Calder Taschenbuch von Baal-Teshuva, Jacob - SEHR GUT

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“No bent pages, no writing, sat on shelf since 2002”
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Zuletzt aktualisiert am 29. Sep. 2025 02:33:04 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Neuwertig
Buch, das wie neu aussieht, aber bereits gelesen wurde. Der Einband weist keine sichtbaren Gebrauchsspuren auf. Bei gebundenen Büchern ist der Schutzumschlag vorhanden (sofern zutreffend). Alle Seiten sind vollständig vorhanden, es gibt keine zerknitterten oder eingerissenen Seiten und im Text oder im Randbereich wurden keine Unterstreichungen, Markierungen oder Notizen vorgenommen. Der Inneneinband kann minimale Gebrauchsspuren aufweisen. Minimale Gebrauchsspuren. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers. Alle Zustandsdefinitionen ansehenwird in neuem Fenster oder Tab geöffnet
Hinweise des Verkäufers
“No bent pages, no writing, sat on shelf since 2002”
Personalize
No
Signed
No
Ex Libris
No
Book Series
art
Narrative Type
Nonfiction
Personalized
No
Features
Illustrated
Original Language
English
Inscribed
No
Country/Region of Manufacture
United States
Vintage
Yes
ISBN
9783822876428
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Taschen
ISBN-10
3822876429
ISBN-13
9783822876428
eBay Product ID (ePID)
778037

Product Key Features

Book Title
Alexander Calder
Number of Pages
96 Pages
Language
English
Topic
Sculpture & Installation, Individual Artists / General
Publication Year
1999
Illustrator
Yes
Genre
Art
Author
Jacob Baal-Teshuva
Format
Trade Paperback

Dimensions

Item Height
0.3 in
Item Weight
11.1 Oz
Item Length
9.3 in
Item Width
7.2 in

Additional Product Features

Intended Audience
Trade
LCCN
00-711684
Dewey Edition
21
Dewey Decimal
709/.2
Synopsis
The man who put the swing into sculpture When the final tally of key movers in the plastic arts of this century is compiled, there is no doubt that maestro of movement Alexander Calder (1898-1976), the man who put the swing into sculpture, will be near numero uno. Calder took it off the plinth, gave it to the wind, and left us kinetic playgrounds of the spirit. He operated at the point where Modernity and nature fused, developing an environmental art that changed the medium forever. Visiting his Paris atelier in 1932, Duchamp coined the term "Mobiles" for Calders delicate wire and disc pieces, constructions that would soon become immensely popular. But he didn't rest on his innovations. Friends with Miro, Mondrian and Leger, Calder also turned his hand to painting, drawing, gouaches, toys, textiles and utensil design. A graphic master who sketched as much in air as in ink, the Sixties and Seventies saw Calder take on the monumental, translating the dynamics of cities into both his Mobiles and "Stabiles." At a time when sculpture was perceived to be the antithesis of movement, Calder unmade gravity and freed the elements in a body of work that is still sending a wind of change through the art world today. About the Series: Each book in TASCHEN's Basic Art Series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions, The man who put the swing into sculpture When the final tally of key movers in the plastic arts of this century is compiled, there is no doubt that maestro of movement Alexander Calder (1898-1976), the man who put the swing into sculpture, will be near numero uno. Calder took it off the plinth, gave it to the wind, and left us kinetic playgrounds of the spirit. He operated at the point where Modernity and nature fused, developing an environmental art that changed the medium forever. Visiting his Paris atelier in 1932, Duchamp coined the term "Mobiles" for Calder's delicate wire and disc pieces, constructions that would soon become immensely popular. But he didn't rest on his innovations. Friends with Miro, Mondrian and Leger, Calder also turned his hand to painting, drawing, gouaches, toys, textiles and utensil design. A graphic master who sketched as much in air as in ink, the Sixties and Seventies saw Calder take on the monumental, translating the dynamics of cities into both his Mobiles and "Stabiles". At a time when sculpture was perceived to be the antithesis of movement, Calder unmade gravity and freed the elements in a body of work that is still sending a wind of change through the art world today. About the Series: Each book in TASCHEN's Basic Art Series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions, The man who put the swing into sculpture When the final tally of key movers in the plastic arts of this century is compiled, there is no doubt that maestro of movement Alexander Calder (1898-1976), the man who put the swing into sculpture, will be near numero uno. Calder took it off the plinth, gave it to the wind, and left us kinetic playgrounds of the spirit. He operated at the point where Modernity and nature fused, developing an environmental art that changed the medium forever. Visiting his Paris atelier in 1932, Duchamp coined the term "Mobiles" for Calder s delicate wire and disc pieces, constructions that would soon become immensely popular. But he didn't rest on his innovations. Friends with Miro, Mondrian and Leger, Calder also turned his hand to painting, drawing, gouaches, toys, textiles and utensil design. A graphic master who sketched as much in air as in ink, the Sixties and Seventies saw Calder take on the monumental, translating the dynamics of cities into both his Mobiles and "Stabiles". At a time when sculpture was perceived to be the antithesis of movement, Calder unmade gravity and freed the elements in a body of work that is still sending a wind of change through the art world today. About the Series: Each book in TASCHEN's Basic Art Series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions
LC Classification Number
N6537.C33B33 1998

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