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Artikelmerkmale

Artikelzustand
Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
EAN
9781625344304
ISBN
1625344309
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
University of Massachusetts Dartmouth
ISBN-10
1625344309
ISBN-13
9781625344304
eBay Product ID (ePID)
20038732929

Product Key Features

Book Title
Too Numerous
Number of Pages
88 Pages
Language
English
Publication Year
2019
Topic
General, American / General
Genre
Poetry, Literary Collections
Author
Kent Shaw
Book Series
Juniper Prize for Poetry Ser.
Format
Trade Paperback

Dimensions

Item Height
0.2 in
Item Weight
23.5 Oz
Item Length
9.2 in
Item Width
7.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2018-051835
Reviews
"The universe inside Shaw's capacious poems is always expanding and adjusting. Room is made for everything that fits and for everything that doesn't, like a box that defies its squareness. Plain elemental nouns are bent toward abstraction. What might be impersonal, even generic, is made personal and elusive. His poems are limber and lucid and loose-limbed, and endlessly, comically speculative. I love getting lost in them."--James Haug, author of Riverain "'A man building stone arches thinks a lot about stone,' writes Kent Shaw, who stacks his sturdy sentences against the erosion not only of signification and identity, but civilization itself. The darkly allegorical world Shaw fashions in these pages, using the most evocative of building materials--bricks, boxes, forests, rabbits, soldiers, oceans, Styrofoam, balsawood, and fire, among other stalwart common nouns--feels as strange and intimate as the inside of one's body. A man inherits a staircase instead of a son. A husband and wife take off their shirts, lie down in separate rooms, and call to each other from across the house. Jesus strikes Judas in the face with a piece of ham. What Shaw writes about human emotions might well be said about his poems: 'They're the shavings of old growth trees... / They're abstract wire sculptures displayed in the corner. / And no one understands what they're for.'"--Suzanne Buffam, author of A Pillow Book, "The universe inside Shaw's capacious poems is always expanding and adjusting. Room is made for everything that fits and for everything that doesn't, like a box that defies its squareness. Plain elemental nouns are bent toward abstraction. What might be impersonal, even generic, is made personal and elusive. His poems are limber and lucid and loose-limbed, and endlessly, comically speculative. I love getting lost in them."--James Haug, author of Riverain"'A man building stone arches thinks a lot about stone,' writes Kent Shaw, who stacks his sturdy sentences against the erosion not only of signification and identity, but civilization itself. The darkly allegorical world Shaw fashions in these pages, using the most evocative of building materials--bricks, boxes, forests, rabbits, soldiers, oceans, Styrofoam, balsawood, and fire, among other stalwart common nouns--feels as strange and intimate as the inside of one's body. A man inherits a staircase instead of a son. A husband and wife take off their shirts, lie down in separate rooms, and call to each other from across the house. Jesus strikes Judas in the face with a piece of ham. What Shaw writes about human emotions might well be said about his poems: 'They're the shavings of old growth trees"¦ / They're abstract wire sculptures displayed in the corner. / And no one understands what they're for.'"--Suzanne Buffam, author of A Pillow Book, "The universe inside Shaw's capacious poems is always expanding and adjusting. Room is made for everything that fits and for everything that doesn't, like a box that defies its squareness. Plain elemental nouns are bent toward abstraction. What might be impersonal, even generic, is made personal and elusive. His poems are limber and lucid and loose-limbed, and endlessly, comically speculative. I love getting lost in them."--James Haug, author of Riverain "'A man building stone arches thinks a lot about stone,' writes Kent Shaw, who stacks his sturdy sentences against the erosion not only of signification and identity, but civilization itself. The darkly allegorical world Shaw fashions in these pages, using the most evocative of building materials--bricks, boxes, forests, rabbits, soldiers, oceans, Styrofoam, balsawood, and fire, among other stalwart common nouns--feels as strange and intimate as the inside of one's body. A man inherits a staircase instead of a son. A husband and wife take off their shirts, lie down in separate rooms, and call to each other from across the house. Jesus strikes Judas in the face with a piece of ham. What Shaw writes about human emotions might well be said about his poems: 'They're the shavings of old growth trees"¦ / They're abstract wire sculptures displayed in the corner. / And no one understands what they're for.'"--Suzanne Buffam, author of A Pillow Book
Grade From
College Graduate Student
Synopsis
What does it really mean when people are viewed as bytes of data? And is there beauty or an imaginative potential to information culture and the databases cataloging it? As Too Numerous reveals, the raw material of bytes and data points can be reshaped and repurposed for ridiculous, melancholic, and even aesthetic purposes. Grappling with an information culture that is both intimidating and daunting, Kent Shaw considers the impersonality represented by the continuing accumulation of personal information and the felicities--and barriers--that result: "The us that was inside us was magnificent structures. And they weren't going to grow any larger.", Grappling with an information culture that is both intimidating and daunting, Kent Shaw considers the impersonality represented by the continuing accumulation of personal information and the felicities - and barriers - that result: "The us that was inside us was magnificent structures. And they weren't going to grow any larger.", What does it really mean when people are viewed as bytes of data? And is there beauty or an imaginative potential to information culture and the databases cataloging it? As Too Numerous reveals, the raw material of bytes and data points can be reshaped and repurposed for ridiculous, melancholic, and even aesthetic purposes. Grappling with an information culture that is both intimidating and daunting, Kent Shaw considers the impersonality represented by the continuing accumulation of personal information and the felicities -- and barriers -- that result: "The us that was inside us was magnificent structures. And they weren't going to grow any larger.", What does it really mean when people are viewed as bytes of data? And is there beauty or an imaginative potential to information culture and the databases cataloging it? As Too Numerous reveals, the raw material of bytes and data points can be reshaped and repurposed for ridiculous, melancholic, and even aesthetic purposes. Grappling with an information culture that is both intimidating and daunting, Kent Shaw considers the impersonality represented by the continuing accumulation of personal information and the felicities-and barriers-that result: "The us that was inside us was magnificent structures. And they weren't going to grow any larger."
LC Classification Number
PS3619.H3937A6 2019

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