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Atom Egoyan: Interviews (Gespräche mit Filmemachern Serie), sehr gutes Buch
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Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “unmarked, light shelfwear-NICE Standard-sized.”
- ISBN
- 9781604734867
- Book Title
- Atom Egoyan : Interviews
- Book Series
- Conversations with Filmmakers Ser.
- Publisher
- University Press of Mississippi
- Item Length
- 9 in
- Publication Year
- 2010
- Format
- Hardcover
- Language
- English
- Genre
- Performing Arts, Biography & Autobiography
- Topic
- Cultural Heritage, Entertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production
- Item Weight
- 12.3 Oz
- Item Width
- 6 in
- Number of Pages
- 224 Pages
Über dieses Produkt
Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
1604734868
ISBN-13
9781604734867
eBay Product ID (ePID)
79987084
Product Key Features
Book Title
Atom Egoyan : Interviews
Number of Pages
224 Pages
Language
English
Topic
Cultural Heritage, Entertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production
Publication Year
2010
Genre
Performing Arts, Biography & Autobiography
Book Series
Conversations with Filmmakers Ser.
Format
Hardcover
Dimensions
Item Weight
12.3 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2009-037528
Dewey Edition
22
Dewey Decimal
791.4302/33092
Synopsis
Four-time winner at the Cannes Film Festival, Canadian filmmaker Atom Egoyan (b. 1960) began his career while still an undergraduate at the University of Toronto. His first love was playwriting, but he began to see that he could investigate themes emotionally through film- that the camera could play a role. He learned his craft in his own independent films and by directing television episodes before attempting his first feature film, Next of Kin (1984). There he explored the themes of family and identity that continue to interest him today.A frequent winner at film festivals, Egoyan broke through to a general audience with his film Exotica (1994). Since then such films as The Sweet Hereafter (1997) and Felicia's Journey (1999) have gained him wide acclaim. These interviews, collected from the last two decades, reveal Egoyan's unique themes, and his individual, independent approach to filmmaking. He discusses his development as a director, his interest in opera and museum installations, and the expectations he has for his audience. He engages in open, forthright discussions of his work and those who have worked with him., Four-time winner at the Cannes Film Festival, Canadian filmmaker Atom Egoyan (b. 1960) began his career while still an undergraduate at the University of Toronto. His first love was playwriting, but he began to see that he could investigate themes emotionally through film-that the camera could play a role. He learned his craft in his own independent films and by directing television episodes before attempting his first feature film, Next of Kin (1984). There he explored the themes of family and identity that continue to interest him today. A frequent winner at film festivals, Egoyan broke through to a general audience with his film Exotica (1994). Since then such films as The Sweet Hereafter (1997) and Felicia's Journey (1999) have gained him wide acclaim. These interviews collected from the last two decades reveal Egoyan's unique themes and his individual, independent approach to filmmaking. He discusses his development as a director, his interest in opera and museum installations, and the expectations he has for his audience. He engages in open, forthright discussions of his work and those who have worked with him. T. J. Morris is professor of English at the University of Indianapolis and has published in Critical Survey of Long Fiction, Mystics Quarterly, and Independent Film and Video Monthly., Four-time winner at the Cannes Film Festival, Canadian filmmaker Atom Egoyan (b. 1960) began his career while still an undergraduate at the University of Toronto. His first love was playwriting, but he began to see that he could investigate themes emotionally through film--that the camera could play a role. He learned his craft in his own independent films and by directing television episodes before attempting his first feature film, Next of Kin (1984). There he explored the themes of family and identity that continue to interest him today. A frequent winner at film festivals, Egoyan broke through to a general audience with his film Exotica (1994). Since then, such films as The Sweet Hereafter (1997) and Felicia's Journey (1999) have gained him wide acclaim. These interviews, collected from the last two decades, reveal Egoyan's unique themes, and his individual, independent approach to filmmaking. He discusses his development as a director, his interest in opera and museum installations, and the expectations he has for his audience. He engages in open, forthright discussions of his work and those who have worked with him., Collected interviews with the Canadian director of such acclaimed films as The Sweet Hereafter, Felicia's Journey , and Exotica, Four-time winner at the Cannes Film Festival, Canadian filmmaker Atom Egoyan (b. 1960) began his career while still an undergraduate at the University of Toronto. His first love was playwriting, but he began to see that he could investigate themes emotionally through film?that the camera could play a role. He learned his craft in his own independent films and by directing television episodes before attempting his first feature film, Next of Kin (1984). There he explored the themes of family and identity that continue to interest him today. A frequent winner at film festivals, Egoyan broke through to a general audience with his film Exotica (1994). Since then, such films as The Sweet Hereafter (1997) and Felicia's Journey (1999) have gained him wide acclaim. These interviews, collected from the last two decades, reveal Egoyan's unique themes, and his individual, independent approach to filmmaking. He discusses his development as a director, his interest in opera and museum installations, and the expectations he has for his audience. He engages in open, forthright discussions of his work and those who have worked with him.
LC Classification Number
PN1998.3.E334A5 2010
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