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Hände des Untergangs: Die apokalyptische Fantasie von Black Sabbath von Holloway, Jack

by Holloway, Jack | PB | Good
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Standort: Aurora, Illinois, USA
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Zuletzt aktualisiert am 28. Apr. 2025 12:05:34 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr geringfügige Beschädigungen auf, wie z.B. kleinere Schrammen, er hat aber weder Löcher, noch ist er eingerissen. Bei gebundenen Büchern ist der Schutzumschlag möglicherweise nicht mehr vorhanden. Die Bindung weist geringfügige Gebrauchsspuren auf. Die Mehrzahl der Seiten ist unbeschädigt, das heißt, es gibt kaum Knitter oder Einrisse, es wurden nur in geringem Maße Bleistiftunterstreichungen im Text vorgenommen, es gibt keine Textmarkierungen und die Randbereiche sind nicht beschrieben. Alle Seiten sind vollständig vorhanden. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers. Alle Zustandsdefinitionen ansehenwird in neuem Fenster oder Tab geöffnet
Hinweise des Verkäufers
“Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ...
Binding
Paperback
Weight
0 lbs
Product Group
Book
IsTextBook
No
ISBN
9781666734034

Über dieses Produkt

Product Identifiers

Publisher
Wipf & Stock Publishers
ISBN-10
1666734039
ISBN-13
9781666734034
eBay Product ID (ePID)
19057264573

Product Key Features

Book Title
Hands of Doom : the Apocalyptic Imagination of Black Sabbath
Number of Pages
150 Pages
Language
English
Topic
Genres & Styles / Heavy Metal, Philosophy & Social Aspects, Christian Theology / Eschatology
Publication Year
2022
Genre
Music, Religion
Author
Jack Holloway
Book Series
Short Theological Engagements with Popular Music Ser.
Format
Trade Paperback

Dimensions

Item Height
0.3 in
Item Weight
5.6 Oz
Item Length
8 in
Item Width
5 in

Additional Product Features

Intended Audience
Trade
LCCN
2020-562566
Reviews
"Who knew Black Sabbath could be mined for such theological gems! Jack Holloway makes connections I would have missed, and the result is a stellar exploration of theology Black Sabbath style! Fantastic read!" --Thomas Jay Oord, Northwind Theological Seminary "Jack Holloway clearly knows his way around both metal music and radical Christianity. Readers of this book will hear, feel, and, most of all, live the uplifting spiritual experiences that Holloway finds in the terrifying music of Black Sabbath. Hands of Doom is a hell of a book in every way." --Gregory Erickson, New York University "Jack Holloway's powerful book is a call to revolutionary justice. He traces a theological thread through Black Sabbath's music that begins with doom and ends with a call to radical application of the only force that can possibly address the fear and upheaval of our times: yes, this book about Black Sabbath is ultimately a book about love. Brimming with insight and innate musicality, Hands of Doom is an essential guide to the true meaning of faith." --Elizabeth M. Edman, author of Queer Virtue: What LGBTQ People Know about Life and Love and How It Can Revitalize Christianity "The black clothes, the upside-down crucifixes, the bat--it's strange to think that Black Sabbath can have anything to say about theology, and yet Jack Holloway brilliantly explains how this seminal heavy metal band illuminates divinity, precisely because they took the darkness as seriously as the light. An incantatory elucidation of an overlooked aspect of a group that changed rock music forever, and a devilishly delightful reading of pop culture's transcendent appeal." --Ed Simon, author of Pandemonium: A Visual History of Demonology "To read Jack Holloway's theological account on the music of Black Sabbath was to discover a treasure I never thought existed. This poetic and vibrant book carries a theology of gloom and doom that can take us away from the often wishy-washy notions of hope within Christianity, and into places of transformation. . . . More than ever, we need art that makes us imagine a new world. In this absolutely brilliant book, Holloway shows us musical ways to do it." --Cláudio Carvalhaes, Union Theological Seminary
Dewey Edition
23/eng/20221027
Dewey Decimal
782.42166092/2
Synopsis
"The world today is such a wicked place," Black Sabbath declared in 1969, when they recorded their debut album, set against a backdrop of war, assassinations, social unrest, and disillusionment. Cries for justice from the Civil Rights Movement, and for peace and love from the culture of "flower power," had been met with violent backlash from the ruling class. It was on this stage that Black Sabbath entered--the heaviest rock band the world had yet known. This band was shaped by a working class upbringing in Birmingham, England, where actual metal defined the small town existence of factories, bombed-out buildings, and little else. With their music, Sabbath captured the dread and the burgeoning pessimism that was haunting the minds of young people in the sixties and seventies.Today, we are in a similar age of crisis: climate disaster, extreme inequality, police brutality, mass incarceration, and now, pandemic. Black Sabbath speaks to our time in ways few other bands can. They deploy apocalyptic imagery to capture the destruction of the planet by despotic superpowers, and they pronounce a prophetic indictment on agents of injustice. In this book, theologian and cultural critic Jack Holloway explores Black Sabbath's music and lyrics, and what they had to say to their historical context. From this analysis, Holloway outlines a Black Sabbath theology which carries significant import for modern life, reminding us of our deep responsibility to transform a broken world., ""The world today is such a wicked place,"" Black Sabbath declared in 1969, when they recorded their debut album, set against a backdrop of war, assassinations, social unrest, and disillusionment. Cries for justice from the Civil Rights Movement, and for peace and love from the culture of ""flower power,"" had been met with violent backlash from the ruling class. It was on this stage that Black Sabbath entered--the heaviest rock band the world had yet known. This band was shaped by a working class upbringing in Birmingham, England, where actual metal defined the small town existence of factories, bombed-out buildings, and little else. With their music, Sabbath captured the dread and the burgeoning pessimism that was haunting the minds of young people in the sixties and seventies. Today, we are in a similar age of crisis: climate disaster, extreme inequality, police brutality, mass incarceration, and now, pandemic. Black Sabbath speaks to our time in ways few other bands can. They deploy apocalyptic imagery to capture the destruction of the planet by despotic superpowers, and they pronounce a prophetic indictment on agents of injustice. In this book, theologian and cultural critic Jack Holloway explores Black Sabbath's music and lyrics, and what they had to say to their historical context. From this analysis, Holloway outlines a Black Sabbath theology which carries significant import for modern life, reminding us of our deep responsibility to transform a broken world.
LC Classification Number
ML421.B57H65 2022

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