral goodness is itself a kind of beauty, that artworks can teach us about morality and that this is under certain conditions an aesthetic merit in them, and that our emotional responses to works of art are properly guided in part by moral considerations.Art, Emotion and Ethics also contains detailed interpretations of a wide range of artworks, including Rembrandt's Bathsheba and Nabokov's Lolita, which show that ethical criticism can yield rich and plausible accounts of individual works. Gaut develops a new theory of the nature of aesthetic value, explores how art can teach us about the world and what we morally ought to do by guiding our imaginings, and argues that we can have genuine emotions towards people and events that we know are merely fictional.Characterised by its clarity and sustained argument, this book will be of interest to anyone who wants to understand the relation of art to morality., Art, Emotion, and Ethics is a systematic investigation of the relation of art to morality, a topic that has been of central and recurring interest to the philosophy of art since Plato. Berys Gaut explores the various positions that have been taken in this debate, and argues that an artwork is always aesthetically flawed insofar as it possesses a moral defect that is aesthetically relevant. Three main arguments are developed for this view; these involve showing how moral goodness is itself a kind of beauty, that artworks can teach us about morality and that this is often an aesthetic merit in them, and that our emotional responses to works of art are properly guided in part by moral considerations. Art, Emotion, and Ethics also contains detailed interpretations of a wide range of artworks, including Rembrandt's Bathsheba and Nabokov's Lolita , which show that ethical criticism can yield rich and plausible accounts of individual works. Gaut develops a new theory of the nature of aesthetic value, explores how art can teach us about the world and what we morally ought to do by guiding our imaginings, and argues that we can have genuine emotions towards people and events that we know are merely fictional. Characterised by its clarity and sustained argument, this book will be of interest to anyone who wants to understand the relation of art to morality.
LC Classification Number
BH39.G36 2007
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Verkäuferbewertungen (1'054'110)
- c***p (658)- Bewertung vom Käufer.Letzter MonatBestätigter KaufPerfect transaction, great seller! Thanx!!!
- t***4 (2491)- Bewertung vom Käufer.Letzter MonatBestätigter KaufReally cute!!!
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