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Weiß von Ellis, Bret Easton
by Ellis, Bret Easton | HC | VeryGood
US $4,99
Ca.CHF 4,00
Artikelzustand:
“Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ”... Mehr erfahrenÜber den Artikelzustand
Sehr gut
Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand befindet. Der Einband weist keine offensichtlichen Beschädigungen auf. Bei gebundenen Büchern ist der Schutzumschlag vorhanden (sofern zutreffend). Alle Seiten sind vollständig vorhanden, es gibt keine zerknitterten oder eingerissenen Seiten und im Text oder im Randbereich wurden keine Unterstreichungen, Markierungen oder Notizen vorgenommen. Der Inneneinband kann minimale Gebrauchsspuren aufweisen. Minimale Gebrauchsspuren. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers.
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Standort: Aurora, Illinois, USA
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Lieferung zwischen Mi, 23. Jul und Sa, 26. Jul nach 94104 bei heutigem Zahlungseingang
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eBay-Artikelnr.:374143499761
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- Binding
- Hardcover
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780525656302
Über dieses Produkt
Product Identifiers
Publisher
Knopf Doubleday Publishing Group
ISBN-10
0525656308
ISBN-13
9780525656302
eBay Product ID (ePID)
18038799440
Product Key Features
Book Title
White
Number of Pages
272 Pages
Language
English
Topic
Popular Culture, Commentary & Opinion, Essays
Publication Year
2019
Genre
Political Science, Social Science, Literary Collections
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
16.6 Oz
Item Length
8.5 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2018-050947
Reviews
"[In] his first book in nine years-and his nonfiction debut--Ellis exudes the same youthful spirit he's always had: of irreverent amusement, quiet irony, indefatigable artistic curiosity. He's a living embodiment of how, between the predigital world of 1985 and today, both everything and nothing has changed. And it's been Ellis's life's work to make us confront the absurdity of that world in all its grimness, comedy and plastic beauty."--Lauren Christensen, The New York Times "Well written [and] bubbling with attitude and self-confidence."-- Kirkus "If Joan Didion is the California ice queen who picked apart the increasingly threadbare fabric of 70s American society, then, with White , Bret Easton Ellis is her heir apparent . . . shifting his focus to nonfiction for the first time [and turning his] withering eye to the social-media age."--H.W. Vail, Vanity Fair, "[In] his first book in nine years-and his nonfiction debut--Ellis exudes the same youthful spirit he's always had: of irreverent amusement, quiet irony, indefatigable artistic curiosity. He's a living embodiment of how, between the predigital world of 1985 and today, both everything and nothing has changed. And it's been Ellis's life's work to make us confront the absurdity of that world in all its grimness, comedy and plastic beauty."--Lauren Christensen, The New York Times "If Joan Didion is the California ice queen who picked apart the increasingly threadbare fabric of 70s American society, then, with White, Bret Easton Ellis is her heir apparent . . . shifting his focus to nonfiction for the first time [and turning his] withering eye to the social-media age."--H.W. Vail, Vanity Fair "Intelligent and briskly observed. . . . [Ellis is] an artist who engages deeply with works, and his takes on film, especially, are often fascinating. . . . Ellis isn't afraid to be contrarian, and that's what makes this book so interesting."--Keir Graff, Booklist "Well written [and] bubbling with attitude and self-confidence."-- Kirkus
Dewey Edition
23
Dewey Decimal
818.609
Synopsis
Own it, snowflakes: you've lost everything you claim to hold dear. White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho , Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates his admonishment of received truths as expressed by today's version of "the left." Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at the relentless anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, the obfuscation of ideals once both cherished and clear, and the fugue state of American democracy. In a young century marked by hysterical correctness and obsessive fervency on both sides of an aisle that's taken on the scale of the Grand Canyon, White is a clarion call for freedom of speech and artistic freedom. "The central tension in Ellis's art--or his life, for that matter--is that while [his] aesthetic is the cool reserve of his native California, detachment over ideology, he can't stop generating heat.... He's hard-wired to break furniture."--Karen Heller, The Washington Post "Sweating with rage . . . humming with paranoia."--Anna Leszkiewicz, The Guardian "Snowflakes on both coasts in withdrawal from Rachel Maddow's nightly Kremlinology lesson can purchase a whole book to inspire paroxysms of rage . . . a veritable thirst trap for the easily microaggressed. It's all here. Rants about Trump derangement syndrome; MSNBC; #MeToo; safe spaces."--Bari Weiss , The New York Times, Own it, snowflakes: you've lost everything you claim to hold dear. White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho , Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates his admonishment of received truths as expressed by today's version of "the left." Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at the relentless anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, the obfuscation of ideals once both cherished and clear, and the fugue state of American democracy. In a young century marked by hysterical correctness and obsessive fervency on both sides of an aisle that's taken on the scale of the Grand Canyon, White is a clarion call for freedom of speech and artistic freedom. "The central tension in Ellis's art--or his life, for that matter--is that while his] aesthetic is the cool reserve of his native California, detachment over ideology, he can't stop generating heat.... He's hard-wired to break furniture."--Karen Heller, The Washington Post "Sweating with rage . . . humming with paranoia."--Anna Leszkiewicz, The Guardian "Snowflakes on both coasts in withdrawal from Rachel Maddow's nightly Kremlinology lesson can purchase a whole book to inspire paroxysms of rage . . . a veritable thirst trap for the easily microaggressed. It's all here. Rants about Trump derangement syndrome; MSNBC; #MeToo; safe spaces."--Bari Weiss , The New York Times
LC Classification Number
PS3555.L5937W48 2019
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ThriftBooks
98,9% positive Bewertungen•19.7 Mio. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (5'683'844)
Dieser Artikel (6)
Alle Artikel (5'683'844)
- g***g (105)- Bewertung vom Käufer.Letzter MonatBestätigter KaufExcellent transaction- thanks!
- p***0 (112)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufExcellent essays.
- o***i (661)- Bewertung vom Käufer.Vor über einem JahrBestätigter KaufThanks.
- t***n (357)- Bewertung vom Käufer.Letzter MonatBestätigter KaufI found the book was in very good condition and I am very pleased with it!
- n***a (109)- Bewertung vom Käufer.Letzter MonatBestätigter KaufReceived, as described.
- r***t (2017)- Bewertung vom Käufer.Letzter MonatBestätigter KaufGreat condition. Thanks for the great deal and prompt service.