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Jookin': Der Aufstieg sozialer Tanzformatione
by Hazzard-Gordon, Katrina | PB | Good
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“Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ”... Mehr erfahrenÜber den Artikelzustand
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eBay-Artikelnr.:375303682391
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780877229568
- Book Title
- Jookin' : the Rise of Social Dance Formations in African-American Culture
- Item Length
- 8.2in
- Publisher
- Temple University Press
- Publication Year
- 1992
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.7in
- Genre
- Social Science, Performing Arts
- Topic
- Dance / Regional & Ethnic, Ethnic Studies / African American Studies
- Item Width
- 5.5in
- Item Weight
- 10.1 Oz
- Number of Pages
- 248 Pages
Über dieses Produkt
Product Information
The first analysis of the development of the jook and other dance arenas in African-American culture
Product Identifiers
Publisher
Temple University Press
ISBN-10
0877229562
ISBN-13
9780877229568
eBay Product ID (ePID)
971920
Product Key Features
Book Title
Jookin' : the Rise of Social Dance Formations in African-American Culture
Format
Trade Paperback
Language
English
Topic
Dance / Regional & Ethnic, Ethnic Studies / African American Studies
Publication Year
1992
Genre
Social Science, Performing Arts
Number of Pages
248 Pages
Dimensions
Item Length
8.2in
Item Height
0.7in
Item Width
5.5in
Item Weight
10.1 Oz
Additional Product Features
Lc Classification Number
Gv1624.7.A34h39 1990
Reviews
"An excellent study of black dance.... A well-done and readable account of how black Americans brought their dances with them from Africa, adapted them to the music of urban honky-tonks and jook joints, and created a unique art form." - Jazztimes, "An important part of the growing body of African American mass culture literature addressing issues of concern to black people." - The Philadelphia New Observer, "We glean just how rich the black dance tradition is from this vibrant, engaging social history, which hops from the decks of slave ships to honky-tonks, membership clubs and cabarets.... [It] takes us inside Reconstruction-era jook houses where food, gambling, drink and fellowship were offered, and where dances...crystallized into cultural forms." --Publishers Weekly "An excellent study of black dance.... A well-done and readable account of how black Americans brought their dances with them from Africa, adapted them to the music of urban honky-tonks and jook joints, and created a unique art form." --Jazztimes "An important part of the growing body of African American mass culture literature addressing issues of concern to black people." --The Philadelphia New Observer "Jookin' analyzes an underexplored aspect of the black American experience. In the larger sense, the book is a study of social change that depicts how one aspect of African-American culture has been affected by racial oppression and the process of urbanization." --American Journal of Sociology "Here's a book I've longed for--historically rich, empirically inspired and, above all, reverent to the funk and drive and moral spirit of the Grand Atlantic Black Dance Tradition." --Robert Farris Thompson "This is an excellent idea for a book. A dance/social history book of this order has been called for Jo these many years. Dance history has been very slim on Black dance, and information about its forms is hard to come by. Hazzard-Gordon has given us not merely an accounting of the venues of Black dancing in America, but also their evolution." --John F. Szwed, Professor of Anthropology and Afro-American Studies, Yale University "Hazzard-Gordons' brief, informative, sprightly, and thoroughly enjoyable volume draws on a wealth of published scholarship, interviews, and personal experience to trace the evolving varieties of African-American dance forms." --Choice, "An excellent study of black dance.... A well-done and readable account of how black Americans brought their dances with them from Africa, adapted them to the music of urban honky-tonks and jook joints, and created a unique art form." -Jazztimes, "Here's a book I've longed for--historically rich, empirically inspired and, above all, reverent to the funk and drive and moral spirit of the Grand Atlantic Black Dance Tradition." -- Robert Farris Thompson, "We glean just how rich the black dance tradition is from this vibrant, engaging social history, which hops from the decks of slave ships to honky-tonks, membership clubs and cabarets.... [It] takes us inside Reconstruction-era jook houses where food, gambling, drink and fellowship were offered, and where dances...crystallized into cultural forms." -- Publishers Weekly, "An excellent study of black dance.... A well-done and readable account of how black Americans brought their dances with them from Africa, adapted them to the music of urban honky-tonks and jook joints, and created a unique art form." -- Jazztimes, "We glean just how rich the black dance tradition is from this vibrant, engaging social history, which hops from the decks of slave ships to honky-tonks, membership clubs and cabarets.... [It] takes us inside Reconstruction-era jook houses where food, gambling, drink and fellowship were offered, and where dances...crystallized into cultural forms." - Publishers Weekly, "We glean just how rich the black dance tradition is from this vibrant, engaging social history, which hops from the decks of slave ships to honky-tonks, membership clubs and cabarets.... [It] takes us inside Reconstruction-era jook houses where food, gambling, drink and fellowship were offered, and where dances...crystallized into cultural forms." -Publishers Weekly, "We glean just how rich the black dance tradition is from this vibrant, engaging social history, which hops from the decks of slave ships to honky-tonks, membership clubs and cabarets.... [It] takes us inside Reconstruction-era jook houses where food, gambling, drink and fellowship were offered, and where dances...crystallized into cultural forms." --Publishers Weekly"An excellent study of black dance.... A well-done and readable account of how black Americans brought their dances with them from Africa, adapted them to the music of urban honky-tonks and jook joints, and created a unique art form." --Jazztimes"An important part of the growing body of African American mass culture literature addressing issues of concern to black people." --The Philadelphia New Observer"Jookin' analyzes an underexplored aspect of the black American experience. In the larger sense, the book is a study of social change that depicts how one aspect of African-American culture has been affected by racial oppression and the process of urbanization." --American Journal of Sociology"Here's a book I've longed for--historically rich, empirically inspired and, above all, reverent to the funk and drive and moral spirit of the Grand Atlantic Black Dance Tradition." --Robert Farris Thompson"This is an excellent idea for a book. A dance/social history book of this order has been called for Jo these many years. Dance history has been very slim on Black dance, and information about its forms is hard to come by. Hazzard-Gordon has given us not merely an accounting of the venues of Black dancing in America, but also their evolution." --John F. Szwed, Professor of Anthropology and Afro-American Studies, Yale University"Hazzard-Gordons' brief, informative, sprightly, and thoroughly enjoyable volume draws on a wealth of published scholarship, interviews, and personal experience to trace the evolving varieties of African-American dance forms." --Choice, "An important part of the growing body of African American mass culture literature addressing issues of concern to black people." -- The Philadelphia New Observer, "An important part of the growing body of African American mass culture literature addressing issues of concern to black people." -The Philadelphia New Observer
Table of Content
Preface Acknowledgments 1. Dancing Under the Lash The Middle Passage * The Plantation Environment * Bals du Cordon Bleu 2. Shoddy Confines: The Jook Continuum The Great Transition * Jook Houses, Honky-Tonks, After-Hours Joints * Rent Parties, Chittlin' Struts, Blue Monday Affairs 3. Upper Shadies and Urban Politics Monday Night at the Paradise Ballroom * Bells, Buzzers, and Air of Legitimacy * Night Clubs, Show Bars, Cabaret Parties * Dancin' in the Streets * Black Elite Affairs Postscript Notes Index
Copyright Date
1992
Dewey Decimal
793.3/089/96073
Dewey Edition
21
Illustrated
Yes
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eBay-Artikelnr.:375303682391
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