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The Oxford Companion to Western Art
by | HC | VeryGood
US $7,89
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Standort: Aurora, Illinois, USA
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eBay-Artikelnr.:375834850923
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- Binding
- Hardcover
- Weight
- 5 lbs
- Product Group
- Book
- IsTextBook
- Yes
- ISBN
- 9780198662037
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0198662033
ISBN-13
9780198662037
eBay Product ID (ePID)
2000448
Product Key Features
Book Title
Oxford Companion to Western Art
Number of Pages
840 Pages
Language
English
Publication Year
2001
Topic
Reference, American / General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
2 in
Item Weight
81.5 Oz
Item Length
10.9 in
Item Width
8.6 in
Additional Product Features
Intended Audience
Trade
LCCN
2002-265087
Reviews
"Everyone curious about the very survival of erudite information should keep this book in their study-room-office or visit libraries, in order to remember what may have been forgotten. You will be overwhelmed. More than most highly recommended."--Choice "Coverage is selective but balanced....highly recommended."--Booklist "A well-writen and comprehensive volume on Western art....This impressive scholarly work should be standard in academic reference collections."--American Reference Book Annual 2002 "Recommended for all collections."--Library Journal, "Everyone curious about the very survival of erudite information should keep this book in their study-room-office or visit libraries, in order to remember what may have been forgotten. You will be overwhelmed. More than most highly recommended."--Choice "A well-writen and comprehensive volume on Western art....This impressive scholarly work should be standard in academic reference collections."--American Reference Book Annual 2002 "Coverage is selective but balanced....highly recommended."--Booklist "Recommended for all collections."--Library Journal, "Everyone curious about the very survival of erudite information should keep this book in their study-room-office or visit libraries, in order to remember what may have been forgotten. You will be overwhelmed. More than most highly recommended."--Choice"Coverage is selective but balanced....highly recommended."--Booklist "A well-writen and comprehensive volume on Western art....This impressive scholarly work should be standard in academic reference collections."--American Reference Book Annual 2002 "Recommended for all collections."--Library Journal, "Everyone curious about the very survival of erudite information should keep this book in their study-room-office or visit libraries, in order to remember what may have been forgotten. You will be overwhelmed. More than most highly recommended."-- Choice "Coverage is selective but balanced....highly recommended."-- Booklist "A well-writen and comprehensive volume on Western art....This impressive scholarly work should be standard in academic reference collections."-- American Reference Book Annual 2002 "Recommended for all collections."-- Library Journal, "Everyone curious about the very survival of erudite information should keep this book in their study-room-office or visit libraries, in order to remember what may have been forgotten. You will be overwhelmed. More than most highly recommended."--Choice "Coverage is selective but balanced....highly recommended."--Booklist"A well-writen and comprehensive volume on Western art....This impressive scholarly work should be standard in academic reference collections."--American Reference Book Annual 2002"Recommended for all collections."--Library Journal, List of contents Introduction List of illustrations List of advisory editors and contributors Thematic list of entries List of abbreviations Note to the Reader A-Z entries, including 49 feature articles Index of people Picture credits
Dewey Edition
21
TitleLeading
The
Dewey Decimal
703
Table Of Content
List of contentsIntroductionList of illustrationsList of advisory editors and contributorsThematic list of entriesList of abbreviationsNote to the ReaderA-Z entries, including 49 feature articlesIndex of peoplePicture credits
Synopsis
This work replaces Harold Osborne's Oxford Companion to Art (1970), which has been continuously in print for thirty years. Though originally commissioned as a new edition of Osborne's book, it is effectively a completely new work, planned and written afresh for new generations of art lovers. Apart from a handful of classic articles by Harold Osborne mainly on aesthetics, and a few others which needed only minor change, the text is entirely new. Unlike Osborne, it focuses on Western art rather than the whole of world art, concentrating primarily on painting, sculpture, and the graphic arts, leaving architecture to be covered separately. With not only a tighter focus but also a greater extent than Osborne's, the new Companion offers far deeper coverage of the subject than previously; it includes many more artists and their works, and also pays proper attention to new topics of interest focused on patronage, taste, theory and criticism, materials and techniques, and the new art history. There are over 2600 entries, alphabetically arranged. Almost half of them cover artists, from classical times to the twentieth century. Other entries discuss art styles and movements, art forms (such as battle painting, landscape, caricature, or stained glass), specialist terms, and materials and techniques in all media. There is strong emphasis on location as a focus for art: not only are there regional and cultural surveys, but also entries on specific places of importance such as Paris or Urbino; and, in addition, entries on museums and galleries are arranged under the their city headword so that the reader can easily survey the major sites within a particular locality, such as New York, Boston, or Madrid. Patronage receives imaginative treatment: here, rather than focusing on a limited number of individual patrons, the Companion has entries on towns and cities as centres of patronage and collecting - such as Nuremberg, Dresden, or Prague. In addition, there is a novel series of entries on the critical fortunes of the art of the major European countries, covering, for example, patronage and collecting of Italian art in France, Spain, Britain, Germany and Central Europe, the USA, and in Italy itself. A further category of entry covers topics in the theory of art, such as iconography, perspective, and synaesthesia; and there is wide-ranging coverage too of art scholarship and criticism from Aristotle and Pausanius to Sartre, Panofsky, and Michel Foucault. All this is supplemented by entries on general topics as varied as reproduction, anatomy, guilds and confraternities, frames, and the conservation and restoration of paintings and sculpture. This is a work for everyone who loves art, whether actively engaged in the subject professionally or as one of the countless amateurs visting sites and cities, galleries, and exhibitions, churches, libraries, country houses, and palaces in pursuit of beauty and cultural enrichment., The original Oxford Companion to Art, edited by the late Harold Osborne, has been a mainstay for over three decades, a renowned one-volume guide to the world of art. Now comes The Oxford Companion to Western Art, almost completely rewritten, covering many more artists and their works, and offering fresh treatment of topics of contemporary interest, including patronage, taste, theory and criticism, materials and techniques, and the new art history. Written by 100 distinguished art historians and scholars, here are 2600 alphabetically arranged entries, almost half of them covering artists from classical times to the twentieth century. Other entries discuss art styles and movements, art forms (such as battle painting, landscape, caricature, or stained glass), specialist terms, and materials and techniques in all media. There is strong emphasis on location as a focus for art. Not only are there regional and cultural surveys, but also entries on specific places of importance such as Paris or Urbino. Moreover, museums and galleries are collected under their city headword so that the reader can easily find the major sites within a particular locality, such as New York, Boston, or Madrid. In addition, entries chart the critical fortunes of the art of the major European countries, covering for example patronage and collecting of Italian art in France, Spain, Britain, Germany, the USA, and in Italy itself. The contributors examine art theory, scholarship, and criticism, from Aristotle and Pausanius to Sartre, Panofsky, and Foucault. Everyone who loves art, whether artist, critic, scholar, or aficionado, will want to own this essential reference., The original Oxford Companion to Art , edited by the late Harold Osborne, has been a mainstay for over three decades, a renowned one-volume guide to the world of art. Now comes The Oxford Companion to Western Art , almost completely rewritten, covering many more artists and their works, and offering fresh treatment of topics of contemporary interest, including patronage, taste, theory and criticism, materials and techniques, and the new art history. Written by 100 distinguished art historians and scholars, here are 2600 alphabetically arranged entries, almost half of them covering artists from classical times to the twentieth century. Other entries discuss art styles and movements, art forms (such as battle painting, landscape, caricature, or stained glass), specialist terms, and materials and techniques in all media. There is strong emphasis on location as a focus for art. Not only are there regional and cultural surveys, but also entries on specific places of importance such as Paris or Urbino. Moreover, museums and galleries are collected under their city headword so that the reader can easily find the major sites within a particular locality, such as New York, Boston, or Madrid. In addition, entries chart the critical fortunes of the art of the major European countries, covering for example patronage and collecting of Italian art in France, Spain, Britain, Germany, the USA, and in Italy itself. The contributors examine art theory, scholarship, and criticism, from Aristotle and Pausanius to Sartre, Panofsky, and Foucault. Everyone who loves art, whether artist, critic, scholar, or aficionado, will want to own this essential reference., This elegant new reference work addresses the growing public of discriminating art lovers, amateur and professional, for whom looking at works of art is a serious recreation, and who want reliable information to increase their appreciation and understanding.
LC Classification Number
N33.O923 2001
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- m***a (1538)- Bewertung vom Käufer.Letzter MonatBestätigter KaufThe vendor was perfect. The item was disappointing only because it was not full of pictures which I hoped it would be. That is not the vender’s fault! But if anybody else buys this, be prepared for an encyclopedia about art with a few pictures rather than a great collection of pictures accompanying information.
- c***c (235)- Bewertung vom Käufer.Letzter MonatBestätigter KaufBook arrived quickly, packaged well, perfect condition and as pictured and described
- e***m (583)- Bewertung vom Käufer.Letzter MonatBestätigter KaufGreat value for this very desirable book.
- a***o (4045)- Bewertung vom Käufer.Letzter MonatBestätigter KaufThank you for a flawless transaction, everything as described, with fast and efficient service, Disc was in great shape. Tough to find movie for a reasonable price. Packaged well and protected.
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